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A Mother's Prayer, a Son's Goodbye, and a Song that Moved the World
The clouds drift across the bright blue sky--all except one. Little Cloud trails behind. He is busy changing shapes to become a fluffy sheep, a zooming airplane, and even a clown with a funny hat. Eric Carle's trademark collages will make every reader want to run outside and discover their very own little cloud.
Imagine a land where all the animals are free . . . To the creatures of the woodland, the land of Animalia sounds like a dream - a tropical island where all the animals live in harmony. They are over-shadowed by a much more evil community; the polluted Megatropolis, whose dirty skyscrapers block the horizon. And then one day, Wirral the Squirrel's woodland is destroyed by developers and he is thrown into the nightmare world of Megatropolis. But Wirral believes in Animalia and he joins with Froggo, a world-class amphibian balloonist, and Wilhamina, a girl squirrel, to lead the enslaved animals of the city to a new life. So begins an exciting adventure through the mean streets of Megatropolis, over the sea and through the sky. Developed out of an exceptional fusion of creative talents, this story explodes onto every page. The plot is fast, furious and funny; the illustrations are full of rich depth and colour; and the characters live on long after you have turned the final page. It will delight children of all ages and is sure to become an enduring classic. 'Young audiences will delight in the clever wordplay and smartly-drawn comic characters.' Independent
Clouds have been objects of delight and fascination throughout human history, their fleeting magnificence and endless variety having inspired scientists and daydreamers alike. Described by Aristophanes as “the patron goddesses of idle men,” clouds and the ever-changing patterns they create have long symbolized the restlessness and unpredictability of nature, and yet they are also the source of life-giving rains. In this book, Richard Hamblyn examines clouds in their cultural, historic, and scientific contexts, exploring their prevalence in our skies as well as in our literature, art, and music. As Hamblyn shows, clouds function not only as a crucial means of circulating water around the globe but also as a finely tuned thermostat regulating the planet’s temperature. He discusses the many different kinds of clouds, from high, scattered cirrus clouds to the plump thought-bubbles of cumulus clouds, even exploring man-made clouds and clouds on other planets. He also shows how clouds have featured as meaningful symbols in human culture, whether as ominous portents of coming calamities or as ethereal figures giving shape to the heavens, whether in Wordsworth’s poetry or today’s tech speak. Comprehensive yet compact, cogent and beautifully illustrated, this is the ultimate guidebook to those shapeshifters of the sky.
The Architecture of Clouds describes in a visual, poetic, and personal way how clouds are related to our everyday life and the weather. It expertly details how the art and science of clouds are interconnected with straightforward scientific explanations of the meteorological context in which clouds appear and why they form, alongside in-depth descriptions of the visual and artistic aspects of clouds. The air motion dynamics, cloud microphysics and thermodynamics discussed are written in a style accessible to all readers. The clouds showcased within the text range from placid ground fog to smoothly sculpted, stationary, mountain-wave clouds to violent clouds associated with convective storms, tornadoes, and hurricanes. Clouds are classified as whether they are buoyant or not, and if they are, how deep they extend through the atmosphere. An exhaustive and impressive compilation of photos taken from all over the world, including photographs taken from satellites, are featured in each chapter. Radar depictions of the inside of some clouds and storms provide a unique addition. This book provides an abundance of detail and photography that will be appreciated by scientists, students, and any reader interested in exploring beyond the aesthetics of clouds.
Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368). At the core of Weitz’s book is a complete translation of the Record of Clouds and Mist Passing Before One’s Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296. The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.
A sprawling tale of innocent lovers, demonic devastation and heroic endeavour tofight the good fight with all their might. Set on Trollworld, the home of the classic fantasy role playing game Tunnels & Trolls, super-powered stalwarts Samos Treek, Donk Bonku, Kaitlin Kloot and Brazi Tardani shoulder the brunt of the burden, setting out to save the gentle Feigh Folk from the clutches of the Arch-Demon Ashgoleth, as their guardians the Cloud Giants go to sleep on the job. Add in the lovelorn innocents, Cornelius Allen and Nikkolia Baker, then throw in a great chunk of the manic troll-wizards, Khaghbboommm and Yordamma Vrash, with a generous slpash of a crazy old man and his resourceful grandchildren and you get an idea of the chaotic journey that climaxes in an epic ending of Hollywood proportions. The character cast is too extensive and expensive for this to ever see the silver screen - except in that luxurious movie theatre that is your imagination. Remember - if you want to learn magic, read a book!
Southeast China is a traditional stronghold of Buddhism, but little scholarly attention has been paid to this fact. Brian Nichols’s pioneering book, Lotus Blossoms and Purple Clouds, centers on a large Buddhist monastery in Quanzhou and combines ethnographic detail with stimulating analysis to examine religion in post-Mao China. Nichols conducted more than twenty-six months of field research over a fourteen-year period (2005–2019) to develop a re-description of Chinese monastic Buddhism that reaches beyond canonical sources and master narratives to local texts, material culture, oral history, and living traditions. His work decenters normative accounts and sheds light on how Buddhism is lived and practiced. It introduces readers to Quanzhou Kaiyuan Monastery and its community of clergy striving to revive traditions after the turmoil of the Maoist era; the lay Buddhists worshiping in the monastery’s courtyards and halls; the busloads of tourists marveling at the site’s buildings and artifacts, some dating as far back as the Tang Dynasty (ninth century); and the local officials dedicated to supporting—and restricting—the return of religion. Using gazetteers, epigraphy, and other archival sources, Nichols begins by tracing the history of Quanzhou Kaiyuan Monastery from the Tang Dynasty to the present, noting the continued relevance of preternatural events like the lotus-blooming mulberry trees and auspicious purple clouds associated with the founding of the monastery. The contemporary monastery is then explored through ethnographic participation/observation and interviews. Nichols uncovers a number of unexpected features of Buddhist religious life, making a case for the fundamentally liturgical nature of Buddhist monastic practice—one marked by a program of daily dharaṇi (sacred text) recitation, esoteric traditions, and ancestor veneration. Finally, he presents an innovative spatial analysis of the Quanzhou Kaiyuan Monastery temple that reveals how different groups engage with the site to create a place of religious practice, a tourist attraction, and a community park.