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Antarctica, that icy wasteland and extreme environment at the ends of the earth, was - at the beginning of the 20th century - the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive. Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank - and white - canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future.
Robert Falcon Scott?s 1901?4 expedition to the Antarctic was a landmark event in the history of Antarctic exploration, creating a sensation comparable to the Arctic efforts of the American Robert E. Peary. Scott?s initial expedition was also the first step toward the dramatic race to the South Pole in 1912, which resulted in the tragic deaths of Scott and his companions. Since then Scott?s reputation has vacillated between two extremes: Was he a martyred hero, the beau ideal of a brave and selfless explorer, or a bumbling fool whose mistakes killed him and his entire party?øPilgrims on the Ice goes beyond the personality of Scott to remove the first expedition from the shadow of the second, to study objectively its purpose, its composition, and its real accomplishments. This Bison Books edition includes a new preface by the author.