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The definitive Tolkien companion—an indispensable guide to The Hobbit, The Lord of the Rings, and more, from the author of The Road to Middle-earth. This “highly erudite celebration and exploration of Tolkien’s works [is] enormous fun,” declared the Houston Chronicle, and Tom Shippey, a prominent medievalist and scholar of fantasy, “deepens your understanding” without “making you forget your initial, purely instinctive response to Middle-earth and hobbits.” In a clear and accessible style, Shippey offers a new approach to Tolkien, to fantasy, and to the importance of language in literature. He breaks down The Lord of the Rings as a linguistic feast for the senses and as a response to the human instinct for myth. Elsewhere, he examines The Hobbit’s counterintuitive relationship to the heroic world of Middle-earth; demonstrates the significance of The Silmarillion to Tolkien’s canon; and takes an illuminating look at lesser-known works in connection with Tolkien’s life. Furthermore, he ties all these strands together in a continuing tradition that traces its roots back through Grimms’ Fairy Tales to Beowulf. “Shippey’s commentary is the best so far in elucidating Tolkien’s lovely myth,” wrote Harper’s Magazine. J.R.R. Tolkien: Author of the Century is “a triumph” (Chicago Sun-Times) that not only gives readers a deeper understanding of Tolkien and his work, but also serves as an entertaining introduction to some of the most influential novels ever written.
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip. Before an artistic and commercial decline that resulted in a 20-year gap between Devo's last two studio records, Freedom of Choice made them curious, insurgent superstars, vindicated but ultimately betrayed by the birth of MTV. Their only platinum album represented the best of their unreplicable code: dead-serious tricksters, embracing conformity in order to destroy it with bullet-proof pop sensibility. Through first-hand accounts from the band and musical analysis set against an examination of new wave's emergence, the first-ever authorized book about Devo (with a foreword by Portlandia's Fred Armisen) explores the group's peak of success, when their hermetic seal cracked open to let in mainstream attention, a legion of new Devotees, and plenty of misunderstandings. "Freedom of Choice was the end of Devo innocence–it turned out to be the high point before the s***storm of a total cultural move to the right, the advent of AIDS, and the press starting to figure Devo out and think they had our number," says Casale. "It's where everything changes."
Whip and his friends are going off to college to get an education. They have fun with new friends hanging at the bar and singing karaoke. They must face a challenge competing in theme park testing sports, the Amusers, against a cheating champion team known as the Arctics. It is up to Whip to save the world by winning the final competition and earning the trophy.
The Velvet Whip was the Midwest's unique late 1960s answer to west coast psychedelic and experimental rock. The iconoclastic group, proud of its Milwaukee roots, eschewed national tours and albums, mesmerizing its loyal regional audience till its explosive energy inevitably fizzled and the group disbanded. The Legendary Velvet Whip is told best, and entertainingly, by the band's co-founder Dan Ball, with fellow Whipster Henry Steinfort. Included are chapters and memorable recollections from Wisconsin underground cartoonist Denis Kitchen, bass guitarist Tom Ruppenthal, lead guitarist Ken Blochowiak, drummer Chas "Chuck" Reitzner, Whipster The Richard aka Richard Bussian and Richard Ramsay and Discovery World CEO Paul Krajniak. Profusely illustrated with period b&w photos, cartoons, and distinctive Velvet Whip memorabilia. As primary author Ball summarizes, "The Velvet Whip grew out of a desire to fuse classical music instrumentation and contemporary music. It quickly became one of the hottest acts on the counterculture scene, playing at the Avant Garde Coffee House and other sixties sub-culture venues throughout the Midwest in the second half of the 1960s. Henry and I initially had the bright idea to start a rock band. I played violin, so I could obviously play guitar, and Henry could transfer from a cello to electric bass. Little did we know how inadequate those ideas were. We were clueless about the rock band scene and without experience, but driven by burning desire. It seemed like fun and a great way to meet girls. Having no connection to regional rock musicians, we looked for other long haired guys in town to join us. Long hair was a real novelty in Milwaukee in the mid-60s, so there were all of three candidates. Two could play guitar and the other (Richard Bussian aka The Richard) was an experience unto himself. This unlikely band-building strategy proved miraculous: an amazing, hilarious and totally original adventure into rock and roll ensued. Despite the forces that tried to stop us, we left an unmistakable mark, one that seems even more unlikely and miraculous in hindsight. "