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Eric Banyon, also known as Bedlam's Bard, managed to rescue his young brother Magnus from what seemed to be a killer demon (in Mad Maudlin), but now he must rescue Magnus again, this time from their tyrannical parents. Eric does not look forward to the battle, but is confident he can gain custody. His financial sources are virtually unlimited, his friend Ria Llewellyn heads the most high-powered law firm in New York, and in a pinch he and his friends can use to magic powers, even flummoxing a DNA test, it comes to that. What Eric does not know is that his parents are allied with the evangelist Billy Fairchild, who himself is a tool of the evil Unseleighe elves, who feed off human sorrow and suffering. Fairchild specializes in getting "bad" children to shape up, which is accomplished by letting a soulsucker¾malevolent creature from the elf world¾drain the victim of all talent, creativity, and will, leaving an obedient zombie husk behind. If Magnus and his friend Ace, who is also on the run from her twisted parents, fall into Fairchild's hands, they will join the Unseleighe's zombie ranks. And Eric's bardic magic may not be enough to save them. At the publisher's request, this title is sold without DRM (Digital Rights Management).
A lyrical novel, spanning four decades in New York City, about a couple torn apart and the lengths to which they will go to be reunited. Vince Passaro’s first novel, 2002’s Violence, Nudity, Adult Content, was a provocative book that explored the darkest human emotions and the traumas of mental illness, sexual assault, and murder. Now, nearly twenty years later, Passaro is back with his follow-up, Crazy Sorrow, a novel that is equally explosive and more grand in scope. The story opens in the shadow of the new World Trade Center, on July 4, 1976, when students George and Anna meet on the weed- and wine-fueled night of the nation’s Bicentennial celebration. George, haunted by his upbringing, instantly falls for the sensual, magnetic Anna. Soon, they couple up, dropping acid, swapping music, exploring the city and each other. Yet their romance is short-lived, and they go their own ways. Passaro chronicles the next four decades, following George and Anna through their various relationships, their sex lives both youthful and mature, their failed marriages, and the travails of parenthood and their careers. Yet as the years go by one thing remains constant: the former lovers wonder what happened to each other. Finally, miraculously, they reconnect as the new century is beginning, only to discover that history itself will have a say in whether they can stay together. Crazy Sorrow is an ambitious examination of the forces that draw people together and drive them apart—yet it also expands beyond the points of view of its characters to capture the movement of time and to reveal a living, breathing New York that is both constantly changing and always familiar. Crazy Sorrow stands as Passaro’s powerful love letter to his characters and to the city that has shaped them.
"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.
An epic and compelling novel that reimagines the fate of one of Iceland's famous women of history. After committing an audacious act of revenge for her brother's murder, Disa flees with her son through the fjords of Iceland. She has already endured the death of her loved ones. Now she must run to save her son, and her honour. In a society where betrayals and revenge killings are rife, all Disa has is her pride and her courage. Will it be enough for her and her son to escape retribution? Dramatic and urgent in its telling, The Sorrow Stone celebrates one woman's quest, against the dramatic backdrop of the Icelandic countryside. In this gripping novel, the co-author of the bestselling Saga Land takes a sidelined figure from the Viking tales and finally puts her where she belongs – at the centre of the story.
This collection of thirteen vignettes addresses several important episodes in the history of Russian temporary architecture and public art, from the royal festivals during the times of Peter the Great up to the recent venues including the Sochi Winter Olympics. The forms and the circumstances of their design were drastically different; however, the projects discussed in the book share a common feature: they have been instrumental in the construction of Russia’s national identity, with its perception of the West - simultaneously, a foe and a paragon - looming high over this process. The book offers a history of multidirectional relationships between diplomacy, propaganda, and architecture.
A mother and her daughters drive for days without sleep until they crash their car in rural Oklahoma. The mother, Amaranth, is desperate to get away from someone she's convinced will follow them wherever they go: her husband. The girls, Amity and Sorrow, can't imagine what the world holds outside their father's polygamous compound. Rescue comes in the unlikely form of Bradley, a farmer grieving the loss of his wife. At first unwelcoming to these strange, prayerful women, Bradley's abiding tolerance gets the best of him, and they become a new kind of family. An unforgettable story of belief and redemption, Amity & Sorrow is about the influence of community and learning to stand on your own.
A transcription and translation of Zaharje Orfelin's 1757 festival book, Festive Greeting to Mojsej Putnik, this book is one of the most comprehensive accounts of the festival life of the Orthodox hierarchy in the Habsburg lands. While the Festive Greeting remained just an outline for the spectacle and was never publicly performed in its entirety, it remains a fascinating embodiment of Church politics, an issue too dangerous to be made public in the political arena of the Catholic Empire. In addition to the transcription and translation of the festival book, Jelena Todorovic provides a full account of the background to the Mojsije Putnik's episcopal investiture, beginning with a study of the political and historical context to the foundation and establishment of the Orthodox Archbishopric in the Austrian Habsburg and moving on to an examine the religious politics of the Orthodox Archbishops during this period. With detailed surveys of the book's illustrations, proposed scenography and music, it concludes with an assessment of the place of the Festive Greeting in the history of spectacles in the Archbishopric as well as in the history of the Orthodox Church.