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Peter Kay's unerring gift for observing the absurdities and eccentricities of family life has earned himself a widespread, everyman appeal. These vivid observations coupled with a kind of nostalgia that never fails to grab his audience's shared understanding, have earned him comparisons with Alan Bennett and Ronnie Barker. In his award winning TV series' he creates worlds populated by degenerate, bitter, useless, endearing and always recognisable characters which have attracted a huge and loyal following. In many ways he's an old fashioned kind of comedian and the scope and enormity of his fanbase reflects this. He doesn't tell jokes about politics or sex, but rather rejoices in the far funnier areas of life: elderly relatives and answering machines, dads dancing badly at weddings, garlic bread and cheesecake, your mum's HRT... His autobiography is full of this kind of humour and nostalgia, beginning with Kay's first ever driving lesson, taking him back through his Bolton childhood, the numerous jobs he held after school and leading up until the time he passed his driving test and found fame.
From Caldecott Medalist Stephen Gammell and beloved writer Tony Johnston, this joyous picture book with audio celebrates the sound of a baby’s laughter. The family gathers round to hear the sweet sound of the new baby’s sweet laugh! But just because everyone has gathered doesn’t mean the baby’s ready. When the moment finally comes, the sound makes everyone else laugh too—aunts, uncles, cousins, and even great-grandma. It seems no one can resist the sound of baby’s laugh. And who would want to? With simple, endearing text, audio, and Stephen Gammell’s unmistakable art, this tribute to the joy a young child’s laughter will quickly become a family favorite.
Readers can push the button and hear giggling as a boy plays such games as "Pat-a-cake," "This Llittle Piggy," and "Peek-a-boo" with his mother and father. On board pages.
"The nature of laughter has recently attracted the attention of a number of different disciplines. In two recent colloquia, TRIO (Translation Research in Oxford) brought together international authorities from fields as diverse as physiology, psychology, linguistics, translation and literary studies, and sociology, with scant regard for political correctness. This fascinating and often hilarious collection of essays is the result. With the contributions: Jane Taylor - Introduction Dominique Bertrand - Anatomie et etymologie: ordre et desordre du rire selon Laurent Joubert Silke Kipper, Dietmar Todt - The Sound of Laughter: Recent Concepts and Findings in Research into Laughter Vocalizations Sarah-Jayne Blakemore - Why Can't You Tickle Yourself? Michael Holland - Belly Laughs Walter Redfern - Upping the Ante/i: Exaggeration in Celine and Valles Giselinde Kuipers - Humour Styles and Class Cultures: Highbrow Humour and Lowbrow Humour in the Netherlands Christie Davies - Searching for Jokes: Language, Translation, and the Cross-Cultural Comparison of Humour Ted Cohen - And What If They Don't Laugh? Iain Galbraith - Without the Rape the Talk-Show Would Not Be Laughable Jean-Michel Deprats - Translating a Great Feast of Languages Paul J. Memmi - Traduire le rire Natacha Thiery - Rire et desir dans les comedies americaines de Lubitsch: l'exemple de Ninotchka (1939) Adam Phillips - What's So Funny? On Being Laughed at ...Sukanta Chaudhuri - Laughing and Talking Georges Roque - Le Rire comme accident en peinture Laurent Bazin - La Couleur du rire: peinture et traduction Gerard Toulouse - Views on the Physics and Metaphysics of Laughter"
A humorous look at doctors and their ilk by India's best-loved cartoonist Laughter, they say, is the best medicine. It is therefore fitting that the world's most honourable profession should have a great deal of fun made at its expense. Humour directed at physicians and medicine has sustained many a suffering patient through the bleakest of times. A Dose of Laughter is an exhilarating collection of cartoons and jokes about doctors and their practices that will bring a smile to the lips of those who wield the stethoscope as well as those who yield to it. The book contains 100 cartoons about the world of doctors, hospitals, laboratories, ailments, maladies, health schemes and hygiene that show R.K. Laxman at his inimitable best. These are accompanied by a hundred of the funniest jokes about doctors and the medical profession collected from all over the world. Together these make for a witty, perceptive look at the unequal effort doctors make to combat disease and bring succour to their fellow humans. This is a book that can be dipped into at random, or read from cover to cover. In either case, it is guaranteed to provide a great deal of unadulterated merriment and laughter.
Warning: Laughter is contagious! The animal friends dare the reader to make them laugh, but the ladybug and the bunny are sure that they won't laugh, no matter what. The monkey and the crocodile think it's impossible to make them laugh too. And the same goes for the bear and the wolf. Still, readers can go ahead and try . . . but will they succeed? Kids will giggle and chuckle as they find ways to make the animals laugh in this seriously funny sound book that includes seven big laughs.
The Laugh Out Loud Joke Book is jam-packed with over 300 hilarious jokes written and selected by bestselling children's author Michael Rosen. In association with the new Laugh Out Loud Book Prize - a new series of awards for funny children's books in the UK.
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
Why do funny movies make us laugh? In this thoughtful essay, by turns stimulating and meditative, distinguished filmmaker and Yale professor Michael Roemer shares his musings on what causes us to chortle, snort, and guffaw when we watch antics onscreen or onstage. Roemer keeps us chuckling as he dissects punchy one-liners, Shakespearean plays, and everything in-between. Incorporating theories from such great thinkers as Sigmund Freud, Charles Baudelaire, Henri-Louis Bergson, and Soren Kierkegaard with the work of classic comedians like Charlie Chaplin, Buster Keaton, and the Marx Brothers, Roemer examines the purpose of comedy in our lives and in society. Shocked But Connected provides a serious reflection on a lighthearted subject.
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.