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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Siegen (FB 3: Literatur-, Sprach- und Medienwissenschaften), course: Sonette / Sonnets, 21 entries in the bibliography, language: English, abstract: In times of emigration, the strict lyrical form of the sonnet had a special position and meaning, above all for the emotionally agitated poets themselves, who identified a lot with their emotive texts. Especially among German authors of the inner emigration, the sonnet was considered the "Modeform des Widerstandes", as it was the dominating genre - and this is for several reasons, which are going to be examined in the course of this essay. First of all, one highly interesting fact has to be mentioned: The sonnet could and can only be found conspicuously seldom in national socialist lyric anthologies because, having its roots in a roman tradition, the form was considered to be "artfremd" and "undeutsch" - and, hence, it was not appropriate to the taste of the German national socialist 'Reichschrifttumskammer'. The common opinion of the time was that the sonnet was too 'bright' for the German nature, so that - on top of everything - this strict lyrical form was regarded as "Typikum der antifaschistischen Kräfte". This essay attempts at exemplarily outlining how and why the form of the sonnet was applied by poets in the time of the Second World War, especially by a number of German authors. What are the extraordinary features this lyrical form offered (and still offer) various artists in a time so full of emotions, of fear, despair, but also hope and anger? And how did poets make use of these features; how did they develop them? These questions are to be illuminated by looking at a number of concrete examples of wartime poets, which will certainly display a colourful demonstration not only of different working methods and applications of the sonnet form, but also of divergent feelings and wa
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry One of the New York Times Critics' Top Books of 2018 A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead "Sonnets that reckon with Donald Trump's America." -The New York Times In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the country's past and future eras and errors, its dreams and nightmares. Inventive, compassionate, hilarious, melancholy, and bewildered--the wonders of this new collection are irreducible and stunning.
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Siegen (FB 3: Literatur-, Sprach- und Medienwissenschaften), course: Sonette / Sonnets, language: English, abstract: In times of emigration, the strict lyrical form of the sonnet had a special position and meaning, above all for the emotionally agitated poets themselves, who identified a lot with their emotive texts. Especially among German authors of the inner emigration, the sonnet was considered the „Modeform des Widerstandes“ , as it was the dominating genre – and this is for several reasons, which are going to be examined in the course of this essay. First of all, one highly interesting fact has to be mentioned: The sonnet could and can only be found conspicuously seldom in national socialist lyric anthologies because, having its roots in a roman tradition, the form was considered to be “artfremd” and “undeutsch” – and, hence, it was not appropriate to the taste of the German national socialist ‘Reichschrifttumskammer’. The common opinion of the time was that the sonnet was too ‘bright’ for the German nature, so that – on top of everything – this strict lyrical form was regarded as “Typikum der antifaschistischen Kräfte”. This essay attempts at exemplarily outlining how and why the form of the sonnet was applied by poets in the time of the Second World War, especially by a number of German authors. What are the extraordinary features this lyrical form offered (and still offer) various artists in a time so full of emotions, of fear, despair, but also hope and anger? And how did poets make use of these features; how did they develop them? These questions are to be illuminated by looking at a number of concrete examples of wartime poets, which will certainly display a colourful demonstration not only of different working methods and applications of the sonnet form, but also of divergent feelings and ways to handle a gruesome fate.
As the Great War dragged on and its catastrophic death toll mounted, a new artistic movement found its feet in the United Kingdom. The Trench Poets, as they came to be called, were soldier-poets dispatching their verse from the front lines. Known for its rejection of war as a romantic or noble enterprise, and its plainspoken condemnation of the senseless bloodshed of war, Trench Poetry soon became one of the most significant literary moments of its decade. The marriage of poetry and comics is a deeply fruitful combination, as evidenced by this collection. In stark black and white, the words of the Trench Poets find dramatic expression and reinterpretation through the minds and pens of some of the greatest cartoonists working today. With New York Times bestselling editor Chris Duffy (Nursery Rhyme Comics, Fairy Tale Comics) at the helm, Above the Dreamless Dead is a moving and illuminating tribute to those who fought and died in World War I. Twenty poems are interpreted in comics form by twenty of today's leading cartoonists, including Eddie Campbell, Kevin Huizenga, George Pratt, and many others.
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
Poems from the Second World War is a moving and powerful collection of poems written by soldiers, nurses, mothers, sweethearts and family and friends who experienced WWII from different standpoints. The Imperial War Museum was founded in 1917 to collect and display material relating to the 'Great War', which was still being fought. Today IWM is unique in its coverage of conflicts, especially those involving Britain and the Commonwealth, from the First World War to the present. They seek to provide for, and to encourage, the study and understanding of the history of modern war and wartime experience.
An enlightening, celebratory anthology of the most classic and enduring of forms edited by two major poets.
"The American Sonnet: An Anthology of Poems and Essays showcases the diversity of the American sonnet. 800 years after the sonnet's invention, this volume celebrates the extraordinary development of the sonnet in the hands of American poets-and those living under US empire-from traditional to experimental, political and personal. Edited by poet and scholar team Dora Malech and Laura T. Smith, this anthology collects and foregrounds an impressive range of 20th and 21st century sonnets, including formal and formally subversive sonnets by established and emerging poets, and presents these alongside a selection of earlier American sonnets, highlighting connections across literary moments and movements. The critical essays likewise draw together diverse voices, methodologies, and historical and theoretical perspectives that represent the burgeoning field of American sonnet studies. Malech and Smith capture the central questions for American sonneteers. Who belongs to the tradition of the American sonnet? How do translation and multicultural and transnational identities complicate the Americanness of the "American" sonnet? How do Black, queer, trans, neurodiverse, working class, Appalachian, and Deaf poets claim the sonnet and how does it serve them? How do American poets experiment with meter, stanza, rhyme, lineation, and visuality to make the sonnet their own? And how are American sonneteers writing about love, loss, and trauma in new ways that change the sonnet tradition? The American Sonnet shows the form continuing to function as a poetic bellwether as centuries of poets use its peculiar confines to negotiate questions of nation, race, class, gender, sexuality, diaspora, and poetic tradition"--
A Study Guide for Gwendolyn Brooks's "The Sonnet-Ballad," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.