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What Tom's about to find is truly out of this world! It's the grand opening of APOGEE, the world's first space hotel, an orbital space station designed expressly for the tourist trade. As Swift Enterprises is a major investor in the project, and provided much of the necessary technology, Tom and Sandy have been invited to be among the first guests to visit! When they arrive at the APOGEE they experience weightlessness, learn about the high-tech nature of the hotel (including the robotic wait and cleaning staff), and play a game of zero-gravity badminton. But as Tom explores the ship he begins to notice some strange happenings. And when a billionaire guest of the hotel turns up missing,Tom suspects foul play....
The Hotel: Occupied Space explores the hotel as both symbol and space through the concept of “occupancy.” By examining the various ways in which the hotel is manifested in art, photography, and film, this book offers a timely critique of a crucial modern space. As a site of occupancy, the hotel has provided continued creative inspiration for artists from Monet and Hopper, to genre filmmakers like Hitchcock and Sofia Coppola. While the rich symbolic importance of the hotel means that the visual arts and cinema are especially fruitful, the hotel’s varied structural purposes, as well as its historical and political uses, also provide ample ground for new and timely discussion. In addition to inspiring painters, photographers, and filmmakers, the hotel has played an important role during wartime, and more recently as a site of accommodation for displaced people, whether they be detainees or refugees seeking sanctuary. Shedding light on the diverse ways that the hotel functions as a structure, Robert A. Davidson argues that the hotel is both a fundamental modern space and a constantly adaptable structure, dependent on the circumstances in which it appears and plays a part.
Sandeep Sanghavi, the mixed-race son of an Indian businesswoman and a famous American astronomer lives a nomadic albeit mundane life traveling the country with his mother's hotel consulting firm. His life becomes more interesting when various lost objects suddenly begin to reappear. Then a stranger calls and claims responsibility for the returned objects in exchange for an introduction to Sandeep’s astronomer father, the rebellious and eccentric Van Ray, who has no phone, email or qualms about having abandoned his son twenty years ago. Van Ray shows up broke with his pregnant ex-wife astronaut in tow, claiming to have discovered a big secret that will change their lives forever; a new discovery guaranteed to change him from “science famous” to “famous famous.” With his family together for the first time in years, Sandeep must juggle his father’s scientific search, his mother’s failing business and the tension of having family all together for the first time in decades.
This collaborative book compiles 30 chapters on the theory and practice of designing and building inhabited environments in outer space. It is rich in graphics including diagrams, design drawings, digital renderings, and photographs of models and operational designs.
North America is in the grips of a drug epidemic; with the introduction of fentanyl, the chances of a fatal overdose are greater than ever, prompting many to rethink the war on drugs. Public opinion has slowly begun to turn against prohibition, and policy-makers are finally beginning to look at addiction as a health issue as opposed to one for the criminal justice system. While deaths across the continent continue to climb, Fighting for Space explains the concept of harm reduction as a crucial component of a city’s response to the drug crisis. It tells the story of a grassroots group of addicts in Vancouver's Downtown Eastside who waged a political street fight for two decades to transform how the city treats its most marginalized citizens. Over the past twenty-five years, this group of residents from Canada's poorest neighborhood organized themselves in response to the growing number of overdose deaths and demanded that addicts be given the same rights as any other citizen; against all odds, they eventually won. But just as their battle came to an end, fentanyl arrived and opioid deaths across North America reached an all-time high. The "genocide" in Vancouver finally sparked government action. Twenty years later, as the same pattern plays out in other cities, there is much that advocates for reform can learn from Vancouver's experience. Fighting for Space tells that story—including case studies in Ohio, Florida, New York, California, Massachusetts, and Washington state—with the same passionate fervor as the activists whose tireless work gave dignity to addicts and saved countless lives. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Tom and his friends expose the truth when a friendly rivalry becomes a cutthroat competition in this sixth novel in Tom Swift Inventors’ Academy—perfect for fans of The Hardy Boys or Alex Rider. To increase interest in Swift Academy, the school’s new PR rep announces the Invention Olympics, an event open to the public that will feature the students’ varied creative talents. Everyone’s excited to show off their latest ideas. But when the rep invites a production company to film a new reality show about the academy, the plan is met with a lot less enthusiasm. Tom and his friends have mixed reactions to the new attention. Some of them are loving the spotlight, while others want nothing to do with the show, and it’s causing cracks in the group’s rock-solid bonds. But Tom quickly realizes that they aren’t the only ones at school on edge. The reality show producers seem to be pitting students against one another to create more drama for the screen. And as the Invention Olympics approaches, he starts to suspect that the filming may be a cover for something even more nefarious. Can he and his friends figure out the truth before the reality show has real-world consequences?
