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A magician shows up unexpectedly at a grade school. Retirees answer phone calls from lonely children. A sleep study assistant speaks to a patient about his own afterlife experiences. Twenty years ago, Richard Russo wrote of Troublemakers, "John McNally is an electrifying writer whose stories burrow under the skin. His world becomes our world, his way of seeing, ours. Resistance is futile." The same is true of these nine stories that are by turns fantastical, hilarious, and heartbreaking.
The 2020 issue showcases North Carolina expatriate writers, ranging from Harriet Jacobs, who moved north to escape enslavement in North Carolina to Glenis Redmond, who developed her poetic voice during her years living here in North Carolina and now travels over 35,000 miles a year bringing poetry to the masses, thus earning the title Road Warrior Poet." Between, find essays on other writers with North Carolina roots: Charles Chesnutt, Tony Earley, Lionel Shriver, and Stephanie Powell Watts. Read retired Emory Professor/Goldsboro native Jim Grimsley's interview with retired LSU Professor/Goldsboro native Moira Crone, featuring her own art. This interview was selected by Elaine Neil Orr to receive the 2020 John Ehle Prize. The issue's cover art is by A.R. Ammons, an Eastern North Carolina poet who spent most of his career teaching at Cornell University in Ithaca, NY. Also interviewed: Durham native/novelist/California television writer Gwendolyn Parker; poet Allison Adelle Hedge Coke, from her current residence in Hawaii; longtime Texas resident Ben Fountain, talking about growing up in Eastern North Carolina; and Raleigh native Mary Robinette Kowal, recipient of the three biggest speculative fiction awards, the Hugo, Nebula, and Locus, for her novel The Calculating Stars. Bringing up the oft-heard North Carolina remark, "You can't throw a rock in this state without hitting a writer," Editor Margaret Bauer notes, "It turns out that it might be dangerous for North Carolina writers if rocks are thrown anywhere, not just within the state's borders. The Old North State seems a fertile starting point, even if some writers do not remain." Despite these authors branching off to places far from Tar Heel soil, their writing roots are deep in North Carolina, and North Carolina has left its mark. The subject of one essay, Watts, for example, describes her novel as "The Great Gatsby set in rural North Carolina." And Hedge Coke says, "I am never really away from the land and waters there. ... Closing my eyes, [North Carolina] is always present." The Flashbacks section of the issue includes the 2019 James Applewhite Poetry Prize winner, "Meditation in a Glass House" by Wayne Johns; the other finalists selected for honors; and new poetry by the namesake of the award, James Applewhite, and former North Carolina Poet Laureate, Fred Chappell; the 2019 Doris Betts Fiction Prize winning short story "Something Coming" by Katey Schultz; the premiere Paul Green Prize essay by Rachel Warner about renowned author Zora Neale Hurston's brief residence in North Carolina; and an interview with Charlotte writer/musician Jeff Jackson.
Two women kept apart by segregation at a Southern cigar factory forge a powerful alliance in the labor rights movement in this historical novel. With evocative dialect and remarkable prose, The Cigar Factory tells the story of two entwined families—the white McGonegals and the African American Ravenels—in the storied port city of Charleston, South Carolina, during the World Wars. Moore’s novel follows the parallel lives of family matriarchs working on segregated floors of the massive Charleston cigar factory, where white and black workers remain divided and misinformed about the duties and treatment received by each other. Cassie McGonegal and her niece Brigid work upstairs in the factory rolling cigars by hand. Meliah Amey Ravenel works in the basement, where she stems the tobacco. While both suffer in the harsh working conditions of the factory and endure the sexual harassment of the foremen, segregation keeps them from recognizing their common plight until the Tobacco Workers Strike of 1945. Through the experience of a brutal picket line, the two women discover how much they stand to gain by joining forces, creating a powerful moment in labor history that gives rise to the Civil Rights anthem, “We Shall Overcome.” Moore’s historical research includes interviews with family members who worked at the cigar factory, adding nuance and authenticity to her empowering story of struggle, loss, and redemption. Foreword by New York Times best-selling author Pat Conroy Winner of the 2016 David J. Langum, Sr. Prize
This New York Times bestseller set during the American Revolution is “an exciting tale of love and war in the tradition of Gone with the Wind” (Chicago Tribune). A bustling port city, Charleston, South Carolina, is the crossroads of the American Revolution, supplies and weapons for the rebel army being unloaded there and then smuggled north. Recently engaged to the heir to a magnificent plantation, Celia Garth watches all of this thrilling activity from the window of the dressmaker’s shop where she works. When the unthinkable occurs and the British capture and occupy Charleston, bringing fiery retribution to the surrounding countryside, Celia sees her world destroyed. The rebel cause seems lost until the Swamp Fox, American General Francis Marion, takes the fight to the British—and one of his daring young soldiers recruits Celia to spy on the rebels’ behalf. Out of the ashes of Charleston and the Carolina countryside will rise a new nation—and a love that will change Celia Garth forever.
