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Richard M. Weaver (1910-1963) was one of the leading figures in the post-World War II development of an intellectual, self-conscious conservatism. His thought and his appreciation of liberty were rooted in his understanding of Southern history. He believed that Southern values of religion, work ethic, and family could provide a defense against the totalitarian nihilism of fascist and communist statism. This collection of fourteen essays demonstrates George Core's point that "few writers of the South rival Richard Weaver in comprehensiveness of vision and depth of thought."
Richard M. Weaver (1910-1963) was one of the leading figures in the post-World War II development of an intellectual, self-conscious conservatism. His thought and his appreciation of liberty were rooted in his understanding of Southern history. He believed that Southern values of religion, work ethic, and family could provide a defense against the totalitarian nihilism of fascist and communist statism. This collection of fourteen essays demonstrates George Core's point that "few writers of the South rival Richard Weaver in comprehensiveness of vision and depth of thought."
While Richard M. Weaver is best known for the classic Ideas Have Consequences, the foundation of his career was this study of his native South. Calling the Southern tradition "the last non-materialist civilization in the Western world," he traced its roots to feudalism, chivalry, religiosity, and aristocratic conventions. The Old South, he concluded, "may indeed be a hall hung with splendid tapestries in which no one would care to live; but from them we can learn something of how to live." Weaver’s exploration of the ideals and ideas of the Southern tradition as expressed in the military histories, autobiographies, diaries, and novels of the era following the Civil War—especially those written by the men and women on the losing side—is offered to a new generation of readers for whom that tradition has fallen into disrepute and who can scarcely imagine a life rooted in nature, the soil, and a powerful sense of honor. The Southern Tradition at Bay is, as Jeffrey Hart noted, the work of a man who admired what "is admirable indeed, and that is the foundation of wisdom and indeed sanity."
The Vision of Richard Weaver is the first collection of essays about this seminal thinker.
Richard M. Weaver believed that “rhetoric at its truest seeks to perfect men by showing them better versions of themselves.” Language is Sermonic offers eight of Weaver’s best essays on the nature of traditional rhetoric and its role in shaping society. Arguing throughout the book against society’s reverence for relativism—and the consequential disregard for real values—this philosophical idealist uses his southern background and classical education as a backdrop for his scrutiny of our misuse of language. Weaver argues that rhetoric in its highest form involves making and persuasively presenting choice among goods. He condemns such supposedly value-free stances as cultural relativism, semantic positivism, scientism, and radical egalitarianism. Eschewing such peripheral aspect s of rhetoric as memorization and delivery, aspects too often now presented as the whole, Weaver deals instead with the substance of rhetoric. Ideas and the words used to express them—these are Weaver’s subjects. Anyone concerned about language—its use and abuse in contemporary society—will find Language is Sermonic provocative and rewarding. The editors’ critical interpretation of all of Weaver’s writing, as well as Ralph Eubanks’ brief appreciation of Weaver, make this a book no student of language and ideas should be without. Richard M. Weaver was one of the most stimulating and controversial rhetorical theorists of our time. He taught for many years at the University of Chicago and was the author of several books, including Visions of Order, Ideas Have Consequences, The Ethics of Rhetoric, and Life Without Prejudice and Other Essays.
A foundational text of the modern conservative movement, this 1948 philosophical treatise argues the decline of Western civilization and offers a remedy. Originally published in 1948, at the height of post–World War II optimism and confidence in collective security, Ideas Have Consequences uses “words hard as cannonballs” to present an unsparing diagnosis of the ills of the modern age. Widely read and debated at the time of its first publication, the book is now seen as one of the foundational texts of the modern conservative movement. In its pages, Richard M. Weaver argues that the decline of Western civilization resulted from the rising acceptance of relativism over absolute reality. In spite of increased knowledge, this retreat from the realist intellectual tradition has weakened the Western capacity to reason, with catastrophic consequences for social order and individual rights. But Weaver also offers a realistic remedy. These difficulties are the product not of necessity, but of intelligent choice. And, today, as decades ago, the remedy lies in the renewed acceptance of absolute reality and the recognition that ideas—like actions—have consequences. This expanded edition of the classic work contains a foreword by New Criterion editor Roger Kimball that offers insight into the rich intellectual and historical contexts of Weaver and his work and an afterword by Ted J. Smith III that relates the remarkable story of the book’s writing and publication. Praise for Ideas Have Consequences “A profound diagnosis of the sickness of our culture.” —Reinhold Niebuhr “Brilliantly written, daring, and radical. . . . It will shock, and philosophical shock is the beginning of wisdom.” —Paul Tillich “This deeply prophetic book not only launched the renaissance of philosophical conservatism in this country, but in the process gave us an armory of insights into the diseases besetting the national community that is as timely today as when it first appeared. [This] is one of the few authentic classics in the American political tradition.” —Robert Nisbet
In The Ethics of Rhetoric, Richard M. Weaver evaluates the ethical and cultural role of rhetoric and its reflection on society. Weaver draws upon classical notions of rhetoric in Plato’s Phaedrus, and he examines the effectiveness and implications of the manipulation of language in the works of Lincoln, Burke, and Milton. In this collection of essays, Weaver examines how different types of rhetoric persuade, their varying levels of effectiveness and credibility, and how one’s manner of argumentation and style of persuasion are indicative of character. Ultimately, Weaver argues that the cultivation of pure language creates pure people. Initially published in 1953, The Ethics of Rhetoric remains timeless in its evaluation of rhetoric’s role in society.
First published in 1930, the essays in this manifesto constitute one of the outstanding cultural documents in the history of the South. In it, twelve southerners-Donald Davidson, John Gould Fletcher, Henry Blue Kline, Lyle H. Lanier, Stark Young, Allen Tate, Andrew Nelson Lytle, Herman Clarence Nixon, Frank Lawrence Owsley, John Crowe Ransom, John Donald Wade, and Robert Penn Warren-defended individualism against the trend of baseless conformity in an increasingly mechanized and dehumanized society.
The appearance in 1920 of H. L. Mencken's scathing essay about the intellectual and cultural impoverishment of the South, "The Sahara of the Bozart, " set off a firestorm of reaction in the region that continued unabated for much of the next decade. In Serpent in Eden, Mencken scholar Fred Hobson examines Mencken's love-hate relationship with the South. He explores not only Mencken's savage criticism of the region but also his efforts to encourage southern writers and the bold "little magazines, " such as the Reviewer and the Double Dealer, that started up in the South during the 1920s.
Young accomplishes this by using Weaver's own writings on scholarship and by discussing his most representative and significant essays and books - Ideas Have Consequences, Language Is Sermonic, and others. Young also interviews the people who were closest to Weaver: Russell Kirk; Cleanth Brooks; Clifford Amyx, an artist and intellectual; his sister Polly Weaver Beaton; and Professor Wilma R. Ebbitt, a colleague and friend during Weaver's years at the University of Chicago. Although many have associated Weaver with the Vanderbilt Agrarians and have stereotyped him as a conservative, this work makes plain that Weaver cannot be seen simply and wholly in this light. Many of the stands Weaver took, such as opposing the registration of Communists during the McCarthy era, set him apart from the conservative mainstream and made people of many different political persuasions respect his ideas.