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Presenting The Sonnets by William Shakespeare with an introduction by Nicholas Tamblyn, and illustrations by Katherine Eglund. This classic is part of The Essential Series by Golding Books, and is also available in a Large Print edition. By becoming a monument in the past few centuries, William Shakespeare has been ruined for many children and adults alike. Monuments belie the freshness and passion of their original creation. Shakespeare was not immune to common human suffering and harmful desires. Even within the confines of poetic rhyme and the motives he may have had in addressing individuals (or the more lasting audience that he often alludes to), he used the sonnets to both reveal and explore powerful feelings, and ultimately to examine the ways that one may become, while inevitably flawed in some if not most of the areas of our sometimes unscrupulous and often challenging lives, a better person. Shakespeare's Sonnets, like his plays, lead many readers to Bardolatry. Classics among early English poetry and (more modern) romantic poetry, lines found there (like his plays) mark them out as famous poems that are widely known, but some of the most touching, beautiful, or memorable sonnets are likely never to have reached the eyes or ears of most people. Many will agree with Wordsworth's famous line (in his sonnet on the sonnet) that "with this same key Shakespeare unlocked his heart." As outlined in Nicholas Tamblyn's introduction, the sonnet sequence begins with seventeen that urge a "right fair" youth to reproduce his beauty, and the remaining sonnets until 126 continue to be addressed to this "thou" and "you"; the sonnets after 127 are focussed on the "dark lady," excluding the last two, which are different in tone and are related to Cupid. Sonnet 126 contains only twelve lines rather than fourteen, and so in a sense acts as a deliberate or incidental turning point between the two sections. Several sonnets touching on mortality appear in the sixties, but the great group of sonnets between number 18 (beginning with perhaps the sole line from the sequence that remains at the forefront of popular culture, "Shall I compare thee to a summer's day?") and 126 describe a wide range of ideas and, in ways that may be surprising to those who are yet to read them, ordinary daily activities that make them intriguing and revelatory every time they are read, whether keeping to the given sequence or opening here and there to sonnets at random, each of which have a claim to being classic poetry and worthy (in their own unique ways) of as much attention as his greatest plays. William Shakespeare was born in Stratford-upon-Avon in 1564. His father was John Shakespeare, an alderman and glover, and his mother was Mary Arden, the daughter of a wealthy landowning farmer. William was the third child of eight, and the eldest surviving son. In 1582, he married Anne Hathaway (about whom little is known, beyond her being eight years his senior), and their daughter Susanna was born six months later. Twins Hamnet and Judith followed in 1585; Hamnet died at the age of eleven of unknown causes. The period from 1585 to 1592 is known as Shakespeare's "lost years." His works began to be published and mentioned in the 1590s; he would ultimately write about 38 plays (sometimes in collaboration, likely making uncertain contributions to other plays), two long narrative poems, 154 sonnets, and other short verses. Shakespeare died--within one month of signing his will, and the date his birth is traditionally observed--on 23 April, 1616.
This is the Large Print edition of The Sonnets by William Shakespeare, published by Golding Books as part of its Essential Series. It features an introduction by Nicholas Tamblyn and illustrations by Katherine Eglund. Golding Books' Essential Series, along with its Great Books Series, comprises a wide variety of classic, influential and important books. These two series aim to champion not only remarkable and recognized literary achievements, but also to highlight the meaningful and significant works of lesser-known authors. Get your copy of the titles through convenient online purchase as an eBook or in paperback. By becoming a monument in the past few centuries, William Shakespeare has been ruined for many children and adults alike. Monuments belie the freshness and passion of their original creation. Shakespeare was not immune to common human suffering and harmful desires. Even within the confines of poetic rhyme and the motives he may have had in addressing individuals (or the more lasting audience that he often alludes to), he used the sonnets to both reveal and explore powerful feelings, and ultimately to examine the ways that one may become, while inevitably flawed in some if not most of the areas of our sometimes unscrupulous and often challenging lives, a better person. Shakespeare's Sonnets, like his plays, lead many readers to Bardolatry. Classics among early English poetry and (more modern) romantic poetry, lines found there (like his plays) mark them out as famous poems that are widely known, but some of the most touching, beautiful, or memorable sonnets are likely never to have reached the eyes or ears of most people. Many will agree with Wordsworth's famous line (in his sonnet on the sonnet) that "with this same key Shakespeare unlocked his heart." As outlined in the introduction, the sonnet sequence begins with seventeen that urge a "right fair" youth to reproduce his beauty, and the remaining sonnets until 126 continue to be addressed to this "thou" and "you"; the sonnets after 127 are focussed on the "dark lady," excluding the last two, which are different in tone and are related to Cupid. Sonnet 126 contains only twelve lines rather than fourteen, and so in a sense acts as a deliberate or incidental turning point between the two sections. Several sonnets touching on mortality appear in the sixties, but the great group of sonnets between number 18 (beginning with perhaps the sole line from the sequence that remains at the forefront of popular culture, "Shall I compare thee to a summer's day?") and 126 describe a wide range of ideas and, in ways that may be surprising to those who are yet to read them, ordinary daily activities that make them intriguing and revelatory every time they are read, whether keeping to the given sequence or opening here and there to sonnets at random, each of which have a claim to being classic poetry and worthy (in their own unique ways) of as much attention as his greatest plays. William Shakespeare was born in Stratford-upon-Avon in 1564. His father was John Shakespeare, an alderman and glover, and his mother was Mary Arden, the daughter of a wealthy landowning farmer. William was the third child of eight, and the eldest surviving son. In 1582, he married Anne Hathaway (about whom little is known, beyond her being eight years his senior), and their daughter Susanna was born six months later. Twins Hamnet and Judith followed in 1585; Hamnet died at the age of eleven of unknown causes. The period from 1585 to 1592 is known as Shakespeare's "lost years." His works began to be published and mentioned in the 1590s; he would ultimately write about 38 plays (sometimes in collaboration, likely making uncertain contributions to other plays), two long narrative poems, 154 sonnets, and other short verses. Shakespeare died--within one month of signing his will, and the date his birth is traditionally observed--on 23 April, 1616.
