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Included among the sacred books of Judaism and Christianity alike, the Song of Songs does not mention God at all; on the surface it is a lyrical exchange between unnamed lovers who articulate the range of emotions associated with sexual love. Ann W. Astell here examines medieval reader response, both interpretive and imitative, to the Song. Disputing the common view that the literal meaning of Canticles had no value for medieval readers, Astell points to twelfth-century commentaries on the Song, as well as an array of Middle English works, as evidence that the Song's sensuous imagery played an essential part in its tropological appeal. Emphasizing the ways in which a complex fusion of the Song's carnal and spiritual meanings appealed rhetorically to a variety of audiences, Astell first considers interpretive responses to Canticles, contrasting Origen's dialectical exposition with the affective commentaries of the twelfth century—ecclesiastical, Marian, and mystical. According to Astell, these commentaries present Canticles as a marriage song that mirrors a series of analogous marriages, both within the individual and between human and divine persons. Astell describes interpretations of the Song of Songs in terms of the various feminine archetypes that the expositors emphasize—the Virgin, Mother, Hetaira, or Medium. She maintains that the commentat5ors encourage the auditor's identification with the figure of the Bride so as to evoke and direct the feminine, affective powers of the soul. Turning to literature influenced by the Song, she then discusses how the reading process is reinscribed in selected works in Middle English, including Richard Rolle's autobiographical writings, Pearl, religious love lyrics, and cycle dramas. The Song of Songs in the Middle Ages provides an innovative model of reader response that opens the way for a deeper understanding of the literary influence of biblical texts.
In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.
'The Song of Songs in the Middle Ages is a wide-ranging and insightful book that is carefully researched and gracefully written. It is of importance alike to those interested in mysticism, Middle English, the twelfth century, the fourteenth century, and feminist approaches to literature.' --- Studia Mystica
A survey of the history of one of the most important biblical texts in the history of Christian spirituality while exploring original pathways for research.
The Song of Songs, traditionally attributed to Solomon, is a collection of lyrics that celebrate in earthly terms the love of a bridegroom and a bride. Throughout the course of early Christian history, the Song of Songs was widely read as an allegory of the love of Christ both for the church and for its individual members. In reading the Song this way, Christians were following in the steps of Jewish exegetes who saw the Song as celebrating the love of God for Israel. In The Song of Songs, the inaugural volume of The Church's Bible, Richard A. Norris Jr. uses commentaries and sermons from the church's first millennium to illustrate the original Christian understanding of Solomon's beautiful poem. In recent times, the Song of Songs has been more a focus of literary than of religious interest, but Norris's work shows that for early Christians, this text was counted, with the Psalms and the Gospels, among those Scriptures that touched most deeply on the believer's relation to God. All in all, Norris's Song of Songs is a masterful work that aptly acquaints contemporary readers with the church's traditional way of discerning in this text a guide to the character of Christian belief and life. This volume -- and the entire Church's Bible series -- will be welcomed by preachers, teachers, students, and general readers alike.
The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
24 scholars – Jewish, Protestant, Roman Catholic – from North America, Israel, and various European countries, contribute to this rich volume on medieval interpretation and exegesis of the Hebrew Bible/Old Testament (5th through 12th centuries). Geographically, they cover most of the world as it was known in these times: from Syria to Spain, from Rome to the Rhine and the Seine. The volume also contains supplements to the previous volume, on Ben Sira and the Wisdom of Solomon. The indexes (names, topics, references to biblical sources and a broad body of literature beyond) are the key to the wealth of information provided. Undoubtedly, this volume will meet the high expectations set by the reviewers of the first volume (I/1) of the series: "Definitive reference work" (Religious Studies Review) "Mine d'information d'une grande richesse" (Revue d'histoire et de philosophie religieuses) "Monumental ouvrage" (Revue d'histoire ecclésiastique) "A veritable treasury" (Catholic Biblical Quarterly) "The foremost account of Jewish and Christian biblical interpretation" (Expository Times) "Onmisbaar handboek voor jeder een die zich serieus met bijbelstudie bezighoudt" (Stem van het boek) "Respekt gebietende Summe wissenschaftsgeschichtlicher Forschung" (Zeitschrift für Altes Testament) Selected chapters 23. The Problem of Periodization of Middle Ages 25. Jewish Bible Interpretation in Early Post-Talmudic Times 26. Gregory the Great 28. Seventh through Ninth Century 1. Isidore of Seville 3. Exegesis in the time of Charlemagne 4. From Angelomus of Luxeuil to Remigius of Auxerre 31. The Flourishing Era of Jewish Exegesis in Spain 1. The Linguistic School: Judah Hayyuj, Jonah ibn Janah, Moses ibn Chiquitilla and Judah ibn Bal'am 2. The Aesthetic Exegesis of Moses ibn Ezra 32. The School of Literal Jewish Exegesis in Northern France 4. Menahem ben Helbo5. Solomon Yishaqi / Rashi (1040–1105) 8. Samuel ben Meir / Rashbam (1080–1160) 33. Jewish Exegesis in Spain and Provence and in the East 2. Abraham ibn Ezra4. Moses ben Nahman / Nahmanides (Ramban) 5. Abraham Maimonides and the Yemenite School 34. The School of St. Victor in Paris 35. Christian Interpretation of the Old Testament 1. Bernard of Clairvaux on the Song of Songs 2. Gilbert of Poitiers and Peter Lombard 6. Albert, Thomas, Bonaventure 36. Development of Biblical Interpretation in the Syrian Churches 38. Literal and Spiritual Scriptural Interpretation: Aspects of Correspondence and Tension between Christian and Jewish Exegesis
First Published in 2002. This book is about the way medieval authors wrote about union with God and how they used language that refers to the senses to articulate their ideas about how a person can be one with God. Rudy argues that such explicit concepts of the spiritual senses are not sharply distinct from the ideas implicit in broader usage of sensory language in theological writings. These ideas are significant in the history of Christian mysticism, because language that refers to the senses bears directly on several ideas that are central to ideas about union with God.
An international collection of ecumenical, gender-sensitive interpretations The latest volume in the Bible and Women series examines the relationship between women and the Bible's reception in the centuries of the High and Late Middle Ages in Europe. Contributors bring a variety of new insights to questions of how women of the Bible were treated in literary, mystical, and doctrinal texts as well as in art and music. Though the Bible was used to legitimize the subordination of women to men and to exclude them from power, during this period women produced works of theology and biblical interpretation. Contributors include Gemma Avenoza, Marina Benedetti, Dinora Corsi, Maria Laura Giordano, Elisabeth Gössmann, Maria Leticia Sánchez Hernández, Hildegund Keul, Linda Maria Koldau, Martina Kreidler-Kos, Rita Librandi, Gary Macy, Constant J. Mews, Magda Motté, Rosa María Parrinello, María Isabel Toro Pascua, Claudia Poggi, Carmel Posa, Marina Santini, Valeria Ferrari Schiefer, Andrea Taschl-Erber, Adriana Valerio, and Paola Vitolo. Features Essays on the treatment of women in commentaries and didactic moral literature written by men Close study of women as scholars and interpreters of the Bible from the twelfth through the fifteen centuries Twenty-one essays from twenty-three scholars from around the world