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A Spectrum of Faith invites readers on a vivid journey through words and pictures into the diverse religious communities of greater Des Moines. Explore the south-side office park transformed into a Buddhist monastery as well as the Basilica in the city's center named to the National Registry of Historic Places; discover the Hindu temple rising above the cornfields of nearby rural Madrid along with the mosque, synagogue or gurudwara tucked away in a neighborhood near you. Whether they arrived before last century or just last decade, these Iowans who practice the world's major faith traditions--Sikhism, Buddhism, Christianity, Judaism, Hinduism, and Islam--extend the state's proud history of welcome to readers of all faith backgrounds. Get to know the fascinating array of individuals, faith traditions and worship practices belonging to the many religious communities who call Iowa home.
A leading scholar, cultural historian, and Catholic priest who spent more than fifty years writing about our engagement with the Earth, Thomas Berry possessed prophetic insight into the rampant destruction of ecosystems and the extinction of species. In this book he makes a persuasive case for an interreligious dialogue that can better confront the environmental problems of the twenty-first century. These erudite and keenly sympathetic essays represent Berry's best work, covering such issues as human beings' modern alienation from nature and the possibilities of future, regenerative forms of religious experience. Asking that we create a new story of the universe and the emergence of the Earth within it, Berry resituates the human spirit within a sacred totality.
This accessible yet comprehensive primer explores the breadth of viewpoints on major issues in evangelical theology by examining positions taken by evangelicals on seventeen seminal issues. The second edition retains the helpful features of the first edition and adds an appendix that addresses thirteen peripheral issues in contemporary evangelicalism. Praise for the first edition "The authors do what no book on the market does: In one volume they faithfully present divergent views on the crucial issues that divide evangelicals, and they do so in an unbiased, succinct, and lively manner. This book is perfect as a supplemental text in an introductory theology course or as a manual for church study groups. It will help everyone arrive at his or her own conclusions within the parameters of the evangelical tradition."--Dennis Okholm, Azusa Pacific University "Across the Spectrum succeeds with distinction in at least two respects. First, it represents a very useful tool for those who wish to begin grappling with different approaches to difficult theological problems. The book will be most helpful to beginning students in evangelical theology, the target audience. Second, the work presents various perspectives in fair and unbiased tones. . . . If used with care, it will repeatedly reward the reader with its fair and even treatment of different theological views."--Nathan D. Holsteen, Bibliotheca Sacra "I've been waiting for this book for some time. Due to its brief, nontechnical format, it can be used in a variety of ways in undergraduate theology courses. Although a concise volume, it succinctly outlines multiple arguments, both pro and con, for (incredibly!) over two dozen issues in disputed, largely non-fundamental areas of doctrine. The professor can present positions in favor of particular views or leave the issues open. It's settled--I'm requiring it!"--Gary R. Habermas, Liberty University "A collective sigh of relief will arise from the evangelical student body when it discovers this book! It helpfully and critically surveys the many legitimate evangelical theological options and convincingly demonstrates that there is no single authentically evangelical viewpoint on a wide range of controversial issues. It constitutes a small library between two covers."--Roger E. Olson, George W. Truett Theological Seminary, Baylor University
Why would anyone seek out the very experience the rest of us most wish to avoid? Why would religious worshipers flog or crucify themselves, sleep on spikes, hang suspended by their flesh, or walk for miles through scorching deserts with bare and bloodied feet? In this insightful new book, Ariel Glucklich argues that the experience of ritual pain, far from being a form of a madness or superstition, contains a hidden rationality and can bring about a profound transformation of the consciousness and identity of the spiritual seeker. Steering a course between purely cultural and purely biological explanations, Glucklich approaches sacred pain from the perspective of the practitioner to fully examine the psychological and spiritual effects of self-hurting. He discusses the scientific understanding of pain, drawing on research in fields such as neuropsychology and neurology. He also ranges over a broad spectrum of historical and cultural contexts, showing the many ways mystics, saints, pilgrims, mourners, shamans, Taoists, Muslims, Hindus, Native Americans, and indeed members of virtually every religion have used pain to achieve a greater identification with God. He examines how pain has served as a punishment for sin, a cure for disease, a weapon against the body and its desires, or a means by which the ego may be transcended and spiritual sickness healed. "When pain transgresses the limits," the Muslim mystic Mizra Asadullah Ghalib is quoted as saying, "it becomes medicine." Based on extensive research and written with both empathy and critical insight, Sacred Pain explores the uncharted inner terrain of self-hurting and reveals how meaningful suffering has been used to heal the human spirit.
Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich. Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.
This book is principally a study of the complex relationship of religion to modernity. Monica M. Ringer argues that modernity should be understood as the consequence, not the cause, of the new intellectual landscape of the 19th century. Using the lens of Islamic modernism she uncovers the underlying epistemology and methodology of historicism that penetrated the Middle East and South Asia in this period, both forcing and enabling a recalibration of the definition, nature, function and place of religion. She shows that Muslim Modernists, like their counterparts in other religious traditions, engaged in a sophisticated project of theological reform designed to marry their twin commitments to religion and to modernity. They were in conversation not only with European scholarship and Catholic modernism, but more importantly, with their own complex Islamic traditions.
Proceedings of a conference held in Feb. 2007 at Princeton University.