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The iconic Boston P.I. stars in six classic crime novels in “one of the great series in the history of the American detective story" (New York Times Book Review). Thin Air Chance Small Vices Sudden Mischief Hush Money Hugger Mugger
Susan's letter came from California: Hand was in jail, and she was on the run. Twenty-four hours later, Hawk is free, because Spenser has sprung him loose—for a brutal cross-country journey back to the East Coast. Now the two men are on a violent ride to find the woman Spenser loves, the man who took her, and the shocking reason so many people had to die. . . . Praise for A Catskill Eagle “Entertaining.”—The San Diego Union-Tribune “His best mystery novel.”—Time
Ellis Alves is no angel. But his lawyer says he was framed for the murder of college student Melissa Henderson...and asks Spenser for help. From Boston's back streets to Manhattan's elite, Spenser and Hawk search for suspects, including Melissa's rich-kid, tennis-star boyfriend. But when a man with a .22 puts Spenser in a coma, the hope for justice may die with him...
"It's easy to see why Parker's snappy banter and cynical eye have kept fans turning pages for 25 years . . . his wisecracks, combined with Parker's shorthand flair for scathing characterization, make for a satisfying read," said Entertainment Weekly of last year's Hush Money. Now Parker presents Spenser with a deceptively dangerous and multi-layered case: Someone has been killing racehorses at stables across the south, and the Boston P.I. travels to Georgia to protect the two-year-old destined to become the next Secretariat. When Spenser is approached by Walter Clive, president of Three Fillies Stables, to find out who is threatening his horse Hugger Mugger, he can hardly say no: He's been doing pro bono work for so long his cupboards are just about bare. Disregarding the resentment of the local Georgia law enforcement, Spenser takes the case. Though Clive has hired a separate security firm, he wants someone with Spenser's experience to supervise the operation. Despite a veneer of civility, Spenser encounters tensions beneath the surface southern gentility. The case takes an even more deadly turn when the attacker claims a human victim, and Spenser must revise his impressions of the whole Three Fillies organization--and watch his own back as well. With razor-sharp dialogue, eloquently spare prose, and some of the best supporting characters to grace the printed page, Hugger Mugger is grand entertainment.
Robert B. Parker introduces readers to police chief Jesse Stone in the first novel in the beloved mystery series—a New York Times bestseller. After a busted marriage kicks his drinking problem into overdrive and the LAPD unceremoniously dumps him, thirty-five-year-old Jesse Stone’s future looks bleak. So he’s shocked when a small Massachusetts town called Paradise recruits him as police chief. He can’t help wondering if this job is a genuine chance to start over, the kind of offer he can’t refuse. Once on board, Jesse doesn’t have to look for trouble in Paradise: it comes to him. For what is on the surface a quiet New England community quickly proves to be a crucible of political and moral corruption—replete with triple homicide, tight Boston mob ties, flamboyantly errant spouses, maddened militiamen and a psychopath-about-town who has fixed his violent sights on the new lawman. Against all this, Jesse stands utterly alone, with no one to trust—even he and the woman he’s seeing are like ships passing in the night. He finds he must test his mettle and powers of command to emerge a local hero—or the deadest of dupes.
Her name is Lisa St. Claire. Her husband's a cop. Her whereabouts are unknown. Spenser thought he could help a friend find his missing wife. Until he learned the nasty truth about Lisa St. Claire. For starters, it's not her real name...
Mafia princess Shirley Meeker wants her husband back. So does her father the kingpin and a few other shady characters. Spenser and hawk head to Vegas to find Anthony Meeker and to confirm their suspicion that all these people aren't just missing Anthony's smile. And Spenser has to make some sense of some very disorganized crime...
In the latest thriller featuring the legendary Boston PI, Spenser and his young protégé Mattie Sullivan take on billionaire money manager running a network of underaged girls for his rich and powerful clients. Ten years ago, Spenser helped a teenage girl named Mattie Sullivan find her mother's killer and take down an infamous Southie crime boss. Now Mattie--a college student with a side job working for the tough but tender private eye--dreams of being an investigator herself. Her first big case involves a fifteen-year-old girl assaulted by a much older man at one of Boston's most prestigious private clubs. The girl, Chloe Turner, only wants the safe return of her laptop and backpack. But like her mentor and boss, Mattie has a knack for asking the right questions of the wrong people. Soon Spenser and Mattie find ties between the exploitation of dozens of other girls from working class families to an eccentric billionaire and his sadistic henchwoman with a mansion on Commonwealth Avenue. The mystery man's wealth, power and connections extend well beyond Massachusetts - maybe even beyond the United States. Spenser and trusted ally Hawk must again watch out for Mattie as she unravels a massive sex-trafficking ring that will take them from Boston to Boca Raton to the Bahamas, crossing paths with local toughs, a highly-trained security company, and an old enemy of Spenser's--the Gray Man--for a final epic showdown.
Spenser reflects back to when he was fourteen-years-old and how he helped his best friend Jeannie when she was abducted by her abusive father.
Despite all of his acknowledged greatness, almost no one reads Edmund Spenser (1552-99) anymore. Roy Maynard takes the first book of the 'Faerie Queene, ' exploring the concept of Holiness with the character of the Redcross Knight, and makes Spenser accessible again. He does this not by dumbing it down, but by deftly modernizing the spelling, explaining the obscurities in clever asides, and cuing the reader towards the right response. In today's cultural, aesthetic, and educational wars, Spenser is a mighty ally for twenty-first century Christians. Maynard proves himself a worthy mediator between Spenser's time and ours. (Gene Edward Veith)