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In The Soldier’s Two Bodies, James M. Greene investigates an overlooked genre of early American literature—the Revolutionary War veteran narrative—showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation’s first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans’ past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans’ lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier’s Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.
An explosive thriller of drugs, gang warfare, and two fatherless teenage boys on the wrong side of the law. In a bleak Stockholm suburb where juvenile gang crime is rapidly on the rise, two 19-year-old boys, best friends since third grade and drug addicts since age 9, have spent their young lives establishing a ruthless criminal enterprise--known as the Raby Warriors. With the recruitment of children as foot soldiers, the Warriors are now poised to become the most powerful syndicate in the region. Twenty years on the force, Jose Pereira now heads the Organized Crime and Gang Section in Raby. If it was not so deadly, Pereira might appreciate the absurdity of watching boys like Leon and Gabriel, raised on Hollywood images, morph themselves into characterizations of gangsters. After Leon and Gabriel execute a maximum-security prison break, in which a female guard is kidnapped and feared murdered, Pereira Chief Superintendent Ewert Grens joins the investigation, a maverick detective who never gives up. For Grens, this case awakens troubled ghosts from his past. Soon all four are on a violent collision course that will irrevocably change all their lives.
This vibrant collection of essays reveals the intimate politics of how people with a wide range of relationships to war identify with, and against, the military and its gendered and racialised norms. It synthesises three recent turns in the study of international politics: aesthetics, embodiment and the everyday, into a new conceptual framework. This helps us to understand how militarism permeates society and how far its practices can be re-appropriated or even turned against it.
The Stuff of Soldiers uses everyday objects to tell the story of the Great Patriotic War as never before. Brandon M. Schechter attends to a diverse array of things—from spoons to tanks—to show how a wide array of citizens became soldiers, and how the provisioning of material goods separated soldiers from civilians. Through a fascinating examination of leaflets, proclamations, newspapers, manuals, letters to and from the front, diaries, and interviews, The Stuff of Soldiers reveals how the use of everyday items made it possible to wage war. The dazzling range of documents showcases ethnic diversity, women's particular problems at the front, and vivid descriptions of violence and looting. Each chapter features a series of related objects: weapons, uniforms, rations, and even the knick-knacks in a soldier's rucksack. These objects narrate the experience of people at war, illuminating the changes taking place in Soviet society over the course of the most destructive conflict in recorded history. Schechter argues that spoons, shovels, belts, and watches held as much meaning to the waging of war as guns and tanks. In The Stuff of Soldiers, he describes the transformative potential of material things to create a modern culture, citizen, and soldier during World War II.
This book surveys the entire field of body composition as it relates to performance. It includes a clear definition of terminology and a discussion of the various methods for measuring body composition. The authored papers represent a state-of-the-art review of this controversial field and address questions such as: What is a better measure of body compositionâ€"body fat or lean body mass? Does being overweight for one's height really affect performance? The book also addresses the issue of physical appearance as it relates to body fatness and performance. It includes an in-depth discussion of many of the topics of interest to those involved in sports medicine and exercise physiology.
By 1914, Australia's German immigrants were well-regarded in their communities and made up (after Irish and Scots) the fourth-largest white ethnic community in Australia. This history traces the experience of the immigrants who enlisted for service in World War I and the difficulties they faced.
The senses -- The dirty body -- The foot -- The wound -- The corpse.
This book highlights obedience as an American cultural motif by examining the ways in which citizens understand and dramatize the struggle between autonomy and allegiance. Willing Obedience tells the story of Americans who worked out the simultaneous demands of liberty and obedience in fiction, military memoir, and political writing from the Revolution through the nineteenth century. In contrast to the European model of a subject's blind obedience to a monarch, Americans imagined an allegiance that preserved autonomy even as they consented to the constraints of a new republic. In particular, the book considers the case of the soldier, whose surprisingly complex relationship to authority is in fact representative of the situation of all citizens in a republic.