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The author of many books on typography, Dan X. Solo was also the proprietor of his own typography shop in Oakland, California — an establishment dedicated to unusual typography and special effects. This comprehensive catalog offers graphic designers a dazzling selection of over 4,000 typefaces and optical effects available from Solotype Typographers. Here, in Solo's words, is "a great cast of characters" — the alphabet — abetted by a cornucopia of typographical ideas and an endless resource of letters, words, phrases, slogans, logos, humorous comments, headlines, and graphic symbols. Individual sections of the book display a rich variety of typefaces in categories such as Condensed, Victorian, Art Nouveau, Art Deco, Rustic, Thick-and-tin, Calligraphic, Uncials, Latins, and Blackletter. Samples are imaginatively presented. "Stagecoach," for example, is printed in Fargo typeface, evoking dusty trails, rawhide, and ten-gallon hats, while "Sizzling summer savings" appears appropriately in the flamboyant Firebug typeface. All typefaces are indexed for quick and easy reference. As entertaining as it is practical and useful, this impressive treasury of versatile typefaces and optical effects will be indispensable to busy commercial artists as an inexhaustible source of typographic ideas and a "swipe file" of words, phrases, and letters for use in graphic art projects.
No need for copper or plates to achieve the distinctive calligraphic script of eighteenth-century Europe ― just a pen, ink, and this comprehensive workbook will do. Master calligrapher Dick Jackson explains the basic strokes for almost all letters of the copperplate alphabet. Simple instructions and examples introduce the swirls, flourishes, strikings, and thick and thin strokes that make copperplate calligraphy a source of pleasure for the practitioner and a delight to the reader. A historical introduction traces the growth of copperplate from its roots in the French ronde of the seventeenth century, to its adaptation by English clerks into their copybooks, and the development of the style known as round hand. In addition, guide sheets and instructions for individual letters and numbers offer aspiring calligraphers a practical approach to this enduring art form.
Originally published by Mergenthaler Linotype Company, 1936.
Emblazon your message in 3-D or shaded lettering. Eye-catching typefaces in 100 amazingly diverse fonts.
Handy archive of royalty-free typefaces ideal for ads, signs, menus, etc. Calico Casual, Designer Raleigh, Easter Gothic, Galaxy One, many other fonts. Use with any copier for an endless source of condensed type.
More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
Monograms are immensely useful and eye catching visual devices consisting of two or more letters interwoven in artistic harmony. They lend themselves to numerous graphic applications: stationery, fabrics, advertising, book illustration, greeting cards, posters, menus, logos — virtually any project requiring symbolic or high-recognition lettering. The present volume offers graphic designers an unusually comprehensive collection of contemporary monograms — over 1,300 attention-getting designs, arranged alphabetically for convenience. Each letter of the alphabet is combined with every other letter, creating a versatile archive of monograms in an incredible array of type styles: 3-D, shaded, calligraphic, Gothic, ribbon, block, cartoon, script, Oriental, digital letters, and hundreds of others. Moreover, many monograms appear in more than one style for added flexibility. In addition to an enormous variety of typefaces, the monograms embody numerous spacing variations: overlapping, interlocking, and various other arrangements that offer the utmost versatility to designers. You'll also find a useful selection of monograms incorporated into larger illustrations: a necktie, automobile, tote bag, coffee mug, and other familiar objects. Graphic artists, illustrators, typographers, and students will find this collection indispensable — a nearly inexhaustible array of imaginative lettering configurations, arranged for maximum convenience — ready to solve a myriad of design problems. Best of all, every monogram is royalty-free — ready to use without any prior permission or fee.
An updated version of the classic Renaissance manuals, this handbook is geared toward modern practitioners. It features the best ideas from the early guides, compiled into a contemporary system that makes writing the Italic as simple as possible. With this manual as a guide, both experienced and novice calligraphers can cultivate their natural creativity.
In recent years, calligraphy has evolved from an esoteric art form to an everyday pursuit for artists, students, and amateurs. This guide for novices with some experience offers the chance to advance to the next level. Well-illustrated, step-by-step instructions by an expert calligrapher explain every detail of the two most popular calligraphic alphabets. Author Eleanor Winters introduces the Italic hand, which originated during the Renaissance, and the Copperplate style, which dominated European calligraphy during the eighteenth century. Her three-part approach begins with a review of the basics, advancing to variations in letter size, form, weight, and flourishes. It concludes with a wealth of advice on layout and design as well as inspiration for original projects.
A master calligrapher explains the basic strokes for almost all letters of the copperplate alphabet. Additional features include a historical introduction, guide sheets, and instructions for individual letters and numbers.