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Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.
This book explores the articulation of white creole identity in Barbados during the age of abolitionism.
Known today as "the other speaker at Gettysburg," Edward Everett had a distinguished and illustrative career at every level of American politics from the 1820s through the Civil War. In this new biography, Matthew Mason argues that Everett's extraordinarily well-documented career reveals a complex man whose shifting political opinions, especially on the topic of slavery, illuminate the nuances of Northern Unionism. In the case of Everett--who once pledged to march south to aid slaveholders in putting down slave insurrections--Mason explores just how complex the question of slavery was for most Northerners, who considered slavery within a larger context of competing priorities that alternately furthered or hindered antislavery actions. By charting Everett's changing stance toward slavery over time, Mason sheds new light on antebellum conservative politics, the complexities of slavery and its related issues for reform-minded Americans, and the ways in which secession turned into civil war. As Mason demonstrates, Everett's political and cultural efforts to preserve the Union, and the response to his work from citizens and politicians, help us see the coming of the Civil War as a three-sided, not just two-sided, contest.
Mary Shelley’s Frankenstein is arguably the best known work of the English Romantic period. First published in 1996, this edition of The Frankenstein Notebooks contains not only facsimiles and transcriptions of all of surviving manuscripts related to the novel and a corrected, critical text of Frankenstein (or The Modern Prometheus) but also a full range of factual information, drawn from Shelley’s and William Godwin’s letters and journals, from newspaper ads of the day, and from other available scholarship about the conception, gestation, and birth of Mary Shelley’s monster. This two volume set contains a wealth of information vital to the creation and reception of Frankenstein. It will enable scholars, critics and students to see for themselves the exact extent of P. B. Shelley’s editorial contributions and trace the artistic and ideological development of the novel at various stages in its formation. It will also enable the reader to explore the text itself to test and evaluate their own theses. Part one contains the draft notebook A, which was written between August or September and December 1816. This set will be of keen interest to those studying Frankenstein, the Romantics and 19th century literature.