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Aelik is trapped policing fae activity on Earth, while also a spy within the human military division hunting proof of fae. Both jobs are far too respectable for comfort, with no path to freedom on offer. While Earth is a nice enough place to visit, the natives smell. The situation worsens when he hears odd sounds around the stone circles, and frequent reports of shadowy creatures visiting Earth forces him to work with other Border Guards. Increasingly entangled by the intrigues on both Earth and Faerie, he might be forced to actually make a choice. And running away isn’t one of the options. Book 2 of The Border Guards trilogy.
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging. WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD • “Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security. But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse. “Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)
Immersive augmented reality brings this action-packed fantasy to life. The town of Eden Grove has a legend: In the center of a pine forest there is an aspen grove, and in the center of the aspen grove is an ancient, magnificent tree. A tree that grants wishes. Mayberry and Marshall have heard the stories about the Wishing Tree, but they know nothing like that could really exist near their dreary town. Misunderstood and restless, the teenagers wish for a lot of things, including being on another planet altogether. Somewhere with magic and adventure—someplace where they can be heroes. And then the unlikeliest thing happens: On a hike through the forest, they find the Wishing Tree. The pair make their wish, fall asleep . . . and wake up on Nith, a world that is exactly what they asked for. The alien landscape is beautiful, but it’s also full of dangerous and fantastic creatures, and almost without exception, the creatures are hungry. Soon Mayberry and Marshall learn two very important facts about their wish: First, that magic comes at a very steep cost; second, that they can only be heroes if they can survive. The journey that follows will test the limits of their courage and strength . . . and change them in ways they haven’t begun to imagine. This epic work brings fantasy to life, first by inviting readers into another world, then by using cutting-edge augmented reality technology to bring the world alive in interactive 3D. Experience BETWEEN WORLDS in Augmented Reality now: http://www.experienceanomaly.com/between-worlds/demo
In 1974, when John Dominelli was twenty years old, he left his home in Port Coquitlam, British Columbia, on what he originally thought would be a six-month “working holiday” in New Zealand. However, not long into his journey, feeling the seductive pull of the vast and mysterious world, what started as a planned sojourn eventually turned into an epic three-year spiritual odyssey, taking him from New Zealand to Australia, Asia, India, Europe, and many points between. John’s journey was interrupted and enriched by a psycho-emotional “meltdown,” two serious illnesses, a powerful psychedelic interlude with psilocybin mushrooms, and a mystical encounter with Nisargadatta Maharaj, the now well-known sage from Bombay. An epic coming-of-age memoir that is part love letter to a bygone age and part inspirational text, stirring a desire in readers to seek out a life less ordinary.
This book examines the performance of Bauls, ‘folk’ performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses. Recognizing their scope beyond the musical and cultural realm, Sukanya Chakrabarti engages in discussing the subversive and transformational potency of Bauls and their performances. In-Between Worlds argues that the Bauls through their musical, spiritual, and cultural performances offer ‘joy’ and ‘spirituality,’ thus making space for what Dr. Ambedkar in his famous 1942 speech had identified as ‘reclamation of human personality’. Chakrabarti destabilizes the category of ‘folk’ as a fixed classification or an origin point, and fractures homogeneous historical representations of the Baul as a ‘folk’ performer and a wandering mendicant exposing the complex heterogeneity that characterizes this group. Establishing ‘folk-ness’ as a performance category, and ‘folk festivals’ as sites of performing ‘folk-ness,’ contributing to a heritage industry that thrives on imagined and recreated nostalgia, Chakrabarti examines different sites that produce varied performative identities of Bauls, probing the limits of such categories while simultaneously advocating for polyvocality and multifocality. While this project has grounded itself firmly in performance studies, it has borrowed extensively from fields of postcolonial studies and subaltern histories, literature, ethnography and ethnomusicology, and cosmopolitan studies.
A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.
Griffin and Fi continue on their quest to save all worlds from invasion in this fantastical follow-up to The Lighthouse between the Worlds, which School Library Journal called “a delicious tale of light and dark.” There is more than just one world—and all of them are in grave danger. After a narrow escape from the battle-torn world of Somni, Griffin and his fierce, newfound ally Fi find themselves at the center of a war that threatens not only the people of Earth, but those of other worlds entirely. Connected by the lighthouse that acts as a portal, each world harbors a unique kind of magic that the greedy rulers of Somni are determined to capture for themselves. Unless Griffin and Fi can find a way to stop these would-be conquerors, everything they hold dear will be lost. Navigating magical worlds of mist, water, vines, and fire in search of an answer, the two friends will have to discover their own gifts before they can save not only themselves but the worlds—every single one of them.
Vikram Lall comes of age in 1950s Kenya, at the same time that the colony is struggling towards independence. Against the unsettling backdrop of Mau Mau violence, Vic and his sister Deepa, the grandchildren of an Indian railroad worker, search for their place in a world sharply divided between Kenyans and the British. We follow Vic from a changing Africa in the fifties, to the hope of the sixties, and through the corruption and fear of the seventies and eighties. Hauntingly told in the voice of the now exiled Vic, The In-Between World of Vikram Lall is an acute and bittersweet novel of identity and family, of lost love and abiding friendship, and of the insidious legacy of the British Empire.
A glorious epic fantasy in the grand tradition of CS Lewis and Philip Pullman, and a major publishing event, The Mirror Chronicles will take you into another world, and on the adventure of your lifetime...
Fully revised with Reader's Guide, Self-Exploration Questions, chapter reviews and expanded Moita material. Reading Mind Leap was one of the most delightful experiences of my summer. First, I found it an absolutely intriguing story of personal challenge and human relationships. But second, and most important, I found it highly inspiring. There are many times in my own spiritual journey that I wonder whether it is all worth the effort whether there really is a greater reality. This book is a powerful incentive to keep going, an inspiration and a source of hope! Joyce E. Ansell, literary editor How can we learn to live wholly, with deep intuition, in this world? Where can it lead, for each of us, in this transformative era? We hear follow a path with heart ... listen to your dreams ... open to spirit ... But rare is the book that actually takes us far into that experience. Mind Leap does so by telling a challenging, liberating, true story from the consciousness revolution, and inviting readers to participate by reviewing their own life events and perceptions. A novelist couldn't create spiritual explorers more opposite than Kelly and David: growing up the psychic daughter of an abusive alcoholic and mystic son of an activist minister. But as young adults with other partners, dreams and intuitions pointed each other out, hinting of the natural bridge they would form together. As they were then tested in a crucible of intersecting lives, Moita began to speak through Kelly, initiating an experiment in communication between worlds . Her over 200 interactive sessions, shared with hundreds of participants, have been compared to the Seth material. Mind Leap reveals the hidden workings of spirit that connect us to people and situations we need to grow in strength, freedom and love. The narrative unfolds on many levels, giving a unique inside view of the channeling phenomenon even as the prophetic messages turn from individuals to the crisis/transformation of our Earth. We see you all the time, are near you, yet very rarely can touch, for you do not see us. For you, we are merely a whisper in the trees... We have watched for a great many years, and now there is a drawing together of worlds, a time when the two worlds may touch and not be destroyed by each other, when they may integrate and understand. The coming together of our worlds will not change just yours, but mine. Life will never be the same again. Moita