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"As an art student in the late sixties, I recall how painfully dry and intellectual my art history classes were. I thought to myself, or rather felt to myself, 'There must be something more'" --Van James Artist Van James offers that something more. This is a richly readable and lavishly illustrated text that reveals how, at every stage, human consciousness has evolved through the medium of art. It makes the case for a hidden stream that has put forth art works and art movements throughout history, in an ongoing visible revelation of invisible spiritual currents. Art, originally a part of the secret Mystery cults of the ancient world, has become an expression of the individual creative intuition. At every stage, Albert Einstein's comment applies: "The most beautiful thing we can experience is the mysterious. It is the source of all true art and science."
A comparative look at religion and spirituality in postcolonial China and India The Modern Spirit of Asia challenges the notion that modernity in China and India are derivative imitations of the West, arguing that these societies have transformed their ancient traditions in unique and distinctive ways. Peter van der Veer begins with nineteenth-century imperial history, exploring how Western concepts of spirituality, secularity, religion, and magic were used to translate the traditions of India and China. He traces how modern Western notions of religion and magic were incorporated into the respective nation-building projects of Chinese and Indian nationalist intellectuals, yet how modernity in China and India is by no means uniform. While religion is a centerpiece of Indian nationalism, it is viewed in China as an obstacle to progress that must be marginalized and controlled. The Modern Spirit of Asia moves deftly from Kandinsky's understanding of spirituality in art to Indian yoga and Chinese qi gong, from modern theories of secularism to histories of Christian conversion, from Orientalist constructions of religion to Chinese campaigns against magic and superstition, and from Muslim Kashmir to Muslim Xinjiang. Van der Veer, an outspoken proponent of the importance of comparative studies of religion and society, eloquently makes his case in this groundbreaking examination of the spiritual and the secular in China and India.
A Buddhist monk takes up arms to resist the Chinese invasion of Tibet - then spends the rest of his life trying to atone for the violence by hand printing the best prayer flags in India. A Jain nun tests her powers of detachment as she watches her best friend ritually starve herself to death. Nine people, nine lives; each one taking a different religious path, each one an unforgettable story. William Dalrymple delves deep into the heart of a nation torn between the relentless onslaught of modernity and the ancient traditions that endure to this day. LONGLISTED FOR THE BBC SAMUEL JOHNSON PRIZE
A New Republic Editors' and Writers' Pick 2012 A New Yorker Contributors' Pick 2012 A Newsweek "Must Read on Modern India" “For people who savored Katherine Boo’s Behind the Beautiful Forevers.”—Evan Osnos, newyorker.com From the author of Better To Have Gone, a portrait of the incredible change and economic development of modern India, and of social and national transformation there told through individual lives Raised in India, and educated in the U.S., Akash Kapur returned to India in 2003 to raise a family. What he found was an ancient country in transition. In search of the life that he and his wife want to lead, he meets an array of Indians who teach him much about the realities of this changed country: an old landowner sees his rural village destroyed by real estate developments, and crime and corruption breaking down the feudal authority; a 21-year-old single woman and a 35-year-old divorcee exploring the new cultural allowances for women; and a young gay man coming to terms with his sexual identity – something never allowed him a generation ago. As Akash and his wife struggle to find the right balance between growth and modernity and the simplicity and purity they had known from the Indian countryside a decade ago, they ultimately find a country that “has begun to dream.” But also one that may be moving away too quickly from the valuable ways in which it is different.
This book provides an interpretive and comprehensive account of the history of India between the eighteenth and twentieth centuries, a crucial epoch characterized by colonialism, nationalism and the emergence of the independent Indian Union. It explores significant historiographical debates concerning the period while highlighting important new issues, especially those of gender, ecology, caste, and labour. The work combines an analysis of colonial and independent India in order to underscore ideologies, policies, and processes that shaped the colonial state and continue to mould the Indian nation.
This book investigates the entangled relations between people’s daily worship practices and their umwelt in South India. Focusing on the practices of spirit (būta) worship in the coastal area of Karnataka, it examines the relationship between people and deities. Based on extensive fieldwork, this book links important anthropological theories on personhood, perspectives, transactions, and gift-exchanges together with the Gestaltkreis theory of Viktor von Weizsäcker. First, it examines the relations between būta worship and land tenure, matriliny, and hierarchy in the society. It then explores the reflexive relationship between modern law and current practices based on conventional law, before examining new developments in būta worship with the rise of mega-industries and environmental movements. Furthermore, this book sheds light on the struggles and endeavours of the people who create and recreate their relations with the realm of sacred wildness, as well as the formations and transformations of the umwelt in perpetual social-political transition. Modernity and Spirit Worship in India will be of interest to academics in the field of anthropology, religious studies and the dynamics of religion, and South Asian Culture and Society.
 Through this book, those aspects of Raja Rammohun Roy's life have been looked at which can be set as an ideal for all of us. His life has been dedicated to the upliftment of our society and has given us a legacy by creating a empowered modern society. His complete introduction can never be given in a book about such a great man, yet an attempt has been made by the author and he has written as much as possible. That means even if we can understand Rammohun, that too will be enough for us. I, Ramprakash Singh Pavaiya have presented some part of the life of an idealistic great man through a book. I hope it will help you to understand Rammohun better. Ramprakash Singh Pavaiya (SITM) is also associated with the Saksham Innovative Teaching Method Programme, a place where the institution is dedicated to the success and prosperity of the students.
Although This Volume Was Initially Written By Scholars For Scholars, It Has Become A Popular Text For Courses In Indian Religions And Religion In Modern India. The New Chapters Should Help Fill In Some Of The Gaps In The Original Volume. Since 1981 There Has Been Renewed Interest In The Study Of Modern India. In This Fourth Revised Edition A New Essay On Jainism By James F. Lewis Has Been Added. Further More All Contributors Were Offered An Opportunity To Make Revisions In Their Original Contributions.
Contents: Introduction, India s Agony, Rammohun Roy, Macaulay s Educational Minutes, Swami Dayanand Saraswati his Life and Works, The Mysore-Maratha Relations, Annie Besant s Political Ideology in India, The Rowlatt Satyagraha of 1919, England and India, The Gurukul Kangri as an Experiment in National Education, Working Class Consciousness in Colonial India, Colonialism and Nationalists.