A stunningly ambitious, prescient novel about madness, generational trauma, and cultural breakdown At the outset of the 2008 financial crisis, Em has a dependable, dull marketing job generating reports of vague utility while she anxiously waits to hear news of her sister, Ad, who has gone missing—again. Em’s days pass drifting back and forth between her respectably cute starter house (bought with a “responsible, salary-backed, fixed-rate mortgage”) and her dreary office. Then something unthinkable, something impossible, happens and she begins to see how madness permeates everything around her while the mundane spaces she inhabits are transformed, through Lucy Corin’s idiosyncratic magic, into shimmering sites of the uncanny. The story that swirls around Em moves through several perspectives and voices. There is Frank, the tart-tongued, failing manager at her office; Jack, the man with whom Frank has had a love affair for decades; Em and Ad’s eccentric parents, who live in a house that is perpetually being built; and Tasio, the young man from Chiapas who works for them and falls in love with Ad. Through them Corin portrays porousness and breakdown in individuals and families, in economies and political systems, in architecture, technology, and even in language itself. The Swank Hotel is an acrobatic, unforgettable, surreal, and unexpectedly comic novel that interrogates the illusory dream of stability that pervaded early twenty-first-century America.
Dreams, schemes and opportunity as space opens for tourism and commerce. Twentieth century space exploration may have belonged to state-funded giants such as NASA, but there is a parallel history which has set the template for the future. Even before Apollo 11 landed on the Moon, private companies were exploiting space via communication satellites - a sector that is seeing exponential growth in the internet age. In human spaceflight, too, commercialisation is making itself felt. Billionaire entrepreneurs Elon Musk, Jeff Bezos and Richard Branson have long trumpeted plans to make space travel a possibility for ordinary people and those ideas are inching ever closer to reality. At the same time, other companies plan to mine the Moon for helium-3, or asteroids for precious metals. Science writer Andrew May takes an entertaining, in-depth look at the triumphs and heroic failures of our quixotic quest to commercialise the final frontier.
From the bestselling author of Charlie and the Chocolate Factory and The BFG! Last seen flying through the sky in a giant elevator in Charlie and the Chocolate Factory, Charlie Bucket's back for another adventure. When the giant elevator picks up speed, Charlie, Willy Wonka, and the gang are sent hurtling through space and time. Visiting the world’' first space hotel, battling the dreaded Vermicious Knids, and saving the world are only a few stops along this remarkable, intergalactic joyride.
Many scientific papers and popular articles have been written on the topic of space tourism, describing everything from expected market sizes to the rules of 3-dimensional microgravity football. But what would it actually feel like to be a tourist in space, to be hurled into orbit on top of a controlled explosion, to float around in a spacecraft, and to be able to look down on your hometown from above the atmosphere? Space tourism is not science fiction anymore, Michel van Pelt tells us, but merely a logical step in the evolution of space flight. Space is about to be opened up to more and more people, and the drive behind this is one of the most powerful economic forces: tourism. Van Pelt describes what recreational space travel might look like, and explains the required space technology, the medical issues, astronaut training, and the possibilities of holidays to destinations far, far away. This is a book for everyone who has ever dreamed of traveling to space: a dream which, according to van Pelt, may not be so far from becoming a reality. Consider it the armchair traveler's guide to the coming boom in space tourism.