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The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music.
Forced into an uneasy alliance with Master Templar Otso Berg, our Assassin Cell now looks to the past for answers. Through the memories of her ancestor, the Spanish anarchist Assassin Ignacio Cardona, Charlotte De La Cruz discovered the true location of the Koh-I-Noor – a devastating Isu weapon that could turn the tide in the upcoming battle – before quickly succumbing to its power. Now it’s Otso Berg’s turn to take his own Animus trip… into the memories of Albert Bolden – the enigmatic former Black Cross.
When thinking about the meaning and purpose of our lives, most people eventually come to these questions: ‘Who am I really?’ ‘What is the purpose for being here?’ and ‘Where will I go after I die?’ Increasing numbers are contemplating this, and so beginning the process of ‘waking up’ to our original nature; true reality, versus the illusions we have been led to believe until now. This is an introduction and overview to very important metaphysical and world topics. It is help for beginners on where and how to start, or move forward, on their own journey! We will explore together the possibility of being an eternal being, of reincarnation, learn about the human energy centres. We will investigate whether extraterrestrial beings are real. What can we do to achieve the inner and outer life we desire? What are the important issues on the planet, and how can we watch out for our physical health. Throughout the book, the author use examples her experiences and growth from her own journey to date. There is a great need for the type of book she has written. It differs from others on the market in that it is short, with easy to follow chapters, and readers can identify which topics stand out as important to them personally, where they are drawn to find out more. Included is a bibliography and additional resources readers can use for further exploration.
Since the 1970 and 1980s, fanzines have constituted a zone of freedom of thought, of do-it-yourself creativity and of alternatives to conventional media. Along with bands, records and concerts, they became a vital part of the construction of punk 'scenes’, actively contributing to the creation and consolidation of communities. This book moves beyond the usual focus on Anglophone punk scenes to consider fanzines in international contexts. The introduction offers a theoretical, chronological and thematic survey for understanding fanzines, considering their contemporary polyhedral vitality. It then moves to consider the distinct social, historical and geographic contexts in which fanzines were created. Covering the UK, Portugal, Greece, Canada, Germany, Argentina, France and Brazil, as well as a wide range of standpoints, this book contributes to a more global understanding of the fanzine phenomenon.
Helping you to read critically and analyze well, Writing from Sources provides detailed, step-by-step coverage of every aspect of the research and writing process. The book equips you with the skills you need to integrate source materials into your own writing, preparing you to produce confident, college-level work.