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Christianity Today Book Award in Culture and the Arts (2021) “In the final analysis, music is prayer cast into sound.” One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand the world, ourselves, and the Creator in fresh ways. The message of this unique book is mirrored in sensitive photographs by Donata Wenders, whose work has appeared in prominent newspapers and magazines, including The New York Times, Rolling Stone, and Esquire, as well as museums and galleries throughout the world.
The first book in a major new trilogy, How to Live: How We Are, How We Break, and How We Mend We live in small worlds. How We Are is an astonishing debut and the first part of the monumental How to Live trilogy, a profound and ambitious work that gets to the heart of what it means to be human: how we are, how we break, and how we mend. In Book One, How We Are, we explore the power of habit and the difficulty of change. As Vincent Deary shows us, we live most of our lives automatically, in small worlds of comfortable routine—what he calls Act One. Conscious change requires deliberate effort, so for the most part we avoid it. But inevitably, from within or without, something comes along to disturb our small worlds—some News from Elsewhere. And with reluctance, we begin the work of adjustment: Act Two. Over decades of psychotherapeutic work, Deary has witnessed the theater of change—how ordinary people get stuck, struggle with new circumstances, and finally transform for the better. He is keenly aware that novelists, poets, philosophers, and theologians have grappled with these experiences for far longer than psychologists. Drawing on his own personal experience and a staggering range of literary, philosophical, and cultural sources, Deary has produced a mesmerizing and universal portrait of the human condition. Part psychologist, part philosopher, part novelist, Deary helps us to see how we can resist being habit machines, and make our acts and our lives more fully our own.
Children do not always have the capacity or need to express themselves through words. They often succeed in saying more about their feelings and experiences by communicating non-verbally through play and other expressive, creative activities. The basic premise of Speaking about the Unspeakable is that life's most pivotal experiences, both good and bad, can be truly expressed via the language of the imagination. Through creativity and play, children are free to articulate their emotions indirectly. The contributors, all experienced child therapists, describe a wide variety of non-verbal therapeutic techniques, including clay, sand, movement and nature therapy, illustrating their descriptions with moving case studies from their professional experience. Accessible and engaging, this book will inspire child psychologists and therapists, art therapists and anyone with an interest in therapeutic work with children.
Silf deftly brings together science and spirituality, allowing a bold new synthesis to emerge between them. She encourages readers to think about what it might mean to become fully and truly human.
Undaunted—both the book and movie—chronicles the riveting true story of a young farm boy named Josh who carried unspeakable memories of an alcoholic father and a farmhand’s abuse, causing him to defy God’s existence. Yet God redeemed a horrible situation with his unbelievable grace. Today Josh McDowell is one of the most popular evangelists in the world who defends the reality of Jesus Christ to millions through his presentations and classic book More Than a Carpenter. Undaunted unfolds the dramatic spiritual transformation in Josh’s life when he faces his past head-on and puts everything entirely in God’s hands. The result is an undaunted faith, a gift freely offered to everyone who seeks it.
Shortlisted for The Green Carnation Prize 2014 'This is not a fairytale. This is a story about how sex and money and power police our dreams.' Clear-eyed, witty and irreverent, Laurie Penny is as ruthless in her dissection of modern feminism and class politics as she is in discussing her own experiences in journalism, activism and underground culture. This is a book about poverty and prejudice, online dating and eating disorders, riots in the streets and lies on the television. The backlash is on against sexual freedom for men and women and social justice – and feminism needs to get braver. Penny speaks for a new feminism that takes no prisoners, a feminism that is about justice and equality, but also about freedom for all. It's about the freedom to be who we are, to love who we choose, to invent new gender roles, and to speak out fiercely against those who would deny us those rights. It is a book that gives the silenced a voice – a voice that speaks of unspeakable things.
A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
A drifter working as a ranch hand in East Texas must protect a widow and her young son from the ruthless criminal who is determined to destroy them. Carl Herbold is a cold-blooded psychopath who has just escaped the penitentiary where he was serving a life sentence. Bent on revenge, he's going back to where he began: Blewer County, Texas. Born deaf and recently widowed, Anna Corbett fights to keep the ranch that is her son's birthright, unaware that she is at the center of Herbold's horrific scheme -- and that her world of self-imposed isolation is about to explode . . . When drifter Jack Sawyer arrives at Anna's ranch asking for work, he makes it his mission to protect the innocent woman and her son from Herbold's rage. But Sawyer can't outrun the secrets that stalk him -- or the day of reckoning awaiting them all.
This isn't the world you think it is... Every day they slip across our borders to infiltrate our government, our schools, our neighborhoods. Homeland security can't stop them. The armed forces are no threat to them. Powerful and unseen, they cannot be stopped. They have been doing this for millennia. On what should have been the best day of his life, Pulitzer Prize-winning author Grant Austin learns of a plan to assassinate the president of the United States. Every attempt to sound the alarm is thwarted, and Grant soon finds himself at the center of an even greater battle that predates time as he stands alone against ancient powers and unspeakable evil -- evil that can only be described as a hideous beauty.
A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday