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Routledge is proud to be re-issuing this landmark series in association with the International African Institute. The series, published between 1950 and 1977, brings together a wealth of previously un-co-ordinated material on the ethnic groupings and social conditions of African peoples. Concise, critical and (for its time) accurate, the Ethnographic Survey contains sections as follows: Physical Environment Linguistic Data Demography History & Traditions of Origin Nomenclature Grouping Cultural Features: Religion, Witchcraft, Birth, Initiation, Burial Social & Political Organization: Kinship, Marriage, Inheritance, Slavery, Land Tenure, Warfare & Justice Economy & Trade Domestic Architecture Each of the 50 volumes will be available to buy individually, and these are organized into regional sub-groups: East Central Africa, North-Eastern Africa, Southern Africa, West Central Africa, Western Africa, and Central Africa Belgian Congo. The volumes are supplemented with maps, available to view on routledge.com or available as a pdf from the publishers.
Pritchett (anthropology, African studies, Boston U.) presents an account of the Lunda- Ndembu people of northwestern Zambia. The text is based upon archaeological data, travel accounts, colonial field reports, and the scholarly studies of others, as well as his own field research conducted intermittently over the course of 14 years. He contends that despite much cultural borrowing in recent decades, the Lunda people have an image of themselves that is essentially unchanged. He also reflects on continuity and change in Africa. c. Book News Inc.
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2011 Updated Reprint. Updated Annually. Congo Democratic Republic Foreign Policy and Government Guide
Audrey Richards (1899-1984) was a leading British anthropologist of the twentieth century and the first woman president of the Royal Anthropological Institute. Based on fieldwork conducted at a time when the discipline was dominated by male anthropologists, Chisungu: A Girl’s Initiation Ceremony Among the Bemba of Zambia is widely hailed as a classic of anthropology and African and gender studies. Underpinned by painstaking research carried out by Richards among the Bemba people in northern Zambia in the 1930s, Chisungu focuses on the initiation ceremonies for young Bemba girls. Pioneering the study of women’s rituals and challenging the prevailing theory that rites of passage served merely to transfer individuals from one status to another, Richards writes about the incredibly rich and diverse aspects of ritual that characterised Chisungu: its concern with matriliny; deference to elders; sex and reproduction; the birth of children; ideas about the continuity between past, present and future; and the centrality of emotional conflict. On a deeper level, Chisungu is a crucial work for the role it accords to the meaning of symbolism in explaining the structure of society, paving the way for much subsequent understanding of the role of symbolic meaning and kinship. This Routledge Classics edition includes a new foreword by Jessica Johnson and an introduction by Jean La Fontaine.
First published in 1999. This book examines process of change in African, South African and European countries by analysing the ways in which food is an integral part of ongoing ecological, economic, political and social transformations. It also provides research on dietary changes from direct intervention by people and agencies. The majority of these fascinating case studies are based on original fieldwork, they are quite diverse, as are the nature and scope of changes considered. The authors discuss rural as well as urban modes of food consumption, dietary changes in different societal contexts, and food-based rituals. The cases presented suggest alterative readings of some established models of changing food habits, and contribute to a more comprehensive history of dietary transformations.

Zaire

Library of Congress. Federal Research Division

Published: 1994

Total Pages: 460


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Research completed December 1993.
The Chokwe, the most famous and artistically prolific ethnic group in Angola, command a rich visual world, as this exhibition catalog illustrates using artworks carefully selected from prominent private and museum collections in the United States, Europe, Canada, and South America. One hundred and fifty of the finest masterpieces of the Chokwe are displayed here in vibrant color, as well as works from neighboring groups resident in the Democratic Republic of Congo and Zambia, to include masks, chief's and ancestral figures, thrones, scepters, divination tools, and ceramic figures.