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In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.
Reproduction of the original: Familiar Spanish Travels by William Dean Howells
Between 1850 and 1920 women’s travel and travel writing underwent an explosion. It was an exciting period in the history of travel, a golden age. While transportation had improved, mass tourism had not yet robbed journeys of their aura of adventure. Although British women were at the forefront of this movement, a number of intrepid Spanish women also participated in this new era of travel and travel writing. They transcended general societal limitations imposed on Spanish women at a time when the refrain “la mujer en casa, y con la pata quebrada” described most of their female compatriots, who suffered from legal constraints, lack of education, a husband’s dictates, or little or no money of their own. Spanish Women Travelers at Home and Abroad, 1850–1920: From Tierra del Fuego to the Land of the Midnight Sun analyzes the travels and the travel writings of eleven extraordinary women: Emilia Pardo Bazán, Carmen de Burgos (pseud. Colombine), Rosario de Acuña, Carolina Coronado, Emilia Serrano (Baronesa de Wilson), Eva Canel, Cecilia Böhl de Faber (pseud. Fernán Caballero), Princesses Paz and Eulalia de Borbón, Sofía Casanova, and Mother María de Jesús Güell. These Spanish women travelers climbed mountain peaks in their native country, traveled by horseback in the Amazon, observed the Indians of Tierra del Fuego, suffered from el soroche [altitude sickness] in the Andes, admired the midnight sun in Norway, traveled to mission fields in sub-Saharan Africa, and reported on wars in Europe and North Africa, to mention only a few of their accomplishments. The goal of this study is to acquaint English-speaking readers with the narratives of these remarkable women whose works are not available in translation. Besides analyzing their travel narratives and the role of travel in their lives, Spanish Women Travelers includes many long excerpts translated into English for the first time.
Geographies of Philological Knowledge examines the relationship between medievalism and colonialism in the nineteenth-century Hispanic American context through the striking case of the Creole Andrés Bello (1781–1865), a Venezuelan grammarian, editor, legal scholar, and politician, and his lifelong philological work on the medieval heroic narrative that would later become Spain’s national epic, the Poem of the Cid. Nadia R. Altschul combs Bello’s study of the poem and finds throughout it evidence of a “coloniality of knowledge.” Altschul reveals how, during the nineteenth century, the framework for philological scholarship established in and for core European nations—France, England, and especially Germany—was exported to Spain and Hispanic America as the proper way of doing medieval studies. She argues that the global designs of European philological scholarship are conspicuous in the domain of disciplinary historiography, especially when examining the local history of a Creole Hispanic American like Bello, who is neither fully European nor fully alien to European culture. Altschul likewise highlights Hispanic America’s intellectual internalization of coloniality and its understanding of itself as an extension of Europe. A timely example of interdisciplinary history, interconnected history, and transnational study, Geographies of Philological Knowledge breaks with previous nationalist and colonialist histories and thus forges a new path for the future of medieval studies.
Runner-up for the 2017-18 AHGBI-Spanish Embassy Publication Prize This book examines how anxieties about colonial power and national identity are reflected in Spanish literature, journalism, and photography of Moroccan Muslim and Jewish cultures during the Spanish colonisation of Northern Morocco from 1909 to 1927. This understudied period, known as the Rif War, is highly significant because of its role in shaping the identities that came into conflict in the Spanish Civil War (1936-39). Furthermore, the book makes a key contribution to Spanish colonial studies by offering a comparative analysis of Spanish representations of the Iberian Peninsula's cultural and historical relationship with Moroccan Muslims and Jews in this context, showing how conflicting visions of Spanish identity are portrayed through and in relation to them.
During Reconstruction, former abolitionists in the North had a golden opportunity to pursue true racial justice and permanent reform in America. But after the sacrifice made by thousands of Union soldiers to arrive at this juncture, the moment soon slipped away, leaving many whites throughout the North and South more racist than before. Edward J. Blum takes a fresh look at the reasons for this failure in Reforging the White Republic, focusing on the vital role that religion played in reunifying northern and southern whites into a racially segregated society. A blend of history and social science, Reforging the White Republic offers a surprising perspective on the forces of religion as well as nationalism and imperialism at a critical point in American history.
Catalonia boasts an extraordinary cultural heritage. Its lively Mediterranean villages have inspired artists such as Henri Matisse, Andre Derain, Pablo Picasso, George Braque, Salvador Dali, and many others. Forever linked to three major art movements – Fauvism, Cubism and Surrealism – Catalonia has played a critical role in the development of modern art. This narrative guidebook will offer a unique, behind-the-scenes look at how Catalonia’s landscape, culture and people influenced major 20th-century painters and writers. The Colors of Catalonia steps into this idyllic Mediterranean setting, visiting the same cafes, restaurants, hotels, and homes where the artists drank, ate and lived. The reader can witness the artistic development of now-legendary painters and writers during their travels throughout French and Spanish Catalonia.
Dismantling the myths of United States isolationism and exceptionalism, No Higher Law is a sweeping history and analysis of American policy toward the Western Hemisphere and Latin America from independence to the present. From the nation's earliest days, argues Brian Loveman, U.S. leaders viewed and treated Latin America as a crucible in which to test foreign policy and from which to expand American global influence. Loveman demonstrates how the main doctrines and policies adopted for the Western Hemisphere were exported, with modifications, to other world regions as the United States pursued its self-defined global mission. No Higher Law reveals the interplay of domestic politics and international circumstances that shaped key American foreign policies from U.S. independence to the first decade of the twenty-first century. This revisionist view considers the impact of slavery, racism, ethnic cleansing against Native Americans, debates on immigration, trade and tariffs, the historical growth of the military-industrial complex, and political corruption as critical dimensions of American politics and foreign policy. Concluding with an epilogue on the Obama administration, Loveman weaves together the complex history of U.S. domestic politics and foreign policy to achieve a broader historical understanding of American expansionism, militarism, imperialism, and global ambitions as well as novel insights into the challenges facing American policymakers at the beginning of the twenty-first century.
This is the first, book-length study of the six travel narratives published by the 1989 winner of the Nobel Prize for Literatures. Preliminary chapters focus on technical and thematic aspects of travel-writing, and on the author's approach to the genre. Cela's travel works, which appeared between 1948 and 1986, are examined in turn, with a focus on the construction of the narratives and also on the themes that are developed in each of them. There is an assessment of the author's treatment of topographical, cultural, historical, and social material in his accounts of the journeys he made through various areas and regions of Spain, as well as a consideration of the way in which these narratives reflect changes taking place in Spain during the Franco regime and in the decade following the dictator's death. David Henn teaches modern Spanish fiction, drama, and travel literature at University College London.