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The archaeological monuments known as souterrains, particularly characteristic of eastern Scotland from Aberdeenshire to Fife, have long been a mystery. When this book was originally published in 1963, recent investigation on two of these types of works, at Ardestie and Carlungie in Angus had shed more light. This book combines two excavation reports with a re-consideration of the problems that surrounded these ‘earth houses’ and their builders. It presents a summary of all recorded souterrains between the Dee and the Forth, offering great insight into these structures and also into the status of this kind of archaeology at this time.
Britain's pagan past, with its mysterious monuments, atmospheric sites, enigmatic artifacts, bloodthirsty legends, and cryptic inscriptions, is both enthralling and perplexing to a resident of the twenty-first century. In this ambitious and thoroughly up-to-date book, Ronald Hutton reveals the long development, rapid suppression, and enduring cultural significance of paganism, from the Paleolithic Era to the coming of Christianity. He draws on an array of recently discovered evidence and shows how new findings have radically transformed understandings of belief and ritual in Britain before the arrival of organized religion. Setting forth a chronological narrative, Hutton along the way makes side visits to explore specific locations of ancient pagan activity. He includes the well-known sacred sites—Stonehenge, Avebury, Seahenge, Maiden Castle, Anglesey—as well as more obscure locations across the mainland and coastal islands. In tireless pursuit of the elusive “why” of pagan behavior, Hutton astonishes with the breadth of his understanding of Britain’s deep past and inspires with the originality of his insights.
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This publication is the culmination of an extended programme of conferences that have sought to mark the contribution of F. T. Wainwright to Pictish studies and, in particular, the 50th anniversary of The Problem of the Picts. The book is firmly in the tradition of interdisciplinary scholarship Wainwright did so much to promote and brings together much fresh thinking on the archaeological, art-historical, place name and historical understanding of Northern Britain in the second half of the first millennium AD. Within a wider, European framework it addresses questions of landscape, material culture and mentalities, revealing some of the different strategies by which the Picts made their world. All the studies are accessibly presented to serve the interests of students, teachers and anyone interested in the roots of European civilisation. Contributors are Barbara E. Crawford, Nicholas Evans, Iain Fraser, James Fraser, Meggen Gondek, Stratford Halliday, Andrew Heald, Kellie Meyer, Gordon Noble, Robert D. Stevick, Simon Taylor and Sarah Winlow.
The Iron Age in Northern Britain examines the impact of the Roman expansion northwards, and the native response to the Roman occupation on both sides of the frontiers. It traces the emergence of historically-recorded communities in the post-Roman period and looks at the clash of cultures between Celts and Romans, Picts and Scots. Northern Britain has too often been seen as peripheral to a 'core' located in south-eastern England. Unlike the Iron Age in southern Britain, the story of which can be conveniently terminated with the Roman conquest, the Iron Age in northern Britain has no such horizon to mark its end. The Roman presence in southern and eastern Scotland was militarily intermittent and left untouched large tracts of Atlantic Scotland for which there is a rich legacy of Iron Age settlement, continuing from the mid-first millennium BC to the period of Norse settlement in the late first millennium AD. Here D.W. Harding shows that northern Britain was not peripheral in the Iron Age: it simply belonged to an Atlantic European mainstream different from southern England and its immediate continental neighbours.
In the 1960s Geoffrey Grigson travelled around England writing the story of the secret landscape that is all around us, if only we take the time to look and see. The result is a book that will take you on an imaginative journey, revealing hidden stories, unexpected places and strange phenomena. From green men, ice-scratches, cross-legged knights and weathercocks to rainbows, clouds and stars; from place-names and poets to mazes, dene-holes and sham ruins, via avenues, dewponds and village greens, The Shell Country Alphabet will help you discover the world that remains, just off the motorway. 'Geoffrey Grigson resurrected the minor, the provincial and the parochial ... [he was] an erudite and unrivalled topographer ... ardent in promoting informed awareness of the distinctiveness of place' Toby Barnard 'An anthologist of genius' P.J. Kavanagh
The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world. Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organization Offers an up-to-date overview of Pictish life within the environment of northern Britain Explains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration. Draws on a range of transnational and comparative scholarship to place the Picts in their European context
This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Sweden. A feast of scholarly contributions pay respect to and acknowledge Gerhard’s achievements in the fields of rock art documentation, research, international collaboration and outreach.