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Life becomes unpredictable and dangerous when Caroline discovers that the wand she bought for her brother's conjurer's set really does work magic.
The Dark Lord has been busy, and once again Goel is sending the Seven Sleepers to spoil his plans. This time Josh and his friends are off to Whiteland, a place of sled dogs and igloos, polar bears, and seals. The Sleepers soon learn that Whiteland is also the home of the dreaded ice wraiths, the warlike Yanti people, and a crafty dark-hearted wizard. Then they hear the really scary news: their job is to destroy a special chair deep inside the wizard's palace. But what about the fearsome creature that guards the Crystal Chair? And what about the wizard himself? See what happens when the Sleepers obey Goel, the good leader who always gives his friends just what they need.
Unlock your magic with simple spells for new witches There's magic in all of us, just waiting to be tapped. If you're ready to access and channel your power, The Spell Book for New Witches will be your guide. Inside, you'll learn what it means to create and cast a spell, the central philosophies of witchcraft, and how spellwork can help you feel more powerful and connected to the world around you. The Spell Book for New Witches offers: Guidance for new witches—This beginner witchcraft book is your introduction to spellcasting that covers key terms, the different forms of magic, and step-by-step guidance for successful spells. Love, prosperity, and healing—Try 130 spells that can impact every part of your life, like a Rose Attraction Potion, a Friendship Repair Knot Spell, or Healing Full Moon Water. Helpful instructions and illustrations—Enchanting illustrations and a cookbook-style format make it easy to find your favorite spells, and hone your craft over time. Empower the witch within as you explore the ultimate choice in witch books for beginners.
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Once upon a time, glass slippers, poison apples, evil stepmothers, fairy godmothers, and princes charming exerted a magnetic hold, cast a magic spell, on adults and children alike. Real-life anxieties fostered a need for stories that assuage. But the world changes, and Maggi asks here whether fairy tales have found a way to transform themselves to keep up. He says no, they haven t. The genre of fairy tale has become contaminated, it has been entitized, like processed food, fossilized as Disney-esque icons. We need to rediscover the marvelous, the oneiric trance of dazzling dreams or horrid torments. We need a new mythic lens to help us understand reality, but to chart what that might be, it is necessary to understand the history of the various traditions of oral and written narrative that intersect with each other across time and space. He goes to Giambattista Basile for the Ur fairy tales, with a special focus on the emblematic Cupid and Psyche myth, an anchor for Maggi s wide-ranging investigation of essential variations on fairy tales (with oppositions of beauty/ugly, human/divine, apparent/real). The transformations of later Italian, French, English, and German traditions come to a head with the Brothers Grimm in 19t-century Germany. Maggi brilliantly weaves the traditions into the 20th century, in memoirs such as those by Joan Didion, in postmodern novels such as Robert Coover s, and, in a final manifestation, in the convulsively, bleakly beautiful movie, "Beasts of the Southern Wild." This book offers profound reflections on reading fairy tales, on the inherent human need for narrative-myth (and, ultimately, for hope), showing us why we tell tales and how these stories transform over time. He offers, in an appendix, the first translation of the original Grimm edition of Basile s 50 tales."