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The Sorrows of Young Werther is a epistolary novel by J. W. von Goethe. First published in 1774, it reappeared as a revised edition in 1787. It was one of the most important novels in the Sturm und Drang (“Storm and Stress”) period in German literature, and influenced the later Romantic movement. The book's publication instantly placed the author among the foremost international literary celebrities, and was among the best known of his works. Goethe is, by some accounts, the father of the romantic period in literature, or at least the proto-romantic Sturm und Drang period. And The Sorrows of Young Werther was its genesis. While Voltaire parodied rationalism in Candide, Goethe transcended it with the semi-autobiographical story of Werther, a young man governed more by his emotions than his reason, whose only employment is his delight in the romantic ideals of the pastoral lives he finds in the rural town of Walheim. There he also finds Charlotte, and in her an idealized but unobtainable old-world domesticity. Werther’s internal dialog about his growing obsession with Charlotte, and his inability to cope rationally with the fact that she is engaged to—and in love with—another man, form the bulk of the book in the form of a series of ever more intense letters to a friend. Werther's descent into sorrow has captivated readers for centuries, helped by Goethe’s intensely beautiful prose, enchanting imagery, and obvious reverence for nature and a dying past.
This version of the novel has been accommodated for German learners. The original German version of the story has been aligned side-by-side with the official English translation by R.D. Boylan. German is printed on the left page, and English on the right page. The parallel text version will save you from reaching for the dictionary to locate the meaning of a word. As a result, you'll have a smoother reading experience. Loosely based on Goethe's personal experiences, the novel is written mostly in the form of letters in which Werther recounts his unrequited love for a married woman. Its Sturm und Drang style makes it a perennial favorite with readers of every era.
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?
'Shall I embrace you, must I let you go? Again you haunt me: come then, hold me fast!' Goethe viewed the writing of poetry as essentially autobiographical and the works selected in this volume represent over sixty years in the life of the poet. In early poems such as 'Prometheus' he rails against religion in an almost ecstatic fervour, while 'To the Moon' is an enigmatic meditation on the end of a love affair. The Roman Elegies show Goethe's use of Classical metres in homage to abcient Rome and its poets, and 'The Diary' , supressed for more than a century, is a narrative poem whose eroticism is unusually combined with its morality. Arranged chronologically, David Luke's verse translations are set alonjgside the German orginals to give a picture of Goethe's poetic development. This edition also includes an introduction and notes placing the poems in the context of the poet's life and times.
The tradition of the German novel, before the emergence of its 'classic' writers in the first half of the twentieth century does not have an assured place in the canon of European literature. The one signal exception is Goethe's novel Die Leiden des jungen Werthers
Edgar Wibeau, seventeen years old, has died on Christmas Eve in an unfortunate accident involving electricity. His father, who left the family when Edgard was five, interrogates those close to him, to find out what exactly happened - and who his son really was. Helpfully for the reader, Edgar himself punctuates the father's conversations with his mother, best friend Willi, and Charlie, the woman with whom Edgar was unhappily in love, to give us his version of events from beyond the grave - and a story magically reminiscent of Goethe's The Sorrows of Young Werther and Salinger's The Catcher in the Rye unfolds before our eyes. Originally conceived as a screenplay, Plenzdorf's modern classic was first published in East Germany in 1973. A satire about the cultural and social limits of the GDR, it has long been a set text in German schools, and its critical and popular success remains unabated.
A Major New Translation For more than two centuries the very title of this book has evoked the sensitivity of youth, the suffering of the artist, the idea of a hero too full of love to live. When it was first published in Germany, in 1774, The Sorrows of Young Werther created a sensation. Banned and condemned but embraced—especially by the young—it has continued to captivate. Now Burton Pike’s startlingly new translation expresses as never before all the anguish, ideas, and ardor of this seminal, iconic novel. And his Introduction reveals both Goethe’s inspirations and his influence—on works ranging from Madame Bovary to Frankenstein and beyond. Here is the classic story of Werther, a young man “seeking the infinite” in an art he cannot master and a woman he cannot have—the prototype of the Romantic hero in a work that anticipated the Romantic Age. Here is a bold new look at a masterpiece that has changed lives and, like its beloved hero, will never grow old. From the Hardcover edition.
Throughout his long, hectic and astonishingly varied life, Johann Wolfgang von Goethe (1749–1832) would jot down his passing thoughts on theatre programmes, visiting cards, draft manuscripts and even bills ... Goethe was probably the last true ‘Renaissance Man’. Although employed as a Privy Councillor at the Duke of Weimar’s court, where he helped oversee major mining, road-building and irrigation projects, he also painted, directed plays, carried out research in anatomy, botany and optics – and still found time to produce masterpieces in every literary genre. His fourteen hundred Maxims and Reflections reveal some of his deepest thought on art, ethics, literature and natural science, but also his immediate reactions to books, chance encounters or his administrative work. Although variable in quality, the vast majority have a freshness and immediacy which vividly conjure up Goethe the man. They make an ideal introduction to one of the greatest of European writers.