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Home of the first settlement in the United States and known as Old Dominion and The Mother of Presidents, the state of Virginia’s artistic output proves among the most fecund in the nation, evidenced in this ninth volume of The Southern Poetry Anthology. This collection includes well-known, established, and celebrated poets such as Charles Wright, Claudia Emerson, Gregory Orr, Ellen Bryant Voigt, R. T. Smith, Forrest Gander, and Rita Dove, and the editors have dedicated equal focus on newer, diverse poets who continue to broaden and enrich the literary legacy of this beautiful state.
Edited by William Wright and Paul Ruffin, The Southern Poetry Anthology, Volume V: Georgia brings together over one hundred of Georgia's poets, including David Bottoms, Natasha Trethewey, Leon Stokesbury, Thomas Lux, Kathryn Stripling Byer, Alice Friman, Judson Mitcham, and Stephen Corey, as well as myriad other luminous voices. The volume marks the fifth of the seriesArt & Literature has called “one of the most ambitious projects in contemporary Southern letters.”
Getting acquainted with local flora and fauna is the perfect way to begin to understand the wonder of nature. The natural environment of Southern Appalachia, with habitats that span the Blue Ridge to the Cumberland Plateau, is one of the most biodiverse on earth. A Literary Field Guide to Southern Appalachia—a hybrid literary and natural history anthology—showcases sixty of the many species indigenous to the region. Ecologically, culturally, and artistically, Southern Appalachia is rich in paradox and stereotype-defying complexity. Its species range from the iconic and inveterate—such as the speckled trout, pileated woodpecker, copperhead, and black bear—to the elusive and endangered—such as the American chestnut, Carolina gorge moss, chucky madtom, and lampshade spider. The anthology brings together art and science to help the reader experience this immense ecological wealth. Stunning images by seven Southern Appalachian artists and conversationally written natural history information complement contemporary poems from writers such as Ellen Bryant Voigt, Wendell Berry, Janisse Ray, Sean Hill, Rebecca Gayle Howell, Deborah A. Miranda, Ron Rash, and Mary Oliver. Their insights illuminate the wonders of the mountain South, fostering intimate connections. The guide is an invitation to get to know Appalachia in the broadest, most poetic sense.
How to capture Amy Wright’s Paper Concert: A Conversation in the Round, a one-of-a-kind book-length essay containing a multitude of individual voices? Wright, conductor extraordinaire, has managed to piece apart, then fold together conversations from a bevy of thinkers like Dorothy Allison, Rae Armantrout, Gerald Stern, Lia Purpura, Raven Jackson, Wendy Walters, Kimiko Hahn, Philanese Slaughter, and others, blended into one harmonious whole. Wright opens the book: “This essay anchors a central thread of dialogue over a dizzying divide. It weaves a decades worth of questions and answers from a range of discussions I’ve had with artists, activists, scientists, philosophers, physicians, priests, musicians, and other representatives of the human population. Some of them are famous, some will be, some should be—but all of them refract the light of the unknowable mystery of the self.” The subjects range from the interconnected (inspiration and craft) to the seemingly disparate (colonialism and entomophagy), all with the hope of finding what truly matters to us. If this book is a paper concert, it is a symphony. Just pull up a chair and listen.
British Orientalist Painting will explore the responses of British artists to the cultures and landscapes of the Near and Middle East between 1780 and 1930, offering vital historical and cultural perspectives on the challenging questions of the 'Orient' and its representation in British art. It will bring together over 120 paintings, prints and drawings of bazaars, public baths, domestic interiors and religious sites, and all the major genres, themes and preoccupations of Orientalism in British art will be considered. Several exceptional and rarely seen paintings by John Frederick Lewis, Edward Lear, David Wilkie, Richard Dadd, Lord Leighton, and William Holman Hunt, will be shown, as well as significant works by many less familiar names.
The author knows the dark side of our violences, our lusts, our stupidities, but he knows as well what makes us the industrious, committed, enduring souls we are. This is a collection of his poetry.
From the longest-running historical journal in New York comes the 2020 edition which showcases the aspirations and achievements of the women of Dutchess County, on the 100th anniversary of women gaining the right to vote nationally.
John Frederick Lewis (1804-1876) is one of the best-known yet least understood British Orientalist painters of the 19th century. His numerous, highly detailed Orientalist images stand in dramatic contrast to the meagre written archive of the years he spent in Egypt between 1841 and 1851; art historians have long puzzled over the details of this significant period and struggled for meaningful insight into his process of artful construction. This book draws on both newly uncovered historical data and imperial and post-colonial theory to propose a compelling new interpretation of Lewis's paintings and biography.
With a storyteller's timing and the emotional range of a singer, Darnell Arnoult in her debut collection offers readers a stirring string of poems about the people of Fieldale, Virginia. A planned community founded in the Virginia foothills by Marshall Fields in the early 1900s to support his textile mill, Fieldale was populated by transplanted Appalachian mountain folk. Arnoult herself grew up there, a third-generation resident and among the first generation to go to college. She took away with her the oral history of her home, and in What Travels With Us she captures in poetic form the townspeople's voices, both remembered and imagined. Personal, poignant, and witty, Arnoult's poems look back as they move forward, demonstrating how we are always creating ourselves anew from the experiences we carry with us. Pearly Rakes complained that on long winter nights Gracie and Charlie kept the parlor lamp burning too long, burning up her kerosene. Pearly claimed she courted and married the same man twice and never burned up nearly so much. Charlie scratched his head. Told Pearly, You musta done most of your courting in the dark. -- from "Boarding House"