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C.G. Jung held an ‘extemporaneous’ seminar on “The Solar Myths and Opicinus de Canistris” at the 1943 Eranos Conference. In a complete version for the first time, this book presents all of the known material relating to the seminar, including notes taken by two of his students, Alwine von Keller and Rivkah Schärf Kluger, and the outline that Jung himself prepared. Opicinus de Canistris (1296–c. 1352) was a priest and cartographer from near Pavia, Italy. His typically medieval cartography is characterized by historical, theological, symbolic and astrological references along with a curious anthropomorphism, which depicted continents and oceans with human features. Jung recognized this as a projection of Opicinus’ inner world and interpreted the maps of the world as mandalas, where the integration of the shadow, the dark principle, was missing. From the contents: Opicinus de Canistris. Concluding Seminar, Eranos, Ascona, 1943 (Speaking Notes by Carl Gustav Jung) Notes on Jung’s Seminar held on August 12 and 14, 1943, by Alwine von Keller and Rivkah Schärf Kluger Rivkah Schärf Kluger. A Life Fuelled with Intensity of Spirit and Rare Depth of Soul, by Nomi Kluger-Nash Alwine von Keller (1878–1965). A Biographical Memoir, by Riccardo Bernardini, Gian Piero Quaglino, Augusto Romano
There has been a recent surge in the examination of the evolutionary roots of religious belief, all trying to identify where the human desire to seek the supernatural and the divine comes from. This book adds a new and innovative perspective to this line of thought by being the first to link prenatal and perinatal experiences to the origins of these unconscious underpinnings of our shared images of God. The book poses a ground-breaking paradigm by thinking about our earliest images of God, whether theist or atheist, within a psychoanalytic framework, comparing and contrasting the thought of Freud and Rizzuto. It looks at the issue of images of God from a diversity of psychological perspectives including, attachment theory, developmental theory and bio-psychosocial perspectives. This analysis leads to the conclusion that in parallel to postnatal findings, uterine and birth experiences can predispose individuals to form God representations later in life, through underpinning affective and environmental factors. This is a bold study of the development of one of humanity’s most fundamental aspects. As such, it will be of great interest to scholars of the psychology of religion, psychology, psychoanalysis, religious studies and early infant development.
C. G. Jung’s The Red Book: Liber Novus, published posthumously in 2009, explores Jung’s own journey from an inner state of alienation and depression to the restoration of his soul, as well as offering a prophetic narrative of the collective human psyche as it journeys from unconsciousness to a greater awareness of its own inner dichotomy of good and evil. Jung utilised astrological symbols throughout to help him comprehend the personal as well as universal meanings of his visions. In The Astrological World of Jung’s Liber Novus, Liz Greene explores the planetary journey Jung portrayed in this remarkable work and investigates the ways in which he used astrological images and themes as an interpretive lens to help him understand the nature of his visions and the deeper psychological meaning behind them. Greene’s analysis includes a number of mythic and archetypal elements, including the stories of Salome, Siegfried and Elijah, and demonstrates that astrology, as Jung understood and worked with it, is unquestionably one of the most important foundation stones of analytical psychology, and an essential part of understanding his legacy. This unique study will appeal to analytical psychologists and Jungian psychotherapists, students and academics of Jungian and post-Jungian theory, the history of psychology, archetypal thought, mythology and folklore, the history of New Age movements, esotericism and psychological astrology.
Do we, like Jung, need to leave the spirit of the time and follow the spirit of the depths, to call out "my soul, where are you?" through the windows of our now post-modern homes? We live in a digital world of incredible virtual inter-connectedness but at the same time fragmented and divided on many levels, including the psychological. The pace of life is rapid and ever accelerating. The spirit of the time is flux: It twitters. There is no sense of coherence in the whole. The guidance of a transcendent North Star is invisible to the naked eye of consciousness. Our existential crisis is not about the individual alone. It infects the entire human world, like the Covid-19 pandemic. Wars between cultural brothers and sisters, increasingly dire effects of climate change, economic disruptions, hunger, migration-these conditions affect everyone on the planet. Is there a spirit of the depths that can take us through this Inferno, perhaps toward the emergence of a meaningful narrative that can stabilize the global community and provide a collective sense of "supreme meaning?" This is the search for soul in the 21st Century.
