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“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. Magazine Can a girl who risks her life for books and an Ilori who loves pop music work together to save humanity? When a rebel librarian meets an Ilori commander… Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules by keeping a secret library. When young Ilori commander Morris finds Ellie’s illegal library, he’s duty-bound to deliver her for execution. But Morris isn’t a typical Ilori…and Ellie and her books might be the key to a desperate rebellion of his own. “The Sound of Stars is a marvelous genre-bending debut." —The Nerd Daily “The Sound of Stars is a stunning exploration of the comforts that make us human and the horrors that challenge our humanity.”—K. Ancrum, author of The Wicker King "This book has everything! Aliens set on conquering earth! A determined heroine with a hidden stash of books! And the power of music and stories to give those with every reason to hate the power to love. Who could want anything more?"—Joelle Charbonneau, New York Times bestselling author of The Testing and Verify “An absolute must-read for everyone.” —Book Riot “Dow's debut is a testament to hope and the power of art.” —Buzzfeed Also by Alechia Dow: The Kindred
“Utterly swoony…an endearing reminder that true love can change the world” —J. Elle, New York Times bestselling author of Wings of Ebony To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor… Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings. Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face. Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy.
Introducing a dramatic new chapter to American Indian literary history, this book brings to the public for the first time the complete writings of the first known American Indian literary writer, Jane Johnston Schoolcraft (her English name) or Bamewawagezhikaquay (her Ojibwe name), Woman of the Sound the Stars Make Rushing Through the Sky (1800-1842). Beginning as early as 1815, Schoolcraft wrote poems and traditional stories while also translating songs and other Ojibwe texts into English. Her stories were published in adapted, unattributed versions by her husband, Henry Rowe Schoolcraft, a founding figure in American anthropology and folklore, and they became a key source for Longfellow's sensationally popular The Song of Hiawatha. As this volume shows, what little has been known about Schoolcraft's writing and life only scratches the surface of her legacy. Most of the works have been edited from manuscripts and appear in print here for the first time. The Sound the Stars Make Rushing Through the Sky presents a collection of all Schoolcraft's extant writings along with a cultural and biographical history. Robert Dale Parker's deeply researched account places her writings in relation to American Indian and American literary history and the history of anthropology, offering the story of Schoolcraft, her world, and her fascinating family as reinterpreted through her newly uncovered writing. This book makes available a startling new episode in the history of American culture and literature.
For sixteen years, Daisy has been good. A good daughter, helping out with her autistic younger brother uncomplainingly. A good friend, even when her best friend makes her feel like a third wheel. When her parents announce they’re sending her brother to an institution—without consulting her—Daisy’s furious, and decides the best way to be a good sister is to start being bad. She quits jazz band and orchestra, slacks in school, and falls for bad-boy Dave. But one person won’t let Daisy forget who she used to be: Irish exchange student and brilliant musician Cal. Does she want the bad boy or the prodigy? Should she side with her parents or protect her brother? How do you know when to hold on and when—and how—to let go? “The Sound of Letting Go is deeply moving, fiercely honest, and always surprising. Stasia Ward Kehoe’s characters are so real and complex, you won’t want to let them go at the end. I loved this book!”—Barbara Dee, author of Solving Zoe, This is Me From Now On, Just Another Day in My Insanely Real Life, and Trauma Queen “Achingly beautiful, The Sound of Letting Go takes readers down a dangerous path while touching the heart and encouraging hope.”—Elana Johnson, author of Possession, Surrender, and Abandon “Told in verse that is at once delicate and strong, lyrical and honest, Stasia Kehoe’s The Sound of Letting Go is a moving contemporary story of the intense push and pull between the responsibility of family and the freedom of dreams.”—Jessi Kirby, author of Moonglass, In Honor, and Golden “With captivating verse and a lyrical love story to match, The Sound of Letting Go will keep you hanging on, breathless and enchanted, until the very last page.”—Gretchen McNeil, author of Possess, Ten and the forthcoming 3:59 and the “Don’t Get Mad” series “Soulful and stunning, this book has captured my heart. It’s one of those tragic melodies you never want to end, a tribute to the damning and redemptive power of music.”—Jessica Martinez, author of Virtuosity and The Space Between Us “The Sound of Letting Go draws you honestly into the turbulent ambivalence of life with a severely challenged sibling, while never short-shrifting Daisy's individual coming-of-age journey. The music of Stasia Kehoe's beautifully flawed characters will resonate in your mind long after you finish reading her book.”—Elise Allen, author of Populazzi, co-author of the Elixir series with Hilary Duff
"A lucid and passionate case for a more mindful way of listening to and engaging with musical, natural, and manmade sounds." —New York Times In this tour of the world’s most unexpected sounds, Trevor Cox—the “David Attenborough of the acoustic realm” (Observer)—discovers the world’s longest echo in a hidden oil cavern in Scotland, unlocks the secret of singing sand dunes in California, and alerts us to the aural gems that exist everywhere in between. Using the world’s most amazing acoustic phenomena to reveal how sound works in everyday life, The Sound Book inspires us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.
