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With contributions from seven of Mexico's finest journalists, this is reportage at its bravest and most necessary - it has the power to change the world's view of their country, and by the force of its truth, to start to heal the country's many sorrows. Supported the Arts Council Grant's for the Arts Programme and by PEN Promotes Veering between carnival and apocalypse, Mexico has in the last ten years become the epicentre of the international drug trade. The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up. Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernández and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio González Rodríguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.
On September 26, 2014, 43 male students from the Ayotzinapa Rural Teachers' College went missing in Iguala, Guerrero, Mexico. On route to a protest, local police intercepted the students and a confrontation ensued. By the morning, they had disappeared without a trace. Hernández reconstructs almost minute-by-minute the events of those nights in late September 2014, giving us what is surely the most complete picture available: her sources are unparalleled, since she has secured access to internal government documents that have not been made public, and to video surveillance footage the government has tried to hide and destroy. Hernández demolishes the Mexican state’s official version, which the Peña Nieto government cynically dubbed the “historic truth”. As her research shows, state officials at all levels, from police and prosecutors to the upper echelons of the PRI administration, conspired to put together a fake case, concealing or manipulating evidence, and arresting and torturing dozens of “suspects” who then obliged with full “confessions” that matched the official lie. By following the role of the various Mexican state agencies through the events in such remarkable detail, Massacre in Mexico shows with exacting precision who is responsible for which component of this monumental crime.
This “investigative magnum opus” offers a jaw-dropping history of Mexican drug cartels as it transports readers to the frontlines of the ‘war on drugs’ in Latin America (Los Angeles Times). “A riveting story . . . [from] an incredibly brave journalist.” —NPR The “war on drugs” has so far cost more than 60,000 lives. Hernández explains in riveting detail how Mexico became a base for the mega-cartels of Latin America and one of the most violent places on the planet. At every turn, Hernández names not just the narcos, but also the politicians, functionaries, judges, and entrepreneurs who have collaborated with them. In doing so, she reveals the mind-boggling depth of corruption in Mexico’s government and business elite. Hernández became a journalist after her father was kidnapped and killed and the police refused to investigate without a bribe. She gained national prominence in 2001 with her exposure of excess and misconduct at the presidential palace, and previous books have focused on criminality at the summit of power, under presidents Vicente Fox and Felipe Calderón. The product of 5 years’ investigative reporting—and the subject of intense national controversy—Narcoland is a publishing and political sensation in Mexico.
In 2005, after publishing her book The Demons of Eden—where she denounced the very powerful men behind the a Mexican child pornography ring—Lydia Cacho became a target. Exactly eight months after the publication of the book, one morning as she was making her way to work, Lydia was apprehended by the police from the neighboring state of Puebla, and taken into custody during a nightmarish 24 hours during which she was tortured, intimidated and abused. In this chilling memoir, comparable to Ayaan Hirsi Ali's Infidel, Lydia tells her story and exposes the horrific ways in which women—and young girls in particular—are abused then disposed of, while an oftentimes corrupt government simply sits and watches.
Seminal essays on how women adapt to the structural transformations caused by the large migration from Mexico to the U.S.A., how they create or contest representations of their identities in light of their marginality, and give voice to their own agency.
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today
The Mission of Guevavi on the Santa Cruz River in what is now southern Arizona served as a focal point of Jesuit missionary endeavor among the Pima Indians on New Spain's far northwestern frontier. For three-quarters of a century, from the first visit by the renowned Eusebio Francisco Kino in 1691 until the Jesuit Expulsion in 1767, the difficult process of replacing one culture with another—the heart of the Spanish mission system—went on at Guevavi. Yet all but the initial years presided over by Father Kino have been forgotten. Drawing upon archival materials in Mexico, Spain, and the United States—including accounts by the missionaries themselves and the surviving pages of the Guevavi record books—Kessell brings to life those forgotten years and forgotten men who struggled to transform a native ranchería into an ordered mission community. Of the eleven Black Robes who resided at Guevavi between 1701 and 1767, only a few are well known to history. Others—such as Joseph Garrucho, who presided more years at Guevavi than any other Padre; Alexandro Rapicani, son of a favorite of Sweden's Queen Christina; Custodio Zimeno, Guevavi's last Jesuit—have the details of their roles filled in here for the first time. In this in-depth study of a single missionary center, Kessell describes in detail the daily round of the Padres in their activities as missionaries, educators, governors, and intercessors among the often-indifferent and occassionally hostile Pimas. He discusses the Pima uprising of 1751 and the events that led up to it, concluding that it actually continued sporadically for some ten years. The growing ferocity of the Apache, the disastrous results of certain government policies—especially the removal of the Sobaípuri Indians from the San Pedro Valley—and the declining native population due to a combination of enforced culture change and epidemics of European diseases are also carefully explored. The story of Guevavi is one of continuing adversity and triumph. It is the story, finally, of explusion for the Jesuits and, a few short years later, the end of Mission Guevavi at the hands of the Apaches. In Mission of Sorrows Kessell has projected meticulous research into a highly readable narrative to produce an important contribution to the history of the Spanish Borderlands.
Gilb has created more than a literary anthology--this is a mosaic of the cultural and historical stories of Texas Mexican writers, musicians, and artists.
An inspiring adoption memoir for those who have loved, lost and laughed along the way to making a family. After her third miscarriage, Anna Maria knew that adoption was the only way to realize the family of her dreams. Precocious six-year-old Priscilla, brought to an orphanage in the hills of Mexico as a baby, said she wanted a home of her own. Could this be the family that they both have been looking for? Not so fast. To lose her biological mother and the women who raised her was a devastating blow. At the same time, her language, culture, food and friends vanished in a blink. Priscilla learns what it means to be a daughter and a sister. Anna Maria's skills as a mother are tested in a profound way. In this deeply personal and moving memoir spanning fifteen years, Anna Maria reveals her struggles in breaking down barriers to give and receive love. Love at the Border shares intimate family moments with candor and honesty - a powerful testament to faith, family, and our need to belong.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.