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This book will be essential for scholars and students interested in Ibero-American cultural studies, gender, religion, and totalitarian politics. --Book Jacket.
Was it possible Cassandra had a son, even though she'd been married for less than twenty-four hours before she was widowed? Her brother-in-law, Enrique de Montoya was caught off-guard. He couldn't forget that he'd tried to stop the short-lived marriage between Cassandra and his brother—by seducing her himself….
Gertrude Stein's 'GERTRUDE STEIN Ultimate Collection' offers readers a comprehensive look into the works of this influential American writer. Known for her experimental literary style and avant-garde approach to language, Stein's collection includes novels, short stories, poetry, plays, memoirs, and essays that challenge traditional literary conventions. Stein's distinctive use of repetition and wordplay adds a unique richness to her writing, making her work both complex and compelling. This collection showcases Stein's contributions to modernist literature and her impact on the literary landscape of the 20th century. Readers will find themselves immersed in Stein's thought-provoking and innovative writing, exploring themes of identity, language, and perception. Gertrude Stein's 'GERTRUDE STEIN Ultimate Collection' is a must-read for anyone interested in experimental literature and the evolution of modernist writing. Stein's groundbreaking work continues to captivate readers and push the boundaries of conventional storytelling, making this collection a valuable addition to any literary enthusiast's library.
From a Spanish seduction— Spanish film director Leandro Reyes's handsome features and commanding presence made women go weak at the knees. But he made Isabella feel as if she was different from all the rest. Only in the cold morning light did she realize that she was just another notch on his belt. To a Mediterranean marriage— Or was she? Their passionate night together created a lasting consequence that Leandro could not ignore. His solution: to demand that Isabella marry him!
Don Juan is one of the most intriguing creations of Western literature, a perpetual source of fascination. In the popular imagination he exists as a legendary seducer of women, a trickster and transgressor of sacred boundaries. Crossing cultures from east to west, he has been the recipient of countless revisions, while the twentieth century has viewed the figure afresh through the prism of its own cultural terms of reference and social concerns. Using an interdisciplinary approach, Tales of Seduction focuses on the fascinating intersections between myth, culture and intellectual inquiry. Sarah Wright takes Don Juan back to Spain and examines the confluences of Spanish culture with aspects of Western intellectual history (such as medicine, psychoanalysis and linguistics), where she finds Don Juan continues to transgress the limits of culture until the present.
What would American literature look like in languages other than English, and what would Latin American literature look like if we understood the United States to be a Latin American country and took seriously the work by U.S. Latinos/as in Spanish? Debra A. Castillo explores these questions by highlighting the contributions of Latinos/as writing in Spanish and Spanglish. Beginning with the anonymously published 1826 novel Jicoténcal and ending with fiction published at the turn of the twenty-first century, the book details both the characters' and authors' struggles with how to define an American self. Writers from Cuba, Puerto Rico, and Mexico are featured prominently, alongside a sampling of those writers from other Latin American heritages (Peru, Colombia, Chile). Castillo concludes by offering some thoughts on U.S. curricular practice.
As the butch doyenne of the Parisian Salons, Gertrude Stein captures the heart of Picasso in that context and gives insights on how Picasso worked as an artist and why Cubism came about in the way that it did. Also, this portrait of Picasso contains pretty clear description of Cubism and reveals a lot about relationship between Picasso and Stein without revealing a lot of actual events in either of their lives. Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.
This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.