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A creative memoir reflecting on a long-ago summer love and the choices we make—“built on dreams and memories of what never happened, but could have” (USA Today). Exploring the fault lines of adult nostalgia and desire, this work of creative nonfiction—a Bakeless Prize winner—re-creates the achingly intense adolescent summer days that Amy Benson and the sparkling-eyed boy spent together on the shores of the remote St. Mary’s River of Michigan’s Upper Peninsula. For her, summers meant returning from her home in Detroit to a three-month idyll on much-loved family land, owned for generations, and to a heady culture of local boys. For him, this land is the place he was born, where he’ll later find work, marry, and stay. In the span of a lifetime their encounters were relatively brief, but loaded with meaning. Here, her heart-stoppingly erotic—yet wholly imagined—scenes, her imaginings of different outcomes, and her searching riffs on love as possession, love as pain, read like a friend’s deepest secrets, shared. “Full of color and light and life. This is truth of the most profound sort; truth revealed in the artful and lyrical sensibility of Benson’s words and memory . . . Benson shows us here what the memoir can and should do—destroy and resurrect itself over and over.” —Brad Land, author of Goat “The great pleasure and triumph of this memoir is Amy Benson’s ability to make the familiar new again as she explores the country of first love. Over and over I found myself surprised by the unexpected twists and turns, peaks and abysses, of her journey. And also by her lovely, fiercely intelligent prose.” —Margot Livesey, author of The Flight of Gemma Hardy “A remarkably candid disclosure of what it feels like to be young and in love for the first time. Winner of a prize for creative nonfiction from the Bread Loaf Writers’ Conference, this is a provocative, intense read.” —Booklist
Celebrates the unique spirit of the blue-eyed girl or boy.
A biographical and bibliographical guide to current writers in all fields including poetry, fiction and nonfiction, journalism, drama, television and movies. Information is provided by the authors themselves or drawn from published interviews, feature stories, book reviews and other materials provided by the authors/publishers.
"Do you enjoy being the Black Rider who's been spotted all over Ikebukuro over the past few years now? Why is it that you're riding such a dangerous bike all over the place? Are you aware that you're violating the law?!" Ikebukuro, Tokyo. A place full of fires waiting to be lit and plenty of people ready to light a match: Twins who are the perfect opposite of each other. An idol who's nothing like her older brother. A girl with a crush on her senior in the Dollars. And a headless rider with a bounty on her...uh, head. Keeping the peace is probably not gonna happen.
This book focuses on a rising generation of female storytellers, analysing their innovation in interdisciplinary collaboration, and their creation of new multimedia platforms for story-led performance. It draws on an unprecedented series of in-depth interviews with artists including Jo Blake, Xanthe Gresham-Knight, Mara Menzies, Clare Murphy, Debs Newbold, Rachel Rose Reid, Sarah Liisa Wilkinson, and Vanessa Woolf, while Sally Pomme Clayton’s reflections on her extraordinary four-decade career provide long-term context for these cutting-edge conversations. Blending ethnographic research and performance analysis, this book documents the working lives of professional storytelling artists. It also sheds light on the practices, values, aspirations, and achievements of a generation actively redefining storytelling as a contemporary performance practice, taking on topics from ecology and maternity to griefwork and neuroscience, while working collaboratively with diverse creative partners to generate new, inclusive presences for a traditionally-inspired artform. This book will be of great interest to students, scholars, and practitioners in drama, theatre, performance, creative writing, education, and media.
An unflinching account of love, sex, and heartbreak—this generation's answer to Judy Blume's Forever.
"The Boy Chums in the Gulf of Mexico" by Wilmer M. Ely is an exhilarating adventure novel that plunges readers into a maritime journey alongside a group of daring young friends. In this gripping story, the boy chums set out on an oceanic expedition, sailing the waters of the Gulf of Mexico. Their voyage is marked by thrilling encounters, including encounters with sea creatures, maritime challenges, and the need to rely on their seamanship and camaraderie to navigate these waters successfully. The novel captures the spirit of maritime adventure and exploration as the young chums immerse themselves in the vastness and mysteries of the Gulf of Mexico. Their courage and resourcefulness shine through as they face various challenges, making this an engaging read for those who love tales of seafaring adventure. Wilmer M. Ely's storytelling transports readers to the high seas, offering an action-packed narrative that celebrates the excitement of maritime discovery and the enduring bonds of friendship.
Gothiniad of Surazeus - Oracle of Gotha presents 150,792 lines of verse in 1,948 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1993 to 2000.