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A classic romantic novel that marked the turn of the conventional romantic literature and proved to be a landmark for the Romantic Age of English literature. It was first published in the year 1774. 'The Sorrows of Young Werther' by Johann Wolfgang von Goethe narrates a sad and tragic, yet romantic story of young Wether, who fall in love with a married girl and eventually, kills himself to prevent any complications in her marriage.
"Stanley Corngold's translation is a triumph. This is a glorious achievement, a Werther for the ages."--Christopher Prendergast
The Sorrows of Young Werther is an epistolary, loosely autobiographical novel by Johann Wolfgang von Goethe, presented mostly as a collection of letters written by Werther, a young artist of a sensitive and passionate temperament, to his friend Wilhelm. These give an intimate account of his stay in the fictional village of Wahlheim whose peasants have enchanted him with their simple ways. Werther meets Charlotte, a beautiful young girl who takes care of her siblings after the death of their mother, and falls in love with her although knowing beforehand that she is engaged. Despite the pain it causes him, Werther keeps spending time with Charlotte, but his pain eventually becomes so great that he is forced to leave. After a short absence, he comes back to find Charlotte married, and his agony becomes a threat. Johann Wolfgang von Goethe (1749-1832) was a German writer and statesman, best known for his tragic play, Faust. His body of work includes epic and lyric poetry written in a variety of meters and styles, prose and verse dramas, memoirs, literary and aesthetic criticism, novels, numerous literary and scientific fragments and many more. A literary celebrity by the age of 25, Goethe was ennobled by the Duke of Saxe-Weimar, Karl August, following the success of his first novel, The Sorrows of Young Werther. He was also an early participant in the Sturm und Drang literary movement.
The Sorrows of Young Werther is a epistolary novel by J. W. von Goethe. First published in 1774, it reappeared as a revised edition in 1787. It was one of the most important novels in the Sturm und Drang (“Storm and Stress”) period in German literature, and influenced the later Romantic movement. The book's publication instantly placed the author among the foremost international literary celebrities, and was among the best known of his works. Goethe is, by some accounts, the father of the romantic period in literature, or at least the proto-romantic Sturm und Drang period. And The Sorrows of Young Werther was its genesis. While Voltaire parodied rationalism in Candide, Goethe transcended it with the semi-autobiographical story of Werther, a young man governed more by his emotions than his reason, whose only employment is his delight in the romantic ideals of the pastoral lives he finds in the rural town of Walheim. There he also finds Charlotte, and in her an idealized but unobtainable old-world domesticity. Werther’s internal dialog about his growing obsession with Charlotte, and his inability to cope rationally with the fact that she is engaged to—and in love with—another man, form the bulk of the book in the form of a series of ever more intense letters to a friend. Werther's descent into sorrow has captivated readers for centuries, helped by Goethe’s intensely beautiful prose, enchanting imagery, and obvious reverence for nature and a dying past.
Johann Wolfgang von Goethe's 'The Sorrows of Young Werther' is a poignant epistolary novel that follows the emotional turmoil of the young protagonist, Werther, as he grapples with unrequited love and existential despair. Written in a lyrical and introspective style, the novel reflects the Sturm und Drang movement of German literature, characterized by heightened emotional expression and a rejection of societal norms. Goethe's exploration of love, nature, and the individual's relationship to society resonates with readers seeking a deeper understanding of human emotions and the complexities of the human experience. 'The Sorrows of Young Werther' remains a timeless masterpiece that continues to captivate readers with its exploration of passion, longing, and the fleeting nature of happiness.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.
Few of us have been spared the agonies of intimate relationships. They come in many shapes: loving a man or a woman who will not commit to us, being heartbroken when we're abandoned by a lover, engaging in Sisyphean internet searches, coming back lonely from bars, parties, or blind dates, feeling bored in a relationship that is so much less than we had envisaged - these are only some of the ways in which the search for love is a difficult and often painful experience. Despite the widespread and almost collective character of these experiences, our culture insists they are the result of faulty or insufficiently mature psyches. For many, the Freudian idea that the family designs the pattern of an individual's erotic career has been the main explanation for why and how we fail to find or sustain love. Psychoanalysis and popular psychology have succeeded spectacularly in convincing us that individuals bear responsibility for the misery of their romantic and erotic lives. The purpose of this book is to change our way of thinking about what is wrong in modern relationships. The problem is not dysfunctional childhoods or insufficiently self-aware psyches, but rather the institutional forces shaping how we love. The argument of this book is that the modern romantic experience is shaped by a fundamental transformation in the ecology and architecture of romantic choice. The samples from which men and women choose a partner, the modes of evaluating prospective partners, the very importance of choice and autonomy and what people imagine to be the spectrum of their choices: all these aspects of choice have transformed the very core of the will, how we want a partner, the sense of worth bestowed by relationships, and the organization of desire. This book does to love what Marx did to commodities: it shows that it is shaped by social relations and institutions and that it circulates in a marketplace of unequal actors.
God and Self in the Confessional Novel explores the question: what happened to the theological practice of confession when it entered the modern novel? Beginning with the premise that guilt remains a universal human concern, this book considers confession via the classic confessional texts of Augustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s The Sorrows of Young Werther, Dostoevsky’s Notes from Underground, Percy’s Lancelot, and McEwan’s Atonement to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century.
Rare edition with unique illustrations. Visiting an idyllic German village, Werther, a sensitive and romantic young man, meets and falls in love with sweet-natured Lotte. Although he realizes that Lotte is to marry Albert, he is unable to subdue his passion for her, and his infatuation torments him to the point of absolute despair. The first great 'confessional' novel, drawing both on Goethe's own unrequited love for Charlotte Buff and on the death of his friend Karl Wilhelm Jerusalem. Goethe's sensitive exploration of the mind of a young artist at odds with soceity and ill-equipped to cope with life is now considered the first great tragic novel of European literature. For more than two centuries the very title of this book has evoked the sensitivity of youth, the suffering of the artist, the idea of a hero too full of love to live. When it was first published in Germany, in 1774 it created a sensation. Banned and condemned but embraced - especially by the young - it has continued to captivate.