Download Free The Spirit Of Japanese Capitalism And Selected Essays Book in PDF and EPUB Free Download. You can read online The Spirit Of Japanese Capitalism And Selected Essays and write the review.

In this searching, marvelously informative book, Yamamoto Shichihei traces the roots of Japan's modern business society. He shows how the Japanese version of the Protestant work ethic had its beginnings with Buddhist and Confucian thinkers, even through centuries of self-imposed isolation. The Japanese original is highly revered by young Japanese executives.
In this searching, marvelously informative book, Yamamoto Shichihei traces the roots of Japan's modern business society. He shows how the Japanese version of the Protestant work ethic had its beginnings with Buddhist and Confucian thinkers, even through centuries of self-imposed isolation. The Japanese original is highly revered by young Japanese executives.
At the same time as modern capitalism became an engine of progress and a source of inequality, the United States rose to global power. Hence diplomacy and the forces of capitalism have continually evolved together and shaped each other at different levels of international, national, and local transformations. Diplomacy and Capitalism focuses on the crucial questions of wealth and power in the United States and the world in the twentieth century. Through a series of wide-ranging case studies on the history of international political economy and its array of state and non-state actors, the volume's authors analyze how material interests and foreign relations shaped each other. How did the rising and then disproportionate power of the United States and the actions of corporations, creditors, diplomats, and soldiers shape the twentieth-century world? How did officials in the United States and other nations understand the relationship between foreign investment and the state? How did people outside of the United States respond to and shape American diplomacy and political-economic policy? In detailed discussions of the exchanges and entanglements of capitalism and diplomacy, the authors answer these crucial questions. In doing so, they excavate how different combinations of material interest, geopolitical rivalry, and ideology helped create the world we live in today. The book thus analyzes competing and shared visions of international capitalism and U.S. diplomatic influence in chapters that bring the book's readers from the dawn of the twentieth century to its end, from Theodore Roosevelt to Ronald Reagan. Contributors: Abou Bamba, Giulia Crisanti, Christopher R. W. Dietrich, Max Paul Friedman, Joseph Fronczak, Alec Hickmott, Jennifer M. Miller, Alanna O'Malley, Nicole Sackley, Jayita Sarkar, Erum Sattar, Jason Scott Smith.
The most complete autobiography of Yoshida Shigeru available in English, this expanded translation of his memoirs traces the remarkable life and times of one of Japan's most powerful and influential figures. Yoshida (1878–1967), who served in China and Europe as a career diplomat, closely linked with the key political leaders who shaped the world in Japan's most tumultuous years in the first half of the twentieth century. He returned to politics to rebuild Japan as a five-time prime minister after the devastation of World War II. Yoshida retired from the Japanese Foreign Ministry in 1939 with the intention of leading a quiet life. Yet he knew the winds of war were stirring and presciently began behind-the-scenes maneuvering to avoid the calamitous Pacific War. Soon after Japan's defeat, Yoshida amassed the political power to form his own cabinet. Sandwiched between Japan's interests and major reforms advanced by MacArthur's occupation forces, Yoshida boldly pushed through many essential reforms, laying the foundation for his country's reentry into the global community. Richly laced with historical detail, this book will be essential reading for anyone interested in twentieth-century Japan. Exploring Yoshida's and Japan's linked histories, the book traces Yoshida's lengthy tenure in China, his travel abroad as a member of Japan's mission to conclude World War I, the interwar years spent as a high-ranking diplomat in Europe, his role in the days leading up to the Pearl Harbor attack, his view on the loss of war, his insights into MacArthur's character, Japan's postwar economic woes, the new constitution, the threat of communism, the imperial system, and the San Francisco Peace Conference in 1958 that guaranteed Japan's sovereignty.
Is there a new scramble for Africa involving China, Japan, and India in competition with each other and with the Western world? In the second half of the twentieth century, Mao’s China and Jawaharlal Nehru’s India were political players in Africa, while Japan limited itself to trade and investment in Africa. Africa and Asia have historically been allies against Western exploitation and have also been rivals as producers of raw materials. India and West Asia have led the way in the soft power of culture and religion in Africa while Japan and China have engaged in the harder disciplines of the economy and the construction of infrastructure. This book explores the historical and unfolding dynamic interactions among China, India, Japan, and Africa and their ramifications.
