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'He tapped at his iPod, feeling within a note or two whether each random offering could provide what he was craving . . . skip, skip, skip, his temper rising, and then he felt it, just the opening chords . . . He stopped punching his iPod's face, and he leaned back on the bench and wondered, marvelled, felt the world slowly reopening to him.' Julian Donahue is obsessed with his iPod. Each song that shuffles through 'that greatest of all human inventions' triggers a memory. There are songs for the girls from when he was single; there's the one for the day he met his wife-to-be, and another for the day his son was born. But when his family falls apart, even music loses its hold on him, and he has nothing. Until one snowy night in Brooklyn, when his life's soundtrack-and life itself-starts to play again. He stumbles into a bar and sees Cait O'Dwyer, a flame-haired Irish rock singer, performing with her band, and a strange and unlikely love affair is ignited. Over the next few months, Julian and Cait's passion for music and each other is played out, though they never meet. In cryptic emails, text messages, cell-phone videos, and lyrics posted on Cait's website, they find something in their bizarre friendship that they cannot find anywhere else. Cait's star is on the rise, and Julian gently guides her along her path to fame-but always from a distance-and she responds to the one voice who understands her, more than a fan but still less than a lover. As their feelings grow more feverish, keeping a safe distance becomes impossible. What follows is a love story and a uniquely heartbreaking dark comedy about obsession and loss. The Song Is You is a closely observed tale of love in the digital age that blurs the line between the longing for intimacy and the longing for oblivion. 'Phillips . . . hits a pitch-perfect note in this heartbreakingly lyrical novel of love, loss, and the almost mystical power of music.' Booklist 'Phillips blents wiht, erudition and eccentricity.' The Times 'Prodigiously gifted . . . reminiscent of Nabokov.' The Guardian
This companion to Celtic folklorist John Matthews' The Song of Taliesin (Quest 2001) features seventeen stories never before published in book form, interspersed with the author's original poetry in the style of the ancient past whence the tales spring. The book is a stunning retelling of legends, myths, and folktales drawn from the Welsh Mabinogion, the Taliesin tradition, The Book of Leinster, the story of Perceval, Malory's Morte d'Arthur, and other traditional sources. The stories are accompanied by excellent endnotes explaining sources and elucidating points of difficulty, but they stand beautifully on their own. Taken as a whole, they present the characters, themes, and events of Celtic, Grail, and Arthurian lore in an authentic literary voice that makes for great reading and great telling. The Ancient Wisdom flows forward in many forms. One of its streams is surely found in the Arthurian "quest for the Grail"---which is, at its core, the quest for enlightenment and spiritual mastery. Matthews' lucid refashioning of these tales is informed by his deep understanding of their esoteric center. Through them, the reader may clearly see the Ancient Wisdom shine.
The Song of Arthur, set between September of 542 A.D. and Eastertide of 543, balances King Arthur (now at the end of his life) and his nephew Perceval (at 21 just coming into his own) and finds them both struggling with the impossible ideal of turning Britain into the "City of God." Arthur, dealing with the deaths of his wife, his son, and his comrades at Camlan, is keenly aware of his failures as king. Perceval has only the vaguest sense of direction as the story begins, but a series of visions propel both Perceval and Arthur forward. By novel's end, Perceval, now married and crowned Grail King, knows that his life's mission is to build the City wherever Grace affords it. Arthur, now finally at peace, has a "vision" of reconciliation with his nephew Modred as he suddenly realizes he is at the gates of the City at last.
Joseph R. Allen's new edition of The Book of Songs restores Arthur Waley's definitive English translations to the original order and structure of the two-thousand-year-old Chinese text. One of the five Confucian classics, The Book of Songs is the oldest collection of poetry in world literature and the finest treasure of traditional songs that antiquity has left us. Arthur Waley's translations, now supplemented by fifteen new translations by Allen, are superb; the songs speak to us across millennia with remarkable directness and power. Where the other Confucian classics treat "outward things, deeds, moral precepts, the way the world works", Stephen Owen tells us in his foreword, The Book of Songs is "the Classic of the human heart and the human mind".
Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene. Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.
Eddie Jackson is one of the biggest rock stars in the world. When he dies in a car crash, a lot of people stand to lose money, so his death is hushed up. Eddie's bandmate, Clem, is determined the truth must come out. As pressure is put on Clem to play along, he suspects he's part of a bigger conspiracy and that Eddie's death was no accident.
"A collection of memorable scenes, quotes, and lessons from the Arthur series of books and television shows that explores the ups and downs of life"--
This package contains a classic Arthur adventure, illustrated with bright, bold, full-color art, and a fun filled sound track that includes lively character voices and an original musical score. There's even a new theme song, ""Say Hello to Arthur?"," included on both sides.
Based on the primetime PBS television special coming this fall, this tie-in book finds Arthur yearning to join a rock band started by Francine. But Arthur doesn't make it through the auditions and Francine chooses Molly, Binky, Fern, and Mrs. MacGrady instead. Then the Backstreet Boys come to Elwood City and change "everything!." Full color.