"Paul Theroux has spent fifty years crossing the globe, adventuring in the exotic, seeking the rich history and folklore of the far away. Now, for the first time, in his tenth travel book, Theroux explores a piece of America--the Deep South. He finds there a paradoxical place, full of incomparable music, unparalleled cuisine, and yet also some of the nation's worst schools, housing, and unemployment rates. It's these parts of the South, so often ignored, that have caught Theroux's keen traveler's eye."--
#1 NEW YORK TIMES BESTSELLER • “A big sweeping novel of friendship and marriage” (The Washington Post) by the celebrated author of The Prince of Tides and The Great Santini Leopold Bloom King has been raised in a family shattered—and shadowed—by tragedy. Lonely and adrift, he searches for something to sustain him and finds it among a tightly knit group of outsiders. Surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, as well as Charleston, South Carolina’s dark legacy of racism and class divisions, these friends will endure until a final test forces them to face something none of them are prepared for. Spanning two turbulent decades, South of Broad is Pat Conroy at his finest: a masterpiece from a great American writer whose passion for life and language knows no bounds. Praise for South of Broad “Vintage Pat Conroy . . . a big sweeping novel of friendship and marriage.”—The Washington Post “Conroy remains a magician of the page.”—The New York Times Book Review “Richly imagined . . . These characters are gallant in the grand old-fashioned sense, devoted to one another and to home. That siren song of place has never sounded so sweet.”—New Orleans Times-Picayune “A lavish, no-holds-barred performance.”—The Atlanta Journal-Constitution “A lovely, often thrilling story.”—The Dallas Morning News “A pleasure to read . . . a must for Conroy’s fans.”—Associated Press
With nearly 2,000 entries and 520 illustrations, this comprehensive reference surveys the history and culture of the Palmetto State from A to Z, mountains to coast, and prehistory to the present.
The Experience of a Slave in South Carolina by John Andrew Jackson, first published in 1862, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
An assessment of critical battles on the southern front that led to American independence An estimated one-third of all combat actions in the American Revolution took place in South Carolina. From the partisan clashes of the backcountry's war for the hearts and minds of settlers to bloody encounters with Native Americans on the frontier, more battles were fought in South Carolina than any other of the original thirteen states. The state also had more than its share of pitched battles between Continental troops and British regulars. In South Carolina and the American Revolution: A Battlefield History, John W. Gordon illustrates how these encounters, fought between 1775 and 1783, were critical to winning the struggle that secured Americas independence from Great Britain. According to Gordon, when the war reached stalemate in other zones and the South became its final theater, South Carolina was the decisive battleground. Recounting the clashes in the state, Gordon identifies three sources of attack: the powerful British fleet and seaborne forces of the British regulars; the Cherokees in the west; and, internally, a loyalist population numerous enough to support British efforts towards reconquest. From the successful defense of Fort Sullivan (the palmetto-log fort at the mouth of Charleston harbor), capture and occupation of Charleston in 1780, to later battles at King's Mountain and Cowpens, this chronicle reveals how troops in South Carolina frustrated a campaign for restoration of royal authority and set British troops on the road to ultimate defeat at Yorktown. Despite their successes in 1780 and 1781, the British found themselves with a difficult military problem—having to wage a conventional war against American regular forces while also mounting a counterinsurgency against the partisan bands of Francis Marion, Andrew Pickens, and Thomas Sumter. In this comprehensive assessment of one southern state's battlegrounds, Gordon examines how military policy in its strategic, operational, and tactical dimensions set the stage for American success in the Revolution.