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Young is back with the eagerly awaited follow-up to his account of a hilariously failed attempt to conquer the Manhattan social and professional scene in How to Lose Friends and Alienate People. All the elements that turned Toby's earlier memoir into a bestseller from coast to coast and on both sides of the Atlantic are back, too. Well, some things have changed for Toby-he has married his girlfriend from How to Lose Friends and Alienate People and now has two kids, and he has moved from the Manhattan that treated him none too kindly to London. But Toby remains Toby, and what Graydon Carter of Vanity Fair called Toby's "brown thumb" continues to work its magic, transforming opportunities into cringeworthy debacles and leading to situations that are classic Toby Young territory. Toby gleefully recounts such dubious journalistic assignments as posing as a patient at a penis-enlargement clinic and as a greeter at a Wal-Mart. He has misadventures in Los Angeles as a screenwriter for films that never quite get made, he's been a contestant on an abysmal reality show that absolutely no one watched, and he has acted in a one-man play that was utterly savaged by the critics. Yes, Toby has become a dutiful husband and a devoted dad, but he's as relentlessly self-sabotaging as ever, with a demonstrated knack for attracting misfortune, publicity-and devoted readers.
Young is back with the eagerly awaited follow-up to his account of a hilariously failed attempt to conquer the Manhattan social and professional scene in How to Lose Friends and Alienate People. All the elements that turned Toby's earlier memoir into a bestseller from coast to coast and on both sides of the Atlantic are back, too. Well, some things have changed for Toby-he has married his girlfriend from How to Lose Friends and Alienate People and now has two kids, and he has moved from the Manhattan that treated him none too kindly to London. But Toby remains Toby, and what Graydon Carter of Vanity Fair called Toby's "brown thumb" continues to work its magic, transforming opportunities into cringeworthy debacles and leading to situations that are classic Toby Young territory. Toby gleefully recounts such dubious journalistic assignments as posing as a patient at a penis-enlargement clinic and as a greeter at a Wal-Mart. He has misadventures in Los Angeles as a screenwriter for films that never quite get made, he's been a contestant on an abysmal reality show that absolutely no one watched, and he has acted in a one-man play that was utterly savaged by the critics. Yes, Toby has become a dutiful husband and a devoted dad, but he's as relentlessly self-sabotaging as ever, with a demonstrated knack for attracting misfortune, publicity-and devoted readers.
A unique insider's account of day-to-day life inside a Tibetan monastery, The Sound of Two Hands Clapping reveals to Western audiences the fascinating details of monastic education. Georges B. J. Dreyfus, the first Westerner to complete the famous Ge-luk curriculum and achieve the distinguished title of geshe, weaves together eloquent and moving autobiographical reflections with a historical overview of Tibetan Buddhism and insights into its teachings.
FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 In the winter of 1954, in a construction camp in the remote Tasmanian highlands, when Sonja Buloh was three years old and her father was drinking too much, her mother disappeared into a blizzard never to return. Thirty-five years later, Sonja returns to the place of her childhood to visit her drunkard father. The shadows of the past begin to intrude ever more forcefully into the present, changing forever his living death and her ordered life.
Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
The darkest, most twisted novel yet from the author of Timoleon Vieta Come Home. In a room above a bizarre German museum, and far from the prying eyes of strangers, lives in Old Man. Caretaker by day, by night he enjoys the sound of silence, broken only by the occasional crunch of a spider between his teeth. Little Hands Clapping brings the Old Man together with the respectable Doctor Ernst Frohlicher, his dog Hans and a cast of grotesque and hilarious townsfolk who find themselves involved in a crime so outrageous it will shock the world. From its sinister opening to its explosive denouement, Little Hands Clapping blends lavishly entertaining storytelling with Rhodes's macabre imagination, entrancing originality and magical touch.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan-Alistair Cooke then, Anna Wintour now-so why couldn't he? But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him. How to Lose Friends and Alienate People is Toby Young's hilarious account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. But it's more than "the longest self-deprecating joke since the complete works of Woody Allen" (Sunday Times); it's also a seditious attack on the culture of celebrity from inside the belly of the beast. And there's even a happy ending, as Toby Young marries-"for proper, noncynical reasons," as he puts it-the woman of his dreams. "Some people are lucky enough to stumble across the right path straight away; most of us only discover what the right one is by going down the wrong one first." "I'll rot in hell before I give that little bastard a quote for his book." -- Julie Burchill "A relentlessly brilliant book-a What Makes Sammy Run for the twenty-first century . . . the funniest, cleverest, most touching new book I've read for as long as I can remember." -- Julie Burchill, The Spectator
John Lennon once described her as “the world's most famous unknown artist: everybody knows her name, but nobody knows what she does.” Many people are aware of her art, and her music has always split crowds, from her caterwauling earliest work to her later dance numbers, but how many people have looked at Yoko Ono's decades-spanning career and varied work in total and asked the simple question, “Is it any good?” From her earliest work with the Fluxus group and especially her relationship with John Cage, through her enigmatic pop happenings (where she met John Lennon), her experimental films, cryptic books, conceptual art, and her long recording career that has vacillated between avant-garde noise and proto-new wave, earning the admiration of other artists while generally confusing the public at large who often sees her only in the role of the widow Lennon, Reaching Out with No Hands is the first serious, critical, wide-ranging look at Yoko Ono the artist and musician. A must-read for art and music fans interested in going beyond the stereotyped observations of Yoko as a Lennon hanger-on or inconsequential avant noisemaker.
The Politics of Autism investigates the truths and fictions of public understanding about autism, questioning apparent realities too sensitive or impolitic to challenge. Is there really more autism? How has the count expanded by diagnosing autism over other conditions? Have scientific methods in autism diagnosis gone hand-in-hand with autism increases? Are mild autism cases really a 'disorder,' rather than personality variant? Can autism be quiescent in childhood but truly first recognizable in adulthood? Why does popular media often portray people with autism as odd geniuses ignoring the kind of autism most have? Siegel tackles thorny issues and perennial questions: How do we weigh likely treatment gains with treatment costs? Why does our autism education persist in teaching academic subjects some never master? Why do we fail to plan realistically for autistic adulthood? Which parents get caught up in non-mainstream 'treatments' and fear of vaccines? Readers will see an insider's view of controversies in autism research. Siegel's views, sometimes iconoclastic, always frank and informed, challenge broad unexamined assumptions about our understanding of autism. Each chapter addresses different issues, data, and social policy recommendations. A chapter-by-chapter bibliography with URLs provides both popular media and scientific references.