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Dickens' classic tale in a country-western version.
"Madame Defarge is one of Dickens''supreme villainesses. Her secret drives her to seek a revenge so strong that it ties her to the French revolution. In this short play, the main story of Charles Dickens' A Tale of Two Cities becomes the peripheral story to that of Madame Defarge and her single-minded revenge. As the full company gathers to speak Dickens' immortal lines "It was the best of times-it was the worst of times..." Madame Defarge is revealed in her husband's wine shop in the poorest district of Paris. From here her plots and machinations involve the innocent Lucie Manette and her father, Dr. Manette, returned to life after an 18-year imprisonment in the Bastille, and the heroic Charles Darnay and his wicked uncle, the Marquis St. Evremonde. Somehow they are all involved in Madame Defarge's secret, which is revealed in the climactic trial scene before the French tribunal-where the convicted are sent to La Guillotine. This hair-raising drama unfolds at a lightening pace and beautifully dramatizes the reasons the poor of France revolted. A myriad of interesting characters and a great ensemble opportunity play out this unusual slant on Dickens' classic novel."--Publisher's website.
First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 1875 and read by more than eight million people, this nondenominational book has a 119-year history of healing and inspiration. To attract a new audience, this time-honored message of healing has a powerful new cover, easy-to-read page layout, and word index. Named one of "75 Books by Women Whose Words Have Changed the World".
Throughout the 1980s and 1990s, Ernest, the lovable blue-collar buffoon, was a staple of pop culture in countless commercials, nearly a dozen movies and an award-winning Saturday-morning TV show. Today, millions of fans still mourn the loss of actor Jim Varney, who portrayed Ernest and who died at age 50 in 2000 of cancer. Ernest fans are finally getting the biography they have been waiting for in this comprehensive work by Jim's nephew, Justin Lloyd. "The Importance of Being Ernest: The Life of Actor Jim Varney" traces Jim's journey from a child in Lexington, Kentucky, with dreams of being a stage and film actor to becoming an iconic entertainment figure in the tradition of Charlie Chaplin's "The Little Tramp."The book is based on numerous interviews with family members and intimates of Jim who have never spoken publicly before about what drove the actor and how he overcame many personal and professional obstacles to attain success. But with that success came a price: Jim longed for stage and film roles beyond Ernest, and they were difficult to come by because of his symbiosis with the character. Yet Jim persevered, ultimately winning major movie roles such as Jed Clampett in "The Beverly Hillbillies" and (the voice of) Slinky Dog in the first two "Toy Story" films. The book also explores the genius of the small Nashville advertising agency that created Ernest and how it spread his popularity decades before "going viral" became associated with achieving global stardom.Even at the height of his career, Jim never forgot he was a descendant of Appalachian coal miners, and he remained true to his values, his friends and his family. Jim always strove for authenticity and humanity inside his hillbilly humor, endearing him to fans from every walk of life. "The Importance of Being Ernest: The Life of Actor Jim Varney" documents the life of an unforgettable figure in American comedy whose legacy endures today."The Importance of Being Ernest: The Life of Actor Jim Varney" contains never-before-seen photos from the Varney family's private collection.
Winner of the 2020 Choice Outstanding Academic Title Award Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of détournement, as well as the subversive spatial practices of the dérive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Détournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S. See inside the book.