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Presents seventy-six images Black Hawk drew in the 1880s, detailing the culture and religion of the Lakota Sioux.
Conjure, hoodoo, rootwork - these are all names for southern American folk magic. Conjure first emerged in the days of slavery and plantations and is widely considered among the most potent forms of magic. Its popularity continues to increase, both in the United States and worldwide. This book is a guide to using conjure to achieve love, success, safety, prosperity, and spiritual fulfillment. Author Starr Casas, a hereditary master of the art, introduces readers to the history and philosophy of conjure and provides practical information for using it. Featuring Casas's own rituals, spells, and home recipes, the book provides useful information suitable for novices and seasoned practitioners alike. In its pages, you'll learn about: Bone reading Candle burning Conjure bags Building your own conjure altar At last, a book that answers every questions you had about Conjure but were afraid to ask! Old Style Conjure is an absolute treasure. It?s a must-read for every practitioner of the ancient arts and a must-have for every magical library! - Dorothy Morrison, author of Everyday Magic, The Craft and Utterly Wicked.
The name Black Hawk permeates the built environment in the upper midwestern United States. It has been appropriated for everything from fitness clubs to used car dealerships. Makataimeshekiakiak, the Sauk Indian war leader whose name loosely translates to “Black Hawk,” surrendered in 1832 after hundreds of his fellow tribal members were slaughtered at the Bad Axe Massacre. Re-Collecting Black Hawk examines the phenomena of this appropriation in the physical landscape, and the deeply rooted sentiments it evokes among Native Americans and descendants of European settlers. Nearly 170 original photographs are presented and juxtaposed with texts that reveal and complicate the significance of the imagery. Contributors include tribal officials, scholars, activists, and others including George Thurman, the principal chief of the Sac and Fox Nation and a direct descendant of Black Hawk. These image-text encounters offer visions of both the past and present and the shaping of memory through landscapes that reach beyond their material presence into spaces of cultural and political power. As we witness, the evocation of Black Hawk serves as a painful reminder, a forced deference, and a veiled attempt to wipe away the guilt of past atrocities. Re-Collecting Black Hawk also points toward the future. By simultaneously unsettling and reconstructing the midwestern landscape, it envisions new modes of peaceful and just coexistence and suggests alternative ways of inhabiting the landscape.
The New Orleans Spiritual Churches constitute a distinctive African American belief system. Influenced by Catholicism, Pentecostalism, Spiritualism, and Voodoo, the group is a New World syncretic faith, similar to Espiritismo, Santeria, and Umbanda. In The Spiritual Churches of New Orleans, Claude Jacobs and Andrew Kaslow combine a historical account of the emergence of this religion with careful ethnographic description of current congregations. Complementing their text with striking photographs, the authors convey the ecstasy at the heart of the Spiritual experience. Copyright © Libri GmbH. All rights reserved.
The exotic cultural terrain of New Orleans is enriched by the Spiritual churches. Combining elements from Roman Catholicism, Afro-Caribbean rituals, and down-home black religion, some one hundred of these houses of worship, most of them small, are scattered throughout the Crescent City. Their founder, Mother Leafy Anderson, was a faith healer and medium of African and Native American ancestry, who summoned spirits of the dead to commune with the living. In 1920 she came from Chicago to establish her denomination led by women and gladdened by jazz bands. Despite segregation laws, her congregations were integrated. At the center of her church Mother Anderson enshrined the spirit of Black Hawk, the rebellious Indian leader who in the 1830s waged a valiant rear-guard war against white pioneers and federal troops during the settling of the Midwest. Passionate present-day followers of Mother Anderson sing praises to him, "He'll fight your battles. He's on the wall." Why Black Hawk? Why is a Midwestern Indian at the heart of an African-American faith in the Deep South? Jason Berry, one of America's finest investigative nonfiction writers, explores the intriguing mystery of Black Hawk's place in the canon of Spiritual saints. In doing so he recounts the fascinating story of the church and the latterday followers of Mother Anderson in contemporary New Orleans. His haunting narrative is a historical detective story that encompasses the biography of Black Hawk, Leafy Anderson, and the remarkable circle of disciples around her, such as the benevolent Mother Catherine Seals, whose haven for illegitimate children and unwed mothers was called the Temple of the Innocent Blood.
Dark, thrilling, and hilarious, The Black Hawks is an epic adventure perfect for fans of Joe Abercrombie and Scott Lynch.
Revealing never-before-told stories with the incisive thought and emotion of one who was there. "The author does not pull any punches...his story, is one of great bravery, of going to hell and making it back." —Indianapolis Star His battered face appeared on the cover of Time, Newsweek, and U.S. News & World Report to the shock and horror of all Americans. Black Hawk pilot Mike Durant was shot down and taken prisoner during America's biggest firefight since the Vietnam War. Published in the tenth anniversary year of the Somali conflict, this gripping personal account at last tells the world about Durant's harrowing captivity and the heroic deeds of his doomed comrades. And, as readers will discover, Durant proves himself to be nothing less than a hero.
Explores the significance of Indian control spirits as a dominating force in nineteenth-century American Spiritualism. The Specter of the Indian unveils the centrality of Native American spirit guides during the emergent years of American Spiritualism. By pulling together cultural and political history; the studies of religion, race, and gender; and the ghostly, Kathryn Troy offers a new layer of understanding to the prevalence of mystically styled Indians in American visual and popular culture. The connections between Spiritualist print and contemporary Indian policy provide fresh insight into the racial dimensions of social reform among nineteenth-century Spiritualists. Troy draws fascinating parallels between the contested belief of Indians as fading from the world, claims of returned apparitions, and the social impetus to provide American Indians with a means of existence in white America. Rather than vanishing from national sight and memory, Indians and their ghosts are shown to be ever present. This book transports the readers into dimly lit parlor rooms and darkened cabinets and lavishes them with detailed séance accounts in the words of those who witnessed them. Scrutinizing the otherworldly whisperings heard therein highlights the voices of mediums and those they sought to channel, allowing the author to dig deep into Spiritualist belief and practice. The influential presence of Indian ghosts is made clear and undeniable.