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What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art.
This collection was inspired by the observation that film remakes offer us the opportunity to revisit important issues, stories, themes, and topics in a manner that is especially relevant and meaningful to contemporary audiences. Like mythic stories that are told again and again in differing ways, film remakes present us with updated perspectives on timeless ideas. While some remakes succeed and others fail aesthetically, they always say something about the culture in which_and for which_they are produced. Contributors explore the ways in which the fears of death, loss of self, and bodily violence have been expressed and then reinterpreted in such films and remakes as Invasion of the Body Snatchers, Night of the Living Dead, and Dawn of the Dead. Films such as Rollerball, The Ring, The Grudge, The Great Yokai Wars, and Insomnia are discussed as well because of their ability to give voice to collective anxieties concerning cultural change, nihilism, and globalization. While opening on a note that emphasizes the compulsion of filmmakers to revisit issues concerning fear and anxiety, this collection ends by using films like Solaris, King Kong, Star Trek, Doom, and Van Helsing to suggest that repeated confrontation with these issues allows the opportunity for creative and positive transformation.
SolarisTM Application Programming is a comprehensive guide to optimizing the performance of applications running in your Solaris environment. From the fundamentals of system performance to using analysis and optimization tools to their fullest, this wide-ranging resource shows developers and software architects how to get the most from Solaris systems and applications. Whether you’re new to performance analysis and optimization or an experienced developer searching for the most efficient ways to solve performance issues, this practical guide gives you the background information, tips, and techniques for developing, optimizing, and debugging applications on Solaris. The text begins with a detailed overview of the components that affect system performance. This is followed by explanations of the many developer tools included with Solaris OS and the Sun Studio compiler, and then it takes you beyond the basics with practical, real-world examples. In addition, you will learn how to use the rich set of developer tools to identify performance problems, accurately interpret output from the tools, and choose the smartest, most efficient approach to correcting specific problems and achieving maximum system performance. Coverage includes A discussion of the chip multithreading (CMT) processors from Sun and how they change the way that developers need to think about performance A detailed introduction to the performance analysis and optimization tools included with the Solaris OS and Sun Studio compiler Practical examples for using the developer tools to their fullest, including informational tools, compilers, floating point optimizations, libraries and linking, performance profilers, and debuggers Guidelines for interpreting tool analysis output Optimization, including hardware performance counter metrics and source code optimizations Techniques for improving application performance using multiple processes, or multiple threads An overview of hardware and software components that affect system performance, including coverage of SPARC and x64 processors
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
La 4e de couv. indique : "The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme d'or and Academy Award-winner, he has directed nearly thirty films, including political provocations, digital experiments, esoteric documentaries, and global blockbusters, as well as atypical genre films. This volume considers its slippery subject from a variety of perspectives, analysing Soderbergh as an expressive auteur of art cinema as well as genre fare, a politically-motivated guerrilla filmmaker and Hollywood insider. Preoccupied with the detective's role to investigate truth, as well as the criminal's alternative value system, his films tackle social justice in a corporate world, Soderbergh's career demonstrates the richness of contemporary American cinema ; this volume gives his complex oeuvre the in-depth critical analysis it deserves."
Frank Tashlin (1913–1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture—first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director's films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin's distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin's large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can't Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.
About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the "Introduction" I briefly present the relevant elements of Tarkovski's biography and an overview of Stanislav Lem's Solaris novel and the film Solaris directed by Andrei Tarkovsky. In "Cinema Technique" I talk about the specific rhythm of the scenes, the radical movement triggered by Tarkovsky in modern cinema, the role of symbolic and iconic elements, and affinities with the fantastic area of Russian literature. In Psychological Aspects I analyze the issue of communication in a human society of the future considered by Tarkovsky as rigid, the obsession of the house, and the personal evolution of Kris, Hari, and the relationships between them. In Philosophical Aspects, the film is analyzed through the philosophy of the mind (Cartesian dualism, reductionism and functionalism), the problem of personal identity, the theory of heterotopic spaces developed by Michel Foucault, and the semantic interpretations that can be deduced from the film. It also analyzes the issue of personal identity through Locke's philosophy. "Conclusions" show the general ideas of this essay, namely that Man's attempts to classify and maintain forms of interaction with unknown entities will always be condemned to failure and will reflect a major mistake in the panoptic world in which we live. In this framework of analysis of the philosophy of mind, functionalism seems to be the most intuitive. Solaris is, however, a movie that begins as a search for answers and comes to provide these answers with a whole range of different questions. CONTENTS: Abstract Introduction 1 Cinema technique 2 Psychological Aspects 3 Philosophical aspects Conclusions Bibliography Notes DOI: 10.13140/RG.2.2.28635.82723
The Oracle Solaris DTrace feature revolutionizes the way you debug operating systems and applications. Using DTrace, you can dynamically instrument software and quickly answer virtually any question about its behavior. Now, for the first time, there's a comprehensive, authoritative guide to making the most of DTrace in any supported UNIX environment--from Oracle Solaris to OpenSolaris, Mac OS X, and FreeBSD. Written by key contributors to the DTrace community, DTrace teaches by example, presenting scores of commands and easy-to-adapt, downloadable D scripts. These concise examples generate answers to real and useful questions, and serve as a starting point for building more complex scripts. Using them, you can start making practical use of DTrace immediately, whether you're an administrator, developer, analyst, architect, or support professional. The authors fully explain the goals, techniques, and output associated with each script or command. Drawing on their extensive experience, they provide strategy suggestions, checklists, and functional diagrams, as well as a chapter of advanced tips and tricks. You'll learn how to Write effective scripts using DTrace's D language Use DTrace to thoroughly understand system performance Expose functional areas of the operating system, including I/O, filesystems, and protocols Use DTrace in the application and database development process Identify and fix security problems with DTrace Analyze the operating system kernel Integrate DTrace into source code Extend DTrace with other tools This book will help you make the most of DTrace to solve problems more quickly and efficiently, and build systems that work faster and more reliably.
Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. The first comprehensive study in English concentrating on the soundtrack in Tarkovsky’s cinema, this book reveals how Tarkovsky’s use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work. Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. An excellent resource for scholars, researchers and students interested in European art cinema and the role of music in film, as well as for film aficionados interested in Tarkovsky’s work.
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.