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This work defines the dramatic rationale of the Hamlet soliloquies in their dramatic contexts, thereby clarifying the tragic idea that organizes the play.
In "Modern Hamlets and Their Soliloquies" (Iowa, 1992), Mary Maher examined how modern actors have chosen to perform HamletOCOs soliloquies, and why they made the choices they made, within the context of their specific productions of the play. Adding to original interviews with, among others, Derek Jacobi, David Warner, Kevin Kline, and Ben Kingsley, "Modern Hamlets and Their Soliloquies: An Expanded Edition" offers two new and insightful interviews, one with Kenneth Branagh, focusing on his 1997 film production of the play, and one with Simon Russell Beale, discussing his 2000-2001 run as Hamlet at the Royal National Theatre."
Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards.
In Harold Bloom's New York Times bestselling Shakespeare: The Invention of the Human, the world's foremost literary critic theorized on the authorship of the historic play Hamlet. In this engaging new stand-alone work, he offers a full and warmly personal account of the play itself, explores its extraordinary impact throughout the history of western literature, and seeks to uncover the mystery at its heart.
Complete Unabridged Beautiful Hamlet, or The Tragedy of Hamlet, Prince of Denmark, by William Shakespeare is one of the most influential works of world literature. Enjoy it again or for the very first time in this stylish new paperback edition.
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Vechta, language: English, abstract: William Shakespeare ́s ́Hamlet ́ is of great cultural significance. It was published around 1600/1601, marking the transition from the 16th to the 17th century. It reflects upon spiritual and cultural conflicts of the Elizabethan period more intensively than any other literary work. It includes a variety of philosophical, theological, political, literary and general references. With Hamlet, a new form of interiority is born, "the sense of being inside a character ́s psyche and following it ́s twists and turns." This interiority is predominantly shown to the audience by the use of soliloquies. Shakespeare ́s lifework includes a great variety of soliloquies. Hamlet is commonly associated with one phrase: ́to be or not to be`. In this work, I am going to give an overview of Hamlet ́s soliloquies, concentrating on `to be or not to be ́. Before that, I am going to briefly explain the difference between soliloquy and monologue.
Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves.
First published in 1987. Often the best known and most memorable passages in Shakespeare's plays, the soliloquies, also tend to be the focal points in the drama. Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards. The detailed structure of each soliloquy is discussed, as well as examining them within the structure of the entire play - thereby extending the interpretation of the work as a whole.
Presents a collective study of all of Shakespeare's soliloquies by defining the soliloquy, classifying the soliloquies and presenting them as revelations of thought and feeling.
This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.