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(Meredith Music Resource). An invaluable, quick reference tool for any teacher, performer or student of the piano who desires an extensive listing of the most significant works composed for solo piano. Accurate, concise and thoroughly researched entries provide an at-a-glance overview of a composer's output, with information on difficulty levels, opus numbers, movement titles, publisher sources and so forth. Whether searching for new material or refreshing one's perspective, this portable database of information will prove itself indispensable for repertoire study and planning. A must-have resource for any pianist's bookshelf or piano. (a href="http://youtu.be/FyL_dNk9z8w" target="_blank")Click here for a YouTube video on A Practical Guide to Solo Piano Music(/a)
Roy Thomson Hall commemorates its 30th anniversary with this lavishly illustrated book tracing its history from Arthur Erickson's iconic design, to the artists, audiences, volunteers, and staff who have enriched and enlivened the hall since its opening in 1982.
Darius Milhaud, born in Provence in 1892, was one of the major composers of the twentieth century and also one of its most prodigious. Over 450 of his works have been catalogued (and listed in this volume), including operas, large and small, eighteen string quartets, twelve symphonies and thirty concertos, as well as such popular classics as Le Boeuf sur le toit, La Creation du monde, Suite provencal and the Suite francaise. In My Happy Life, completed in 1972, two years before the composer's death, Milhaud tells the full story of his own personal life and artistic development. A secretary to the playwright Paul Claudel, a close friend of Satie, Cocteau and Igor Stravinsky, Darius Milhaud was also a member, along with Georges Auric and Arthur Honneger, of the scandalous group of young French composers known simply as 'les Six.'. While often regarded during his lifetime as an open-minded musician of wide tastes whose music spanned many styles from avant-garde to jazz, he is revealed here as a thinker of note and a graceful writer. He depicts with great generosity of feeling the revolution that modern music has undergone this century and his own role in it, giving a clear account of his attitude towards his work and that of his fellow composers.
First published by Holt, Rinehart and Winston in 1954.
These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document Fauré's move through the innovations of late Romanticism to the frontier of early-20th-century music. From authoritative French editions.
(Book). For more than 200 years, the piano has been an inspirational force in the world of music. The Piano shows how this characterful instrument has won its place at the center of the affections of music lovers everywhere. This is the first popular book to cover every aspect of the instrument's dynamic history, including: origins, technical developments, novelties and experiments; piano music throughout the centuries; profiles of the instruments' musical giants and analyses of their greatest works; and much more. With over 200 photographs and full color throughout, The Piano is a handsome tribute to a great musical personality. 192 pages, 9 1/2 x 11 1/4
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.