This thrilling fantasy will draw in fans of The Raven Cycle and Stranger Things, as the fearless May Hawthorne finds danger waiting for her at every corner. Though the Beast is seemingly subdued for now, a new threat lurks in Four Paths: a corruption seeping from the Gray into the forest. And with the other Founders preoccupied by their tangled alliances and fraying relationships, only May Hawthorne seems to realize the danger. But saving the town she loves means seeking aid from the person her family despises most—her father, Ezra Bishop. May's father isn't the only newcomer in town—Isaac Sullivan's older brother has also returned, seeking forgiveness for the role he played in Isaac's troubled past. But Isaac isn't ready to let go of his family's history, especially when that history might hold the key that he and Violet Saunders need to destroy the Gray and the monster within it. Harper Carlisle isn't ready to forgive, either. Two devastating betrayals have left her isolated from her family and uncertain who to trust. As the corruption becomes impossible to ignore, Harper must learn to control her newfound powers in order to protect Four Paths. But the only people who can help her do that are the ones who have hurt her the most. With the veil between the Gray and the town growing ever thinner, the Founder descendants must put their grievances with one another aside to stop the corruption and kill the Beast once and for all. But the monster they truly need to slay may never been the Beast . . .
Peter Kay's unerring gift for observing the absurdities and eccentricities of family life has earned himself a widespread, everyman appeal. These vivid observations coupled with a kind of nostalgia that never fails to grab his audience's shared understanding, have earned him comparisons with Alan Bennett and Ronnie Barker. In his award winning TV series' he creates worlds populated by degenerate, bitter, useless, endearing and always recognisable characters which have attracted a huge and loyal following. In many ways he's an old fashioned kind of comedian and the scope and enormity of his fanbase reflects this. He doesn't tell jokes about politics or sex, but rather rejoices in the far funnier areas of life: elderly relatives and answering machines, dads dancing badly at weddings, garlic bread and cheesecake, your mum's HRT... His autobiography is full of this kind of humour and nostalgia, beginning with Kay's first ever driving lesson, taking him back through his Bolton childhood, the numerous jobs he held after school and leading up until the time he passed his driving test and found fame.
Kiki Nichols might not survive music camp. She’s put her TV-loving, nerdy self aside for one summer to prove she’s got what it takes: she can be cool enough to make friends, she can earn that music scholarship, and she can get into Krause University’s music program. Except camp has rigid conduct rules—which means her thrilling late-night jam session with the hot, equally geeky drummer can’t happen again, even though they love all the same shows, and fifteen minutes making music with him meant more than every aria she’s ever sung. But when someone starts reporting singers who break conduct rules, music camp turns survival of the fittest, and people are getting kicked out. If Kiki’s going to get that scholarship, her chance to make true friends—and her first real chance at something more—might cost her the future she wants more than anything.
A timeless story of first love set in a remote fishing village in Japan. • "A story that is both happy and a work of art.... Altogether a joyous and lovely thing." —The New York Times A young fisherman is entranced at the sight of the beautiful daughter of the wealthiest man in the village. They fall in love, but must then endure the calumny and gossip of the villagers.
London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new.