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11 studies of different types of late-medieval religious literature, in English, French and Latin.
Misogyny is of course not the whole story of medieval discourse on women: medieval culture also envisaged a case for women. But hitherto studies of profeminine attitudes in that periods culture have tended to concentrate on courtly literature or on female visionary writings or on attempts to transcend misogyny by major authors such as Christine de Pizan and Chaucer. This book sets out to demonstrate something different: that there existed from early in the Middle Ages a corpus of substantial traditions in defence of women, on which the more familiar authors drew, and that this corpus itself consolidated strands of profeminine thought that had been present as far back as the patristic literature of the fourth century. The Case for Women surveys extant writings formally defending women in the Middle Ages; breaks new ground by identifying a source for profeminine argument in biblical apocrypha; offers a series of explorations of the background and circulation of central arguments on behalf of women; and seeks to situate relevant texts by Christine de Pizan, Chaucer, Abelard, and Hrotsvitha in relation to these arguments. Topics covered range from the privileges of women, and pro-Eve polemic, to the social and moral strengths attributed to women, and to the powerful modelsfrequently disruptive of patriarchal complacencypresented by Old and New Testament women. The contribution made by these emphases (which are not to be confused with feminism in a modern sense) to medieval constructions of gender is throughout critically assessed, and the book concludes by asking how far defenders were controlled by, or able to query, assumptions about what was natural (and therefore imagined inflexible) in gender theory.
At the outset of the eighteenth century, many British Americans accepted the notion that virtuous sociable feelings occurred primarily among the genteel, while sinful and selfish passions remained the reflexive emotions of the masses, from lower-class whites to Indians to enslaved Africans. Yet by 1776 radicals would propose a new universal model of human nature that attributed the same feelings and passions to all humankind and made common emotions the basis of natural rights. In Passion Is the Gale, Nicole Eustace describes the promise and the problems of this crucial social and political transition by charting changes in emotional expression among countless ordinary men and women of British America. From Pennsylvania newspapers, pamphlets, sermons, correspondence, commonplace books, and literary texts, Eustace identifies the explicit vocabulary of emotion as a medium of human exchange. Alternating between explorations of particular emotions in daily social interactions and assessments of emotional rhetoric's functions in specific moments of historical crisis (from the Seven Years War to the rise of the patriot movement), she makes a convincing case for the pivotal role of emotion in reshaping power relations and reordering society in the critical decades leading up to the Revolution. As Eustace demonstrates, passion was the gale that impelled Anglo-Americans forward to declare their independence--collectively at first, and then, finally, as individuals.
In this Georgian-era romance by the #1 bestselling author of the Crossfire Series, a woman meant for another man succumbs to temptation. STRANGER He wears a mask . . . and he is following her. Staring at her like no other man since Colin. But Colin is dead and Amelia believes she will never again shiver with pleasure, never again sigh his name. LOVER Until her masked pursuer lures her into a moonlit garden and offers a single, reckless kiss. Now she is obsessed with discovering his identity. Perfectly attuned to his every desire, his every thought, she will not stop until she knows his every secret. Praise for A Passion for Him “Terrific. Readers will have a passion for Sylvia Day’s fine historicals.” —Midwest Book Review “Brilliantly blends danger and desire into an intrigue-rich, lushly sensual love story.” —Booklist
In this book Thomas H. Bestul constructs the literary history of the Latin Passion narratives, placing them within their social, cultural, and historical contexts. He examines the ways in which the Passion is narrated and renarrated in devotional treatises, paying particular attention to the modifications and enlargements of the narrative of the Passion as it is presented in the canonical gospels. Of particular interest to Bestul are the representations of Jews, women, and the body of the crucified Christ. Bestul argues that the greatly enlarged role of the Jews in the Passion narratives of the twelfth and thirteenth centuries is connected to the rising anti-Judaism of the period. He explores how the representations of women, particularly the Virgin Mary, express cultural values about the place of women in late medieval society and reveal an increased interest in female subjectivity.