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the first time that these sonnets have been brought together in one book translations that are not just accurate guides to the meaning of the originals but also enjoyable sonnets in their own right Offers detailed and incisive critical commentary on each of the poems; a complete and readable introduction.
The Spanish Renaissance--a period of glory that endured from the late 15th century through the 17th century--comes to life in 40 of its greatest poems collected in this remarkable new translation, rendered with passionate fervor and a stylistic brilliance.
The central component of this study is an index of the numerous motifs through which topoi of the text as symbol are articulated in the religious poetry, sermons, and sacramental plays of Golden Age Spain. Paired with the index is an anthology of the texts on which the book is based. In her introduction, Louise Salstad discusses the transmission and transformation of the topoi as they appear in the Old and New Testaments, classical literature, church writings, and medieval texts, and she considers the influence of the contemporary milieu on the shaping of these motifs. The book also includes an explanatory introduction to the index, biographical notes on authors, a chronology of works, a bibliography, and key word indexes of motifs in English and Spanish. The most extensive investigation of specific topoi undertaken in Spanish studies, this book will also be of interest to art historians and cultural historians whose focus is theology, the history of spirituality, or the history of the book.
This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools for expanding ideology, these essays each recognize the power of theatre in reflecting on issues related to social justice. The first section of the book focuses on textual analysis, taking into account legal, feminist, and collective bargaining theory. The second section explores issues surrounding theatricality, performativity, and intellectual property laws through an analysis of contemporary adaptations. The final section reflects on social justice from the practitioners’ point of view, including actors and directors. Social Justice in Spanish Golden Age Theatre reveals how adaptations of classical theatre portray social justice and how throughout history the writing and staging of comedias has been at the service of a wide range of political agendas.
Three classic Spanish plays, made famous by Shakespeare and Webster Two of the most famous and successful playwrights of Spain's Golden Age of playwriting were Lope de Vega (1562-1635) and Rojas Zorrilla (1607-48). From their prodigious output, the three plays in this volume, based on similar sources to Shakespeare's and Webster's versions, provide a fascinating comparison with their Jacobean counterparts. Lope's The Duchess of Amalfi's Steward, in contrast to Webster's play, focuses on the nobility of love, with characters who are complex and appealing. His Romeo-and-Juliet story, The Capulets and Montagues, is a fast-moving mixture of serious and comic, with an ending that will surprise and entertain. Rojas' treatment of Cleopatra, with its rich imagery, emphasises the love theme, held within a knot of jealous relationships. A full introduction by Gwynne Edwards sets the plays in context and provides a thorough study of the individual works.
In 2004 the Royal Shakespeare Company produced a ground-breaking season of Spanish Golden Age plays in English which pioneered a new approach to translating these works for the modern stage. As well as a director and translator, each play was assigned an academic advisor in the belief that the quality and success of the productions would rely in part on balancing the vitality of contemporary theatre practice with respect for the original plays. The eight essays and three interviews in this book, contributed by a mixture of leading academics and renowned practitioners, explore some of the many issues that emerged from this experience - unique in British theatre history. They provide a new perspective on what it means to perform Spanish Golden Age theatre on today's English-speaking stage.
A book about life in Spain from the succession of Philip II (1556) to the death of Philip IV (1665). The author relies primarily upon careful use of literary works and travel accounts written during this 'golden age'. In addition to delightful descriptions and anecdotes, he has woven into his text important political and economic developments. He provides a general view of Spain, stressing the importance of the Catholic faith and the emphasis upon personal honour, before surveying life and society in urban and rural areas. He then examines in some detail life in the Church, university, military and home; public entertainment; and the picaresque life.