Looking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville's Covehithe, Reza Negarestani's Cycolonopedia, Julio Ortega's novel Adiós, Ayacucho, Ahmed Saadawi's Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.
Nagai Kafu is one of the greatest modern Japanese writers, but until now his classic collection, American Stories, based on his sojourn from Japan to Washington State, Michigan, and New York City in the early years of the twentieth century, has never been available in English. Here, with a detailed and insightful introduction, is an elegant translation of Kafu's perceptive and lyrical account. Like de Tocqueville a century before, Kafu casts a fresh, keen eye on vibrant and varied America—world fairs, concert halls, and college campuses; saloons, the immigrant underclass, and red-light districts. Many of his vignettes involve encounters with fellow Japanese or Chinese immigrants, some of whom are poorly paid laborers facing daily discrimination. The stories paint a broad landscape of the challenges of American life for the poor, the foreign born, and the disaffected, peopled with crisp individual portraits that reveal the daily disappointments and occasional euphorias of modern life. Translator Mitsuko Iriye's introduction provides important cultural and biographical background about Kafu's upbringing in rapidly modernizing Japan, as well as literary context for this collection. In the first story, "Night Talk in a Cabin," three young men sailing from Japan to Seattle each reveal how poor prospects, shattered confidence, or a broken heart has driven him to seek a better life abroad. In "Atop the Hill," the narrator meets a fellow Japanese expatriate at a small midwestern religious college, who slowly reveals his complex reasons for leaving behind his wife in Japan. Caught between the pleasures of America's cities and the stoicism of its small towns, he wonders if he can ever return home. Kafu plays with the contradictions and complexities of early twentieth-century America, revealing the tawdry, poor, and mundane underside of New York's glamour in "Ladies of the Night" while celebrating the ingenuity, cosmopolitanism, and freedom of the American city in "Two Days in Chicago." At once sensitive and witty, elegant and gritty, these stories provide a nuanced outsider's view of the United States and a perfect entrance into modern Japanese literature.
Producing Culture and Capital is a major theoretical contribution to the anthropological literature on capitalism, as well as a rich case study of kinship and gender relations in northern Italy. Drawing on ethnographic and archival research on thirty-eight firms in northern Italy's silk industry, Sylvia Yanagisako illuminates the cultural processes through which sentiments, desires, and commitments motivate and shape capitalist family firms. She shows how flexible specialization is produced through the cultural dynamics of capital accumulation, management succession, firm expansion and diversification, and the reproduction and division of firms. In doing so, Yanagisako addresses two gaps in Marx's and Weber's theories of capitalism: the absence of an adequate cultural theory of capitalist motivation and the absence of attention to kinship and gender. By demonstrating that kinship and gender are crucial in structuring capitalist action, this study reveals these two gaps to be different facets of the same omission. A process-oriented approach to class formation and class subjectivity enables the author to incorporate the material and ideological struggles within families into an analysis of class-making and self-making. Yanagisako concludes that both "provincial" and "global" capitalist orientations and strategies operate in an industry that has always been integrated into regional and international relations of production and distribution. Her approach to culture and capitalism as mutually constituted processes offers an alternative to both universal models of capitalism as a mode of production and essentialist models of distinctive "cultures of capitalism."
Constructing Subjectivities addresses the relationship between memory and modernity and its relevance to Japanese autobiographical texts. Tomonari construes autobiographies as embodying memory in modernity, and regards the conditions of modernity as having determined, in part, the shape of autobiographical texts. At the same time, however, he argues that Japanese autobiographies were not simply bound to the cultural and social norms of the time, but rather that the texts themselves were among the main agents of fostering Japanese modernity. The autobiographies he discusses served to initiate certain societal transitions and took part in the remaking of social norms and conventions. According to Constructing Subjectivities, mnemonic texts were crucial to the construction of modern ideological discourses such as those on the self, the family, entrepreneurship, the roles of women, and the nation. The study of this discursive process enables us to understand how the Japanese themselves tried to control the form of modernity that materialized in Japan. Because autobiography constructed and embodied collective memory at this time, analyzing the discursive process is also crucial to understanding both contemporary Japan and the self-perception of the Japanese people.
This is a tale based on the strike which took place in the mid-1950s at Omi Kenshi, a silk manufacturer not far from Tokyo. The events described reflect the management / labour tensions of the period and is a piece of social commentary on the transformation of Japanese business.