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Manchester in 1991 is a town suffering under the weight of high unemployment and massive government budgetary deficits that is plunging the UK into a recession. To Daniel Crabtree, a struggling writer, it is the backcloth to his first novel, one that will see him become a famous published author. Living off mostly water and flour, Daniel has embraced penury into his life under the mistaken belief that many young artists have: one needs to suffer for success in art. But Daniel is a terrible writer. In the three years since signing on the dole, of every morning chastising his Irish singing neighbour for waking him from his sleep, and scrounging food from his close friend Henry Soperton, Daniel Crabtree has produced one short story. His heart is bereft of words as much as his pockets are of money. It is a story of love, and how a poor starving man chasing a dream came to the understanding that amidst the clamour of life, the sound of loneliness is the most deafening of all.
Stan Pearson, a successful, wealthy stock broker, recently divorced from an unfaithful wife, suddenly leaves his position with a top national firm to engage in a period of introspection. His three adult children, a son and two daughters, one of whom is expecting his first grandchild, stay close as their father searches for answers to life's problems and challenges. His former college roommate, the dean of students at an elite Virginia University, offers him a position teaching business to students in their MBA program. He accepts the challenge. A lovely young graduate student and fellow faculty member, who taught high school for several years and is working on her doctorate, offers Stan advice, and the two become friends and eventually lovers. When the company he left offers him a top position, he struggles to decide whether to accept it, wondering whether the young woman he loves will join him at the head of a large company in the center of New York's financial district. Their love is tested to the limits.
A practical blueprint for overcoming loneliness and returning to a place of love, acceptance, and meaningful connection—from the spiritual leader and popular YouTuber behind The Completion Process Following in the footsteps of the success of The Completion Process, bestselling author and modern spiritual leader Teal Swan offers an in-depth exploration and understanding of loneliness. Drawing on her extraordinary healing technique, the Connection Process, Teal offers a way to experience connection once again. Loneliness is reaching endemic proportions in our society, reflected by rising suicide rates and increased mental illness. Now, more than ever we need to find a way to connect. Loneliness is a feeling of separation or isolation; it is not necessarily the same as the physical state of being alone. This book is for people who suffer from loneliness, the kind that cannot be solved by simply being around other people. Their aloneness is a deeply embedded pattern that is both negative and painful; it is often fueled by trauma, loss, addiction, grief and a lack of self-esteem and insecurity. In The Anatomy of Loneliness, Teal identifies the three pillars or qualities of loneliness: Separation, Shame and Fear and goes on to share her revolutionary technique; The Connection Process, a form of intuitive journeying, usually involving two people a ‘receiver’ and a ‘journeyer’. Through a series of exercises each person experiences ‘walls’ and ‘blockages’ as they move through the process both participants face their fears learning from these to reach a place of unconditional love and acceptance.
From the acclaimed author of Imagine Wanting Only This—a timely and moving meditation on isolation and longing, both as individuals and as a society. There is a silent epidemic in America: loneliness. Shameful to talk about and often misunderstood, loneliness is everywhere, from the most major of metropolises to the smallest of towns. In Seek You, Kristen Radtke's wide-ranging exploration of our inner lives and public selves, Radtke digs into the ways in which we attempt to feel closer to one another, and the distance that remains. Through the lenses of gender and violence, technology and art, Radtke ushers us through a history of loneliness and longing, and shares what feels impossible to share. Ranging from the invention of the laugh-track to the rise of Instagram, the bootstrap-pulling cowboy to the brutal experiments of Harry Harlow, Radtke investigates why we engage with each other, and what we risk when we turn away. With her distinctive, emotionally-charged drawings and deeply empathetic prose, Kristen Radtke masterfully shines a light on some of our most vulnerable and sublime moments, and asks how we might keep the spaces between us from splitting entirely.
Tells the story of Stephen Gordon, a girl born at the turn of century, and her struggle for acceptance as a lesbian.
Taking an eraser to loneliness will not erase it. Trying to drink loneliness away will not quench its thirst. Shaming loneliness will not disempower it. In The Gospel of Loneliness, author and pastor Dwight Wolter offers the encouragement that loneliness is an exploration and a teacher to make room for—not to avoid. Wolter examines the expressions of loneliness in our lives: revisiting biblical stories and fables, listening to pop music, studying its dynamic in the pews, and exploring the future of artificial companionship.
The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).
This remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today. https://sredmond4.wixsite.com/lonelyroom
(Piano/Vocal/Guitar Artist Songbook). 24 songs by legend and revered singer-songwriter John Prine in arrangements for piano, voice and guitar with chord symbols, guitar chord frames and full lyrics. Songs include: Angels from Montgomery * Dear Abby * Fish and Whistle * Hello in There * Illegal Smile * In Spite of Ourselves * Lake Marie * Paradise * Sam Stone * Souvenirs * Summer's End * Sweet Revenge * That's the Way the World Goes 'Round * and more.
From the acclaimed author of A Good Distance and Some Things That Stay, a thoughtful and compelling novel about the voices that call out to us—and the ways our lives can be transformed when we learn to listen. It was past two in the morning and Alice Marlowe was in bed alone when the phone rang. Lifting the receiver, she heard the voice of a child at the other end—a child who was clearly frightened, reluctant to reveal too much, and like Alice, all alone. After a brief, halting conversation—and before she knows quite what she’s doing—Alice is at the little girl’s apartment. She has no idea where Larissa Benton’s mother has gone or when she’s coming back. She knows the right thing to do is to call the police. But when they arrive and carry a crying Larissa away, accompanied by a social worker, Alice finds it difficult to let her go. She had no plans to bring a child into her life. She is single, in her late forties. She lives with a cat named Sampson and has imaginary conversations with her dead twin brother. As a sign-language interpreter for the deaf, she is used to standing between people, facilitating their conversations with each other. But perhaps it is this unusual skill that can help Larissa, who, as she travels through the labyrinth of Cleveland’s child-welfare system, refuses to speak. And perhaps that late-night call was somehow meant to bring them together—a lonely woman with no one to love, and a beautiful, scared six-year-old girl.