With the publication of the correspondence between C. G. Jung and Erich Neumann, the major contributions made by Neumann to depth psychology are coming back into focus and assuming new prominence in the field of analytical psychology and beyond. The articles in this volume offer reflections on the creative relationship between Jung and Neumann and possible extensions of their work for the future, signifying the beginning of a Neumann renaissance. Contributions by Henry Abramovitch, Riccardo Bernardini, Batya Brosh, Joseph Cambray, Thomas Fischer, Nancy Swift Furlotti, Christian Gaillard, Ulrich Hoerni, Andreas Jung, Tom Kelly, Thomas B. Kirsch, Nomi Kluger Nash, Tamar Kron, Debora Kutzinski, Rivka Lahav, Ann Lammers, Martin Liebscher, Ralli Loewenthal-Neumann, Angelica Löwe, Paul Mendes-Flohr, Julie Neumann, Micha Neumann, Gideon Ofrat, Rina Porat, Jörg Rasche, Erel Shalit, Murray Stein and Jacqueline Zeller.
The 74th volume of the Eranos Yearbooks, The Age of Immediacy at the Test of Meaning, presents to the public the work of the last two years of activities at the Eranos Foundation (2017–2018). The book gathers the lectures presented at the occasion of the 2017 Eranos Conference, Where is the World Going? The Uncertain Future, between Traditional Knowledge and Scientific Thought, the 2018 Eranos Conference, Space for Thinking and Thinking about Space. Reflections on the Relations between the Soul and Places at the Time of the Anthropocene, the 2017 Eranos-Jung Lectures, Who is Afraid of Interiority? A Journey through Literature, Philosophy, and Psychology, the 2018 Eranos-Jung Lectures, Who is Stealing our Time? The Age of Immediacy at the Test of Meaning, and the 2018 Eranos School seminar, The Mechanisms of Heresy: Old and New Forms of Exclusion and Repression. The volume includes essays by Valery Afanassiev, Stephen Aizenstat, Arnaldo Benini, Paul Bishop, Roberto Casati, Adriano Fabris, Franco Ferrari, Giuseppe O. Longo, Jaap Mansfeld, Panos Mantziaras, Grazia Shōgen Marchianò, Massimo Mori, Guy Pelletier, Antonio Prete, Francesca Rigotti, René Roux, Silvano Tagliagambe, Yannis Tsiomis, Amelia Valtolina, Matteo Vegetti, Antonio Vitolo, Samaneh Yasaei, and Chiara Zamboni.
The 73rd volume of the Eranos Yearbooks, The World and its Shadow, presents to the public the work of the last years of activities of the Eranos Foundation (2015-2016). The book gathers the lectures presented at the occasion of the 2015 Eranos Conference, The Roots of Evil - Figures and Issues from the Abysses of the Human Condition, the 2016 Eranos Conference, The Origins of the World - Physics and Metaphysics of Creation, the 2015 Eranos-Jung Lectures, The Feelings of Absence - Abandonment, Solitude, and Nostalgia, the 2016 Eranos-Jung Lectures, Myths that Speak about us, and the 2015 Eranos School seminars, Myths, Woman, and Law in Johann Jakob Bachofen (1815-1887) on the Two-Hundredth Anniversary of his Birth and Philosophy's Shadow: Thinking, Politics, and Antisemitism in Martin Heidegger's 'Black Notebooks'. The volume includes essays by Maurizio Bettini, Françoise Bonardel, Gianfranco Bonola, Massimo De Carolis, Roberto Cazzola, Pietro Conte, Costantino Esposito, Adriano Fabris, Franco Ferrari, Giovanni Filoramo, Roy Garré, Marco Mazzeo, Fabio Merlini, David L. Miller, Nuccio Ordine, Antonio C.D. Panaino, Guy Pelletier, Fausto Petrella, Stefano Poggi, Antonio Prete, Augusto Romano, David Sedley, Davide Susanetti, Silvano Tagliagambe, Father Giuseppe Tanzella-Nitti, Peter Trawny, and Silvia Vegetti Finzi.
In spite of all the papers that others have written about the manuscript, there is no complete survey of all the approaches, ideas, background information and analytic studies that have accumulated over the nearly fifty-five years since the manuscript was discovered by Wilfrid M. Voynich in 1912. This report pulls together all the information the author could obtain from all the sources she has examined, and to present it in an orderly fashion. The resulting survey will provide a firm basis upon which other students may build their work, whether they seek to decipher the text or simply to learn more about the problem.
A lavishly illustrated volume of C.G. Jung’s visual work, from drawing to painting to sculpture. A world-renowned, founding figure in analytical psychology, and one of the twentieth century’s most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung’s practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title “artist.” But the long-awaited and landmark publication, in 2009, of C.G. Jung’s The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of “thinking in images” in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication. The release of The Red Book generated enormous interest in Jung’s visual works and allowed scholars to engage with the legacy of Jung’s creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung’s visual efforts from early childhood to adult life while illuminating the close relation of Jung’s lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung’s engagement with visual art as maker, collector, and analyst.
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.