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As this exquisite novel charts Alfonso's life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition.
As this exquisite novel charts Alfonso's life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition.
General Simón Bolívar (1783-1830), called El Liberator, and sometimes the "George Washington" of Latin America, was the leading hero of the Latin American independence movement. His victories over Spain won independence for Bolivia, Panama, Columbia, Ecuador, Peru, and Venezuela. Bolívar became Columbia's first president in 1819. In 1822, he became dictator of Peru. Upper Peru became a separate state, which was named Bolivia in Bolívar's honor, in 1825. The constitution, which he drew up for Bolivia, is one of his most important political pronouncements. Today he is remembered throughout South America, and in Venezuela and Bolivia his birthday is a national holiday. Although Bolívar never prepared a systematic treatise, his essays, proclamations, and letters constitute some of the most eloquent writing not of the independence period alone, but of any period in Latin American history. His analysis of the region's fundamental problems, ideas on political organization and proposals for Latin American integration are relevant and widely read today, even among Latin Americans of all countries and of all political persuasions. The "Cartagena Letter," the "Jamaica Letter," and the "Angostura Address," are widely cited and reprinted.
“Be careful trying to place blame, or it might come back to you,” Ceng Guangxian’s father warns him after the first time his good intentions end in ruin. Yet time and again as Guangxian comes of age, bad luck and his own desires for a bigger, better future wreak havoc upon his family, fortune, and social reputation, leaving him scrambling to find the causes of the mishaps that define his life. Dong Xi’s Record of Regret, here in its first English translation, introduces readers to a masterpiece of contemporary Chinese literature, and to the unparalleled tragicomic style of one of China’s most celebrated writers. Set in the wake of China’s Cultural Revolution, the novel follows Guangxian from his days as a middle school student to adulthood as a lonely, middle-aged man. Guangxian’s path of misery—which he meticulously documents—is driven by absurdity: his discovery of two dogs mating leads to his father’s infidelity with a neighbor; Guangxian’s attempts to court a woman with the gift of a new dress result in his imprisonment for rape; he selects a spouse through a catastrophic game of chance, drawing from a set of names scrawled on crumpled pieces of paper. Guangxian’s guilty conscience and youthful understanding of morality compound these disasters. Translated by Dylan Levi King to preserve the tone and engaging style of Dong Xi’s original text, Record of Regret provides English readers a look into a darkly humorous landscape of dubious loyalties and lessons, seen through the eyes of a man trying to find his place in an upside-down world.
When originally published in 1993, Ruined City (Fei Du) was promptly banned by China’s State Publishing Administration, ostensibly for its explicit sexual content. Since then, award-winning author Jia Pingwa’s vivid portrayal of contemporary China’s social and economic transformation has become a classic, viewed by critics and scholars of Chinese literature as one of the most important novels of the twentieth century. Howard Goldblatt’s deft translation now gives English-speaking readers their first chance to enjoy this masterpiece of social satire by one of China’s most provocative writers. While eroticism, exoticism, and esoteric minutiae—the “pornography” that earned the opprobrium of Chinese officials—pervade Ruined City, this tale of a famous contemporary writer’s sexual and legal imbroglios is an incisive portrait of politics and culture in a rapidly changing China. In a narrative that ranges from political allegory to parody, Jia Pingwa tracks his antihero Zhuang Zhidie through progressively more involved and inevitably disappointing sexual liaisons. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China’s premodern, rural past, even as unfolding events caution against the trap of nostalgia. Amid comedy and chaos, the author subtly injects his concerns about the place of intellectual seriousness, censorship, and artistic integrity in the changing conditions of Chinese society. Rich with detailed description and vivid imagery, Ruined City transports readers into a world abounding with the absurdities and harshness of modern life.
When he was a young man, Randy Lopez left his village in northern New Mexico to seek his fortune. Since then, he has learned some of the secrets of success in the Anglo world--and even written a book called Life Among the Gringos. But something has been missing. Now he returns to Agua Bendita to reconnect with his past and to find the wisdom the Anglo world has not provided. In this allegorical account of Randy's final journey, master storyteller Rudolfo Anaya tackles life's big questions with a light touch. Randy's entry into the haunted canyon that leads to his ancestral home begins on the Day of the Dead. Reuniting with his padrinos--his godparents--and hoping to meet up with his lost love, Sofia, Randy encounters a series of spirits: coyotes, cowboys, Death, and the devil. Each one engages him in a conversation about life. It is Randy's old teacher Miss Libriana who suggests his new purpose. She gives him a book, How to Build a Bridge. Only the bridge--which is both literal and figurative, like everything else in this story--can enable Randy to complete his journey. Readers acquainted with Anaya's fiction will find themselves in familiar territory here. Randy Lopez, like all Anaya's protagonists, is on a spiritual quest. But both those new to and familiar with Anaya will recognize this philosophical meditation as part of a long literary tradition going back to Homer, Dante, and the Bible. Richly allusive and uniquely witty, Randy Lopez Goes Home presents man's quest for meaning in a touching, thought-provoking narrative that will resound with young adults and mature readers alike.
