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With an introduction by W.H. Auden and commentary from Helen Vendler, among others, this volume presents all of Shakeseare's non-dramatic poetry in one place.
A discussion of Shakespeare's life accompanies a collection of his sonnets and narrative poems, highlighted by critical notes and scholarly comments
If William Shakespeare had never written a single play, if his reputation rested entirely upon the substantial and sterling body of nondramatic verse he left behind, he would still hold the position he does in the hierarchy of world literature. The strikingly modern sonnets–intimate, baroque, and expansive at once; the invigorating narratives drawn from classical subjects; and the flawless lyricism represented by a poem like “The Phoenix and the Turtle”–permanently deepen our understanding of the multiplicity and extravagant energy of our greatest poet. (Book Jacket Status: Not Jacketed)
'This Complete Sonnets and Poems is a distinguished addition to a distinguished series. It will repay continuing study, and act as a valuable point of reference for readers concerned more generally with Shakespeare's art and language. Colin Burrow's good sense, tact and balance as aneditor are deeply impressive.' -H. R. Woudhuysen, Times Literary SupplementThis is the only fully annotated and modernized edition to bring together Shakespeare's Sonnets as well as all his poems (including those attributed to him after his death). A full introduction discusses his development as a poet, and how the poems relate to his plays; detailed notes explain the language and allusions in clear modern English. While accessibly written, the edition takes account of the most recent scholarship and criticism.
"The Sonnets and Narrative Poems" collects together all the non-dramatic poetry of William Shakespeare. While Shakespeare is known best for his plays he also wrote numerous love sonnets and a handful of narrative poems which are excellent literary works in their own right. The narrative poems include two erotically themed works, "Venus and Adonis" and "The Rape of Lucrece" as well as the romantic narratives of "A Lover's Complaint" and "The Phoenix and the Turtle". Shakespeare also wrote a collection of 154 love sonnets. Believed to be written throughout his lifetime there is some dispute as to the intended order of "The Sonnets". It is thought that he planned two contrasting series for the poems. The first is of the desire for a married woman of dark complexion, the so-called "dark lady", and the other about the conflicted love of a fair young man, the "fair youth". This classic collection of non-dramatic poetry shows Shakespeare in a different light than his dramatic works and helps to exemplify the full breadth of his immense literary talents.
If William Shakespeare had never written a single play, if his reputation rested entirely upon the substantial and sterling body of nondramatic verse he left behind, he would still hold the position he does in the hierarchy of world literature. The strikingly modern sonnets–intimate, baroque, and expansive at once; the invigorating narratives drawn from classical subjects; and the flawless lyricism represented by a poem like “The Phoenix and the Turtle”–permanently deepen our understanding of the multiplicity and extravagant energy of our greatest poet. (Book Jacket Status: Not Jacketed)
Shakespeare's Sonnets are among the most complex and beautiful poems ever written. Their exploration of love, praise, homo- and hetero-sexual desire is enacted in the richest, densest writing in English. And the first printed work to which Shakespeare's name was attached was the erotic narrative poem, Venus and Adonis, which developed a sumptuous vocabulary in which to explore love, praise of the beloved, sexual desire, and the power of rhetoric. That poem was so popular that most of Shakespeare's contemporaries thought of him as primarily a poet, rather than a playwright. Yet despite the power of Shakespeare's poems, and their foundational place within his oeuvre, modern readers have seldom been encouraged to engage with his non-dramatic works as a whole. This new edition explains how this state of affairs has arisen, and why it needs to be changed. The volume contains the complete Sonnets and poems with a full commentary. An extensive and lively introduction explores Shakespeare's poetic development, and shows how the poems relate to each other and to his dramatic works. The Sonnets are freshly interpreted, not as cryptic fragments of autobiography, but as works which ask their readers to think about relationships between lyric poems and the historical circumstances which may have given rise to them. The narrative poems Venus and Adonis and Lucrece are placed where they belong, at the origin of Shakespeare's thinking about what it means to desire and to be desired. The edition responds to the most recent scholarly work on the interpretation and dating of Shakespeare's poems and Sonnets. It also explores what the poems may have meant to their earliest readers. For this reason it also includes poems attributed to Shakespeare in the seventeenth century, as well as those printed under his name in The Passionate Pilgrim in 1599.
Alongside Spenser, Sidney and the early Donne, Shakespeare is the major poet of the 16th century, largely because of the status of his remarkable sequence of sonnets. Professor Cousins' new book is the first comprehensive study of the Sonnets and narrative poems for over a decade. He focuses in particular on their exploration of self-knowledge, sexuality, and death, as well as on their ambiguous figuring of gender. Throughout he provides a comparative context, looking at the work of Shakespeare's contemporaries. The relation between Shakespeare's non-dramatic verse and his plays is also explored.
Although best known for his plays, William Shakespeare (1564 – 1616) was also a poet who achieved extraordinary depth and variety in only a few key works. This edition of his poetry provides detailed notes, commentary and appendices resulting in an academically thorough and equally accessible edition to Shakespeare’s poetry. The editors present his non-dramatic poems in the chronological order of their print publication: the narrative poems Venus and Adonis and The Rape of Lucrece; the metaphysical ‘Let the Bird of Loudest Lay’ (often known as The Phoenix and the Turtle); all 154 Sonnets and A Lover’s Complaint. In headnotes and extensive annotations to the texts, Cathy Shrank and Raphael Lyne elucidate historical contexts, publication histories, and above all the literary and linguistic features of poems whose subtleties always reward careful attention. Substantial appendices trace the sources for Shakespeare’s narrative poems and the controversial text The Passionate Pilgrim, as well as providing information about poems posthumously attributed to him, and the English sonnet sequence. Shrank and Lyne guide readers of all levels with a glossary of rhetorical terms, an index of the poems (titles and first lines), and an account of Shakespeare’s rhymes informed by scholarship on Elizabethan pronunciation. With all these scholarly resources supporting a newly edited, modern-spelling text, this edition combines accessibility with layers of rich information to inform the most sophisticated reading.