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Global Slump analyzes the global financial meltdown as the first systemic crisis of the neoliberal stage of capitalism. It argues that—far from having ended—the crisis has ushered in a whole period of worldwide economic and political turbulence. In developing an account of the crisis as rooted in fundamental features of capitalism, Global Slump challenges the view that its source lies in financial deregulation. The book locates the recent meltdown in the intense economic restructuring that marked the recessions of the mid-1970s and early 1980s. Through this lens, it highlights the emergence of new patterns of world inequality and new centers of accumulation, particularly in East Asia, and the profound economic instabilities these produced. Global Slump offers an original account of the “financialization” of the world economy during this period, and explores the intricate connections between international financial markets and new forms of debt and dispossession, particularly in the Global South. Analyzing the massive intervention of the world’s central banks to stave off another Great Depression, Global Slump shows that, while averting a complete meltdown, this intervention also laid the basis for recurring crises for poor and working class people: job loss, increased poverty and inequality, and deep cuts to social programs. The book takes a global view of these processes, exposing the damage inflicted on countries in the Global South, as well as the intensification of racism and attacks on migrant workers. At the same time, Global Slump also traces new patterns of social and political resistance—from housing activism and education struggles, to mass strikes and protests in Martinique, Guadeloupe, France and Puerto Rico—as indicators of the potential for building anti-capitalist opposition to the damage that neoliberal capitalism is inflicting on the lives of millions.
In this majestic tour de force, celebrated historian Peter Linebaugh takes aim at the thieves of land, the polluters of the seas, the ravagers of the forests, the despoilers of rivers, and the removers of mountaintops. Scarcely a society has existed on the face of the earth that has not had commoning at its heart. “Neither the state nor the market,” say the planetary commoners. These essays kindle the embers of memory to ignite our future commons. From Thomas Paine to the Luddites, from Karl Marx—who concluded his great study of capitalism with the enclosure of commons—to the practical dreamer William Morris—who made communism into a verb and advocated communizing industry and agriculture—to the 20th-century communist historian E.P. Thompson, Linebaugh brings to life the vital commonist tradition. He traces the red thread from the great revolt of commoners in 1381 to the enclosures of Ireland, and the American commons, where European immigrants who had been expelled from their commons met the immense commons of the native peoples and the underground African-American urban commons. Illuminating these struggles in this indispensable collection, Linebaugh reignites the ancient cry, “STOP, THIEF!”
MATTIS BANZ knows that he's meant to be a hero of the galaxy like the legendary Luke Skywalker, and when General Leia Organa's Resistance recruits him to join its efforts against the evil First Order, he finally has a chance to fulfill his destiny. But the rest of his squadron doesn't seem very promising. Sure, there's the Zeltron girl Lorica, famous for her exploits foiling evil smugglers, but there's also the swamp boy named Dec, who seems to enjoy causing trouble; Dec's "brother," a droid who thinks he's a pilot; Sari, whose imposing size contradicts her sweet nature; and Jo , the stuffy group leader with secrets. How is Mattis supposed to be the next Poe Dameron when he and his squad mates spend more time in trouble than flying X-wings? The team will have to learn how to work together when the going gets tough, or they won't be going anywhere. . . .
Medicinal chemistry is the chemistry discipline concerned with the design, development and synthesis of pharmaceutical drugs. The discipline combines expertise from chemistry and pharmacology to identify, develop and synthesize chemical agents that have a therapeutic use and to evaluate the properties of existing drugs. Medicinal Chemistry is a comprehensive and well illustrated presentation of the major areas of pharmaceutical drug research. It will be extremely useful as a textbook for pharmacy students and as an overview for research scientists entering the pharmaceutical industry. The book integrates the chemical and pharmacological aspects of drugs, and links the sciences of organic chemistry, biochemistry, and biology with the clinical areas of required for a thorough understanding of modern medicinal drugs. The treatment of pain and disease is one of the most important goals of humankind. Since ancient times people have been using potions, natural products and even the dust of mummies for the treatment of health problems. The healing effects of remedies were often ascribed to spirits and mythical entities, but some of the herbal preparations did possess curative properties. In the 1800's scientists began to investigate potions to determine what chemicals were present that could cause the observed healing. Thus, the early days of medicinal chemistry began with the study of naturally occurring materials that were effective in treating human disorders. The studies were tedious and required much sample purification and structure determination at a time when instrumental methods of analysis were unavailable. Also, screening methods for chemical efficacy against disease had to be developed so that humans were not used as trials. The book builds on the history of drug development, but does not assume much background knowledge. The focus is on building upon the understandings of the molecular function of drugs, and from there, taking a broad overview of the topical issues and most frequently used techniques.
Moderate Radical explores an exciting period of English, and British, history: Elizabethan and Early Stuart religious politics. Tobie Matthew (c. 1544-1628) started Elizabeth's reign as a religious radical, yet ended up running the English Church during the tumultuous years leading up to the British Civil Wars. Moderate Radical provides a new perspective on this period, and an insight into the power of conforming puritanism as a political and cultural force. Matthew's vision of conformity and godly magistracy brought many puritans into the Church, but also furnished them with a justification for rebellion when the puritanism was seriously threatened. Through exciting new sources - Matthew's annotations of his extensive library and newly discovered sermons - Rosamund Oates explores the guiding principles of puritanism in the period and explains why the godly promoted the national church, even when it seemed corrupt. She demonstrates how Matthew protected puritans, but his protection meant that there was a rich seam of dissent at the heart of the Church that emerged when the godly found themselves under attack in the 1620s and 1630s. This is a story about accommodations, conformity and government, as well as a biography of a leading figure in the Church, who struggled to come to terms with his own son's Catholicism and the disappointments of his family. Moderate Radical makes an important contribution to the emerging field of sermon studies, exploring the rich cultures derived from sermons as well as re-creating some of the drama of Matthew's preaching. It offers a new insight into tensions of the pre-Civil War Church.
An evil corporation's secret bio-weapons program is putting all of humanity at risk. Ellen Ripley's daughter must fight the horrific xenomorph threat. Following the events of Alien: Isolation, Amanda Ripley is kept silent by the Weyland-Yutani Corporation about the xenomorph threat. Enter Zula Hendricks, an Ex-Colonial Marine, in need of Ripley's help to expose a sinister bio-weapons program. The duo teams up against the sinister corporation's upgraded arsenal as they journey through space from research lab to test facility designed to keep the darkest atrocities secret! Critically acclaimed writer Brian Wood (The Massive, DMZ, Briggs Land) returns to Aliens to pen the harrowing efforts of Ripley and Hendricks to bring down the Weyland-Yutani weapons program. With hair-raising art by Robert Carey (Power Rangers, The Phantom). Collects Aliens: Resistance 1-4 comic series.
Wide-ranging research suggests that partners in gay male and bisexual relationships do not necessarily expect monogamy, or see it as an important issue. Although the frequency of gay male and bisexual non-monogamous partnerships tends to be widely acknowledged in social science literature, these relationships have rarely been explored in more detail. By providing rich empirical data, thoughtful analysis and theoretical debate, this book makes a significant contribution to the sociological literature on sexual and intimate relationships. More specifically it explores the diversity of gay male and bisexual relationship practices in the context of heteronormative citizenship and intra-social movement conflict, and highlights the complexity of power relations that circumscribe queer people's relationships and sexual lives. Written in an accessible and engaging manner, The Spectre of Promiscuity provides important insights for further studies on sexual culture, discourse, citizenship, politics and ethics.
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.