In September 2013, the body of 12-year-old Asunta Basterra (born in China and adopted while still a baby) was found abandoned at the side of a woodland path near Santiago de Compostela in Spain. Some days later, her parents were arrested as the prime suspects of the murder, and, after a long and complicated trial, which left various matters unsolved, were each sentenced to 18 years in prison. This is the first book in English about the murder and trial, and the only book to include the whole story as told in the author’s interviews with Asunta’s mother in prison (the only authorized visit in her four years in prison), the lawyers of both parties, the policemen and women who were directly involved in the arrest and the investigation, Asunta’s ballet teacher and journalists who covered the story from beginning to end.
First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.
What if we could travel back in time to save our heroes from painful deaths? What if we could rewrite history to protect and reward the innocent victims of injustice? In Alfredo Véa’s daring new novel, one man does just that, taking readers on a series of remarkable journeys. Abandoned as a child, brooding and haunted as an adult, Simon Vegas, “the Mexican Flyboy,” toils for years to repair a time machine that fell into his hands in Vietnam. With the help of his friend, eccentric Hephaestus Segundo, Simon uses the device to fly through time. Wherever acts of human cruelty take place, in the past or in the present, the machine lets him lift the suffering away and deliver them to a utopian afterlife. Blending magical realism, science fiction, history, and comic-book fantasy, The Mexican Flyboy swoops readers from the jungles of Southeast Asia to the vineyards of Northern California, from Ethel Rosenberg’s execution to Joan of Arc’s pyre, in a tale of justice, trauma, regret, and redemption. The dead pass through the narrative in a parade at once heartbreaking and hopeful, among them Vincent van Gogh and Malcolm X, Ernest Hemingway and Amadou Diallo. But the living—Simon’s pregnant wife, Elena, his old friend Ezekiel Stein, prisoner Lenny Hudson—all throw doubt onto Simon’s story. Is Simon truly a “magus,” transporting martyrs to a shared community in paradise? Or is he just a man broken by loss, guilt, and the trauma of war, hopelessly lost in an illusion of his own making? Crossing genres and blending comedy with tragedy, Alfredo Véa imagines a world where we can rewrite our pasts and heal the wounds inflicted by history. Inviting comparisons to the work of James Joyce and Jorge Luis Borges, Junot Díaz and Michael Chabon, this powerful book is like nothing else you have ever read.
Readers of Rudolfo Anaya's fiction know the lyricism of his prose, but most do not know him as a poet. In this, his first collection of poetry, Anaya presents twenty-eight of his best poems, most of which have never before been published. Featuring works written in English and Spanish over the course of three decades, Poems from the Río Grande offers readers a full body of work showcasing Anaya's literary and poetic imagination. Although the poems gathered here take a variety of forms-haiku, elegy, epic-all are imbued with the same lyrical and satirical styles that underlie Anaya's fiction. Together they make a fascinating complement to the novels, stories, and plays for which he is well known. In verse, Anaya explores every aspect of Chicano identity, beginning with memories of his childhood in a small New Mexico village and ending with mature reflections on being a Chicano who considers himself connected to all peoples. The collection articulates the themes at the heart of all Anaya's work: nostalgia for the landscape and customs of his boyhood in rural New Mexico, a deep connection to the Río Grande, the politics of Chicanismo and satire aimed at it, and the use of myth and history as metaphor. Anaya also illustrates his familiarity with world traditions of poetry, invoking Walt Whitman, Homer, and the Bible. The poem to Isis that concludes the collection honors Anaya's wife, Patricia, and reflects his increasing identification with spiritual traditions across the globe. Both profeta and vato, seer and homeboy, Anaya as author is a citizen of the world. Poems from the Río Grande offers readers a glimpse into his development as a poet and as one of the most celebrated Chicano authors of our time.