A landmark American drama that inspired a classic film and a Broadway revival—featuring an introduction by David Mamet A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic faith in the U.S. legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst. After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center.
In this version of the children's nursery rhyme, Lamb and Mary fall in love. Then Mary has second thoughts. Lamb is a lamb, after all, not a man. Lamb, heartbroken, turns to drinking. Lamb goes to a madhouse. Mary buries her feelings. And then somehow, Lamb pulls it together. He leaves the madhouse mature--saddened but more dignified, ready for another chance to win Mary's heart, if she will have him. Award-winning poet Matthea Harvey offers a story told in short packets of verse, and artist Amy Jean Porter brings each stanza vividly to life with her eye-popping illustrations.
"I Never Thought I Would Lose a Case," says Guy T. Saperstein, recalling his life fighting for the underdog and for social change in his autobiography Civil Warrior: Memoirs of a Civil Rights Attorney. He very rarely did. In his more than 25 years of pioneering civil rights law, Saperstein's firm successfully prosecuted the largest race, sex and age-discrimination lawsuits in American history. His firm defeated Denny's Restaurants in the infamous race discrimination case. His biggest case -- a 23-year sex discrimination lawsuit against State Farm Insurance -- ended when, State Farm finally admitted, "We were like Robert Duran in the ring with Sugar Ray Leonard, and we said, 'No mas!'" Saperstein is well known for his colorful, take-no-prisoners style in and out of court. Civil Warrior reflects that bold style, making intricate points of law accessible, and revealing how justice really works in America today. Book jacket.
Everyone's favorite feline superhero is back for even more hilarious adventures set in the Cat Ninja-verse. Catch up with Cat Ninja, Master Hamster, and the rest of the family as they face...the suburbs! When Dad buys a new house outside the city, the kids are less than excited about new neighbors, backyard barbecues, and quiet, tree-lined streets. And they're not alone--a summer in the suburbs is enough to make Cat Ninja miss the villains of Metro City! Our hero and his family feel like fish out of water when they arrive in Peaceful Valley, but it won't be long before Dad's new neighborhood reveals its scaly, golden underbelly. This volume includes: Five full-length comics One bonus Cat Ninja Tale
"Adam Levin is one of our wildest writers and our funniest, and Bubblegum is a dazzling accomplishment of wit and inventiveness." —George Saunders "Levin's brains may have earned him a cult...but here he swells to a democratic reach. Give him a try sometime. His gate’s wide open.” —Garth Risk Hallberg, The New York Times Book Review The astonishing new novel by the NYPL Young Lions Fiction Award-winning author of The Instructions. Bubblegum is set in an alternate present-day world in which the Internet does not exist, and has never existed. Rather, a wholly different species of interactive technology--a "flesh-and-bone robot" called the Curio--has dominated both the market and the cultural imagination since the late 1980s. Belt Magnet, who as a boy in greater Chicago became one of the lucky first adopters of a Curio, is now writing his memoir, and through it we follow a singular man out of sync with the harsh realities of a world he feels alien to, but must find a way to live in. At age thirty-eight, still living at home with his widowed father, Belt insulates himself from the awful and terrifying world outside by spending most of his time with books, his beloved Curio, and the voices in his head, which he isn't entirely sure are in his head. After Belt's father goes on a fishing excursion, a simple trip to the bank escalates into an epic saga that eventually forces Belt to confront the world he fears, as well as his estranged childhood friend Jonboat, the celebrity astronaut and billionaire. In Bubblegum, Adam Levin has crafted a profoundly hilarious, resonant, and monumental narrative about heartbreak, longing, art, and the search for belonging in an incompatible world. Bubblegum is a rare masterwork of provocative social (and self-) awareness and intimate emotional power.
A grisly murder reveals the hateful secrets that lie beneath a small town’s surface The locals call her the Ballou. An illustrator for a high-fashion magazine, she has been the talk of the upstate town of Sutton ever since she first appeared, paying cash for one of the finest houses on Nicholas Street. Daring, gaudy, and grand, she inspires envy in the women and lust in the men. And in one member of this quiet town, she is about to inspire murder. The trouble starts when her rakish New York lover moves in full time, scandalizing the prudish Ayers family next door. When the Ayers’ maid pays a social call to the Ballou, she finds her lying dead at the foot of a staircase—gray, cold, and fabulous no more. Suspicion falls on the Ayerses, whose starched exterior hides a wealth of ugly secrets. From this interlocking narrative told from the perspectives of the citizens of Sutton comes a reminder that no town is too small for murder.