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Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon various systems of commercial, institutional and public spectacle that intersect with scenic stages of the national landscape, Tenneriello examines how spectacle is entrenched in the formation of national identity.
An energetic and exhilarating account of the Victorian entertainment industry, its extraordinary success and enduring impact The Victorians invented mass entertainment. As the nineteenth century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created 'palaces of pleasure'. In this vivid, captivating book, Lee Jackson charts the rise of well-known institutions such as gin palaces, music halls, seaside resorts and football clubs, as well as the more peculiar attractions of the pleasure garden and international exposition, ranging from parachuting monkeys and human zoos to theme park thrill rides. He explores how vibrant mass entertainment came to dominate leisure time and how the attempts of religious groups and secular improvers to curb 'immorality' in the pub, variety theater and dance hall faltered in the face of commercial success. The Victorians' unbounded love of leisure created a nationally significant and influential economic force: the modern entertainment industry.
This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.
The Blackwell Companion to the Bible and Culture provides readers with a concise, readable and scholarly introduction to twenty-first century approaches to the Bible. Consists of 30 articles written by distinguished specialists from around the world Draws on interdisciplinary and international examples to explore how the Bible has impacted on all the major social contexts where it has been influential – ancient, medieval and modern, world-wide Gives examples of how the Bible has influenced literature, art, music, history, religious studies, politics, ecology and sociology Each article is accompanied by a comprehensive bibliography Offers guidance on how to read the Bible and its many interpretations
Acrobats and manipulators of objects, trained animals, and clowns – have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus was the most spectacular entertainment many Americans saw. When the supply of cheap labor disappeared and other forms of entertainment became available, the giant circuses shrank, and in the last quarter of the twentieth century new one ring circuses returned. The Circus and Circus Culture area of the Popular Culture Association has been examining circus history, circus life, the relationship of circus to society, and the impact of circus on the visual and literary arts since 1997. This book is a collection of papers from its annual conferences. "This fascinating collection showcases the transnational richness and cultural depth of the circus in an array of historical and contemporary settings. Strongly recommended for circus enthusiasts and students of popular culture, history, and theater." —Janet M.Davis, Associate Professor, Chair of the Department of American Studies, College of Liberal Arts at UT Austin, author of The Circus Age: Culture and Society under the American Big Top
The fifteen essays in this book explore the influence of imperialism in a range of urban centres, including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. The first part on "imperial landscapes" is devoted to large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. In the second part, the focus is on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. The final part considers the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.
An innovative study of the cult of the navy in the age of empire.
Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.
This collection of essays assesses the significance of sport for the European avant-garde in the first half of the 20th century from an international and interdisciplinary perspective. It shows the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports.
Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.