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Using examples of the work of some of the world's great artists, the author supports his theories of how great masterpieces were created.
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Diese Sammlung von Beitragen anerkannter Autoren zur Architektur, die uber den Quader hinausgeht, ist das einzige derzeit am Markt befindliche Referenzwerk auf diesem Gebiet. Theoretische und praktische Aspekte der Konstruktion von Vielflachnern und raumlichen Gebilden werden anhand von uber 480 Zeichnungen und zahlreichen Fotographien anschaulich erlautert. (02/98)
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also producedinteractive spaces that questioned conventional habits of music and art consumption. This book explores the first decade of creative video work, focusing on the ways in which video technology was used to dissolve the boundaries between art and music.
What is art therapy? How do art therapists use art to understand and to help people? What does the future of art therapy look like? This book provides a "map of the territory" of this rapidly-growing discipline. Surveying the field from both a historical and a current perspective, the book covers a wide variety of practitioners and approaches. The reader will learn how art therapy is used to assess and to treat people of all ages and conditions - in many kinds of settings, including clinics, hospitals, schools, prisons, community centers, and nursing homes. Art Therapy: An Introduction brings art therapy to life with over 40 clinical vignettes and almost 200 illustrations of artwork and of art therapy in action. Offering a rich array of sources and resources, the book will be of interest to clinicians and teachers in many fields, such as psychiatry, psychology, social work, counseling, art, and education.
Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.
Includes bibliographical references and index.
Outsider art, traditionally the work of psychiatric patients, offenders and minority groups, and art therapy have shared histories of art created in psychiatric care. As the two fields grow, this book reveals the current issues faced by both disciplines and traces their shared histories to help them build clearer and more coherent identities. More often than not, the history of art therapy has been tied to psychological and psychiatric roots, which has led to problems in defining the field and forced boundaries between what is considered 'art' and what is considered 'art therapy'. Similarly, the name and identity of outsider art is constantly debated. By viewing art therapy and outsider art through their shared histories, this book helps to alleviate the challenges and issues of definition faced by the fields today.
First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.
This work reflects the author's three decades of clinical practice with children and their families, and adults and their families. Written for students and professionals, this book integrates the two approaches: art therapy and family systems. Although much has been written on art therapy and much, much more literature exists on family therapy, few integrate the two theoretical approaches. The structure of this book reflects the author's personal approach to art. Her art media are painting and combining found objects. The overall theme of family can quickly be seen within it, but this theme is overlaid with art, archetypal patterns and meanings, and symbolic enactments. It is also interfaced with personality development, and in this 'era of the brain,' with neurobiological research. The introduction begins with a brief introduction to Randy and his Dad and Stepmother. Chapter Two begins with the question: 'What is a family?' Chapter Three introduces the reader to the 'Cycle of Love' and the family influences in personality development, seen in personality theorists and theories (e.g., Freud, Jung, attachment and object relations, Eriksson, and Piaget). Stories about Michelle, Elizabeth, Tucker and Carl provide theoretical examples. Since more and more family therapy practice includes violence associated with the unfilled basic human needs of nourishment and nurturing, Chapter Four, 'The Cycle of Violence,' begins with a discussion of violence and its effect on early childhood environments. Chapter Five continues the theme of violence within families, and Chapter Six, 'The Cycle of Healing,' includes a discussion of resilience illustrated by a variety of stories from an integration of family and art therapy. Appendix A is filled with the practical 'how to's' of family art therapy. Appendix B includes the 'how to' interventions, and Appendix C includes key terms and concepts of a select group of family therapy theorists.