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A classic novel in the tradition of The Tin Drum, The Sorrow of Belgium is a searing, scathingly funny portrait of a wartime Belgium and one boy's coming of age -- emotionally, sexually, and politically. In 1939, Louis Seynaeve, a ten-year-old Flemish student, is chiefly occupled with schoolboy adventures and lurid adolescent fantasies. Then the Nazis invade Belgium, and he grows up fast. Bewildered by his family -- a stuffy father who actually welcomes the occupation and a flirtatious mother who works for (and plays with) the Germans -- he is seemingly at the center of so much he can't understand. Gradually, as he confronts the horrors of the war and its aftermath, the eccentric and often petty behavior of his colorful relatives and neighbors, and his own inner turmoil, he achieves a degree of maturity -- at the cost of deep disillusion. Epic in scope, by turns hilarious and elegiac, The Sorrow of Belgium is the masterwork by one of the world's greatest contemporary authors. Book jacket.
In 1939, Louis Seynaeve, a ten-year-old Flemish student, is chiefly occupied with schoolboy adventures and lurid adolescent fantasies. Then the Nazis invade Belgium, and he grows up fast. Bewildered by his family--a stuffy father who welcomes the occupation and a flirtatious mother who works for (and plays with) the Germans--he is seemingly at the center of so much he can't understand. Gradually, as he confronts the horrors of the war and its aftermath, the eccentric and often petty behavior of his colorful relatives and neighbors, and his own inner turmoil, he achieves a degree of maturity--at the cost of deep disillusion. Epic in scope, by turns hilarious and elegiac, The Sorrow of Belgium is the masterwork by one of the world's greatest contemporary authors.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.
The liberation of Belgium by Allied troops in September 1944 marked the end of a harsh German Occupation, but also the beginning of a turbulent and decisive period in the history of the country. There would be no easy transition to peace. Instead, the rival political forces of King Leopold III and his supporters, the former government in exile in London, and the Resistance movements which had emerged during the Occupation confronted each other in a bitter struggle for political ascendancy. The subsequent few years were dominated by an almost continual air of political and social crisis as Resistance demonstrations, strikes, and protests for and against the King appeared to threaten civil war and the institutional dissolution of the country. And yet by 1947 a certain stability had been achieved: the Resistance groups had been marginalised, the Communist Party was excluded from government, the King languished in unwilling exile in Switzerland, and, most tangibly, the pre-war political parties and the parliamentary political regime had been restored. In this substantial contribution to the history of the liberation era in Europe, Martin Conway provides the first account, based on substantial new archival material, of this process of political normalisation, which provided the basis for the integration of Belgium into the post-war West European political order. That success, however, came at a cost: the absence of any substantial political reform after the Second World War exacerbated the tensions between the different social classes, linguistic communities, and regions within Belgium, providing the basis for the gradual unravelling of the Belgian nation-state which occurred over the second half of the twentieth century.
A gripping tale of desire, temptation, searching, revelation, and the impossibility of escaping the past.
Charles De Coster's book "Flemish Legends" is an anthology of folktales and stories from the Belgian province of Flanders. De Coster vividly captures Flanders' rich cultural legacy and mythology in a sequence of engrossing tales. A wide range of characters, including bold heroes, crafty tricksters, and mythological creatures, are included in the book and are interwoven with enthralling and thought-provoking stories. "Flemish Legends" gives readers an insight into Flemish mythology and customs through the mythical exploits of till Eulenspiegel, a shrewd trickster, and the fantastical adventures of Reynard the Fox, a sly and cunning protagonist. De Coster leads readers to a world full of magic, intrigue, and moral lessons with her vivid storytelling and vibrant images. The bravery, humor, and resiliency that permeate the stories in "Flemish Legends" are a reflection of the Flemish people's values and beliefs. De Coster's writing captivates readers of all ages, whether she is narrating epic wars, comedic misadventures, or heartfelt love stories. This helps to preserve the ageless appeal and value of Flemish folklore for future generations.
Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises. In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory—it matters greatly who is mourned and who is overlooked. Melissa M. Matthes conceives of these sermons as theo-political texts. In When Sorrow Comes, she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society. Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.
W. G. Sebald’s celebrated masterpiece, “one of the supreme works of art of our time” (The Guardian), follows a man’s search for the answer to his life’s central riddle. “Haunting . . . a powerful and resonant work of the historical imagination . . . Reminiscent at once of Ingmar Bergman’s Wild Strawberries, Kafka’s troubled fables of guilt and apprehension, and, of course, Proust’s Remembrance of Things Past.”—Michiko Kakutani, The New York Times One of The New York Times’s 10 Best Books of the 21st Century • A Los Angeles Times, Entertainment Weekly, and New York Magazine Best Book of the Year Winner of the National Book Critics Circle Award, Koret Jewish Book Award, Independent Foreign Fiction Prize, and Jewish Quarterly Wingate Literary Prize A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion. Over the course of a thirty-year conversation unfolding in train stations and travelers’ stops across England and Europe, W. G. Sebald’s unnamed narrator and Jacques Austerlitz discuss Austerlitz’s ongoing efforts to understand who he is—a struggle to impose coherence on memory that embodies the universal human search for identity.