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A collection of short fiction and novellas showcases the work of such popular science fiction writers as Alastair Reynolds, Stephen Baxter, and John Meaney.
The New Solaris Book of Science Fiction Solaris Rising 2 showcases the finest new science fiction from both celebrated authors and the most exciting of emerging writers. Following in the footsteps of the critically-acclaimed first volume, editor Ian Whates has once again gathered together a plethora of thrilling and daring talent. Within you will find unexplored frontiers as well as many of the central themes of the genre - alien worlds, time travel, artificial intelligence - made entirely new in the telling. The authors here prove once again why SF continues to be the most innovative, satisfying, and downright exciting genre of all. Featuring new writing by Allen Steele // Paul Cornell // Nancy Kress // James Lovegrove // Adrian Tchaikovsky // Neil Williamson // Nick Harkaway // Kay Kenyon // Kristine Kathryn Rusch // Mercurio D. Rivera // Eugie Foster // Vandana Singh // Kim Lakin-Smith // Robert Reed // Martin Sketchley // Norman Spinrad // Liz Williams // Martin McGrath // Mike Allen
A collection of original stories from some of the best-loved names and hottest new talents in a wide range of fantasy genres, including new fiction from Janny Wurts, Scott Lynch, Hal Duncan, Juliet E. McKenna, Chris Roberson, Mark Chadbourn and Jeff Vandermeer.
Octavia E. Butler said, “There’s nothing new under the sun, but there are new suns.” New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told. Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders. Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.
The gruesome writing debut of Meghan Douglass. The fate of humanity rests on their shoulders, but when the crew of the Valhalla awaken prematurely from stasis, things go horribly wrong. What must they all sacrifice to save the rest of humanity? Desperate times call for deadly measures.
This is an eclectic collection of all-original science fiction stories from some of the foremost luminaries in the genre. Featuring new tales of far future murder, first contact, love and war from such well-regarded and award winning authors as Peter F. Hamilton, Stephen Baxter, Adam Roberts, Jeffrey Thomas, Eric Brown, Paul Di Filippo, Neal Asher, Jay Lake and Ian Watson, this collection is sure to delight all fans of good science fiction.
Selected by Choice as an Outstanding Academic Book of the Year. This innovative cultural critique offers valuable insights into science fiction, thus enlarging our understanding of critical theory. Carl Freedman traces the fundamental and mostly unexamined relationships between the discourses of science fiction and critical theory, arguing that science fiction is (or ought to be) a privileged genre for critical theory. He asserts that it is no accident that the upsurge of academic interest in science fiction since the 1970s coincides with the heyday of literary theory, and that likewise science fiction is one of the most theoretically informed areas of the literary profession. Extended readings of novels by five of the most important modern science fiction authors illustrate the affinity between science fiction and critical theory, in each case concentrating on one major novel that resonates with concerns proper to critical theory. Freedman's five readings are: Solaris: Stanislaw Lem and the Structure of Cognition; The Dispossessed: Ursula LeGuin and the Ambiguities of Utopia; The Two of Them: Joanna Russ and the Violence of Gender; Stars in My Pocket Like Grains of Sand: Samuel Delany and the Dialectics of Difference; The Man in the High Castle: Philip K. Dick and the Construction of Realities.
From the Nebula-Award-winning author of The Art of Starving comes Sam J. Miller's sci-fi time traveling tale, "Let All the Chlidren Boogie," a Tor.com Original As the Cold War stalls and the threat of nuclear warfare dominates the news, small-town misfits Laurie and Fell bond over a shared love of music and the mystery of the erratic radio messages that hint at the existence of a future worth reaching out for. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem's intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.
“A stunningly inventive fantasy about cosmic travel” from the Kafka Prize–winning author of Solaris (The New York Times). The Hermes explorer ship represents the epitome of Earth’s excellence: a peaceful mission sent forth to make first contact with an alien civilization, and to use the expansive space technology developed by humanity to seek new worlds, friendships, and alliances. But what its crew discovers on the planet Quinta is nothing like they had hoped. Locked in a seemingly endless cold war among themselves, the Quintans are uncommunicative and violent, refusing any discourse—except for the firing of deadly weapons. The crew of the Hermes is determined to accomplish what they had set out to do. But the cost of learning the secrets hidden on the silent surface of Quinta may be grave. Stark, startling, and insightful, Fiasco has been praised by Publishers Weekly as “one of Lem’s best novels.” It is classic, thought-provoking hard science fiction, as prescient today